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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 92 178 it is the complementary color RGB 135 163 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 92 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 120 92 178: RGB 125 92 173, RGB 142 110 192, RGB 159 128 211, RGB 176 146 230 and RGB 193 164 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 92 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 120 92 178: RGB 120 92 178, RGB 103 74 159, RGB 86 56 140, RGB 69 38 121 and RGB 52 20 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 48 / 0 / 30

HEX #785CB2

RGB 120 92 178

HSL 259.53, 0.36%, 0.53%

LAB 45.44, 30.6, -41.87

 

Complementary color

CMYK 17 / 0 / 53 / 36

HEX #87A34D

RGB 135 163 77

HSL 79.53, 0.36%, 0.47%

LAB 63.24, -23.67, 41.04

 

CMYK 28 / 47 / 0 / 32

HEX #7D5CAD

RGB 125 92 173

HSL 264.44, 0.33%, 0.52%

LAB 45.68, 30.69, -38.54

 

CMYK 26 / 43 / 0 / 25

HEX #8E6EC0

RGB 142 110 192

HSL 263.41, 0.39%, 0.59%

LAB 52.63, 29.78, -38.49

 

CMYK 25 / 39 / 0 / 17

HEX #9F80D3

RGB 159 128 211

HSL 262.41, 0.49%, 0.66%

LAB 59.45, 28.96, -38.46

 

CMYK 23 / 37 / 0 / 10

HEX #B092E6

RGB 176 146 230

HSL 261.43, 0.63%, 0.74%

LAB 66.14, 28.2, -38.46

 

CMYK 22 / 34 / 0 / 2

HEX #C1A4F9

RGB 193 164 249

HSL 260.47, 0.88%, 0.81%

LAB 72.71, 27.52, -38.49

 

CMYK 33 / 48 / 0 / 30

HEX #785CB2

RGB 120 92 178

HSL 259.53, 0.36%, 0.53%

LAB 45.44, 30.6, -41.87

 

CMYK 35 / 53 / 0 / 38

HEX #674A9F

RGB 103 74 159

HSL 260.47, 0.36%, 0.46%

LAB 38.35, 31.67, -42.03

 

CMYK 39 / 60 / 0 / 45

HEX #56388C

RGB 86 56 140

HSL 261.43, 0.43%, 0.38%

LAB 31.11, 32.85, -42.17

 

CMYK 43 / 69 / 0 / 53

HEX #452679

RGB 69 38 121

HSL 262.41, 0.52%, 0.31%

LAB 23.78, 34.05, -42.23

 

CMYK 49 / 80 / 0 / 60

HEX #341466

RGB 52 20 102

HSL 263.41, 0.67%, 0.24%

LAB 16.45, 34.97, -41.97

 

CMYK 33 / 48 / 0 / 30

HEX #785CB2

RGB 120 92 178

HSL 259.53, 0.36%, 0.53%

LAB 45.44, 30.6, -41.87

 

CMYK 25 / 48 / 0 / 30

HEX #855CB2

RGB 133 92 178

HSL 268.6, 0.36%, 0.53%

LAB 46.78, 34.2, -39.67

 

CMYK 17 / 48 / 0 / 30

HEX #945CB2

RGB 148 92 178

HSL 279.07, 0.36%, 0.53%

LAB 48.47, 38.49, -36.9

 

CMYK 9 / 48 / 0 / 30

HEX #A25CB2

RGB 162 92 178

HSL 288.84, 0.36%, 0.53%

LAB 50.16, 42.56, -34.12

 

CMYK 1 / 48 / 0 / 30

HEX #B05CB2

RGB 176 92 178

HSL 298.6, 0.36%, 0.53%

LAB 51.95, 46.67, -31.19

 

CMYK 33 / 48 / 0 / 30

HEX #785CB2

RGB 120 92 178

HSL 259.53, 0.36%, 0.53%

LAB 45.44, 30.6, -41.87

 

CMYK 33 / 48 / 0 / 10

HEX #9A76E5

RGB 154 118 229

HSL 259.46, 0.68%, 0.68%

LAB 57.54, 37.75, -51.59

 

CMYK 32 / 48 / 0 / 90

HEX #110D19

RGB 17 13 25

HSL 260, 0.32%, 0.07%

LAB 4.31, 3.97, -6.62

 

CMYK 33 / 49 / 0 / 70

HEX #33274C

RGB 51 39 76

HSL 259.46, 0.32%, 0.23%

LAB 18.7, 15.1, -20.96

 

CMYK 32 / 48 / 0 / 50

HEX #56427F

RGB 86 66 127

HSL 259.67, 0.32%, 0.38%

LAB 32.72, 23, -31.56

 

CMYK 33 / 48 / 0 / 30

HEX #785CB2

RGB 120 92 178

HSL 259.53, 0.36%, 0.53%

LAB 45.44, 30.6, -41.87

 

CMYK 0 / 48 / 25 / 30

HEX #B25C85

RGB 178 92 133

HSL 331.4, 0.36%, 0.53%

LAB 50.47, 39.82, -6.93

 

CMYK 44 / 0 / 48 / 30

HEX #63B25C

RGB 99 178 92

HSL 115.12, 0.36%, 0.53%

LAB 65.96, -41.69, 36.38

 

CMYK 33 / 48 / 0 / 30

HEX #785CB2

RGB 120 92 178

HSL 259.53, 0.36%, 0.53%

LAB 45.44, 30.6, -41.87

 

CMYK 0 / 33 / 48 / 30

HEX #B2775C

RGB 178 119 92

HSL 18.84, 0.36%, 0.53%

LAB 55.51, 19.98, 24.24

 

CMYK 48 / 0 / 33 / 30

HEX #5CB277

RGB 92 178 119

HSL 138.84, 0.36%, 0.53%

LAB 66.1, -39.32, 22.35

 

CMYK 33 / 48 / 0 / 30

HEX #785CB2

RGB 120 92 178

HSL 259.53, 0.36%, 0.53%

LAB 45.44, 30.6, -41.87

 

CMYK 0 / 48 / 25 / 30

HEX #B25C85

RGB 178 92 133

HSL 331.4, 0.36%, 0.53%

LAB 50.47, 39.82, -6.93

 

CMYK 16 / 0 / 48 / 30

HEX #96B25C

RGB 150 178 92

HSL 79.53, 0.36%, 0.53%

LAB 68.82, -23.56, 40.56

 

CMYK 48 / 0 / 24 / 30

HEX #5CB288

RGB 92 178 136

HSL 150.7, 0.36%, 0.53%

LAB 66.44, -35.93, 13.58

 

CMYK 33 / 48 / 0 / 30

HEX #785CB2

RGB 120 92 178

HSL 259.53, 0.36%, 0.53%

LAB 45.44, 30.6, -41.87

 

CMYK 0 / 48 / 40 / 30

HEX #B25C6B

RGB 178 92 107

HSL 349.53, 0.36%, 0.53%

LAB 49.71, 36.43, 7.52

 

CMYK 16 / 0 / 48 / 30

HEX #96B25C

RGB 150 178 92

HSL 79.53, 0.36%, 0.53%

LAB 68.82, -23.56, 40.56

 

CMYK 48 / 0 / 9 / 30

HEX #5CB2A2

RGB 92 178 162

HSL 168.84, 0.36%, 0.53%

LAB 67.07, -29.96, 0.16

 

Description

Color code: RGB 120 92 178 | qconv.com Color code: RGB 120 92 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 92 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 92 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 48 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 48% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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