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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 90 83 it is the complementary color RGB 135 165 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 90 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 120 90 83: RGB 125 90 78, RGB 142 108 97, RGB 159 126 116, RGB 176 144 135 and RGB 193 162 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 90 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 120 90 83: RGB 120 90 83, RGB 103 72 64, RGB 86 54 45, RGB 69 36 26 and RGB 52 18 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 31 / 53

HEX #785A53

RGB 120 90 83

HSL 11.35, 0.18%, 0.4%

LAB 41.1, 11.23, 8.82

 

Complementary color

CMYK 22 / 4 / 0 / 33

HEX #87A5AC

RGB 135 165 172

HSL 191.35, 0.18%, 0.6%

LAB 65.78, -8.72, -7.05

 

CMYK 0 / 28 / 38 / 51

HEX #7D5A4E

RGB 125 90 78

HSL 15.32, 0.23%, 0.4%

LAB 41.57, 12.67, 12.6

 

CMYK 0 / 24 / 32 / 44

HEX #8E6C61

RGB 142 108 97

HSL 14.67, 0.19%, 0.47%

LAB 48.68, 11.87, 11.37

 

CMYK 0 / 21 / 27 / 38

HEX #9F7E74

RGB 159 126 116

HSL 13.95, 0.18%, 0.54%

LAB 55.64, 11.2, 10.29

 

CMYK 0 / 18 / 23 / 31

HEX #B09087

RGB 176 144 135

HSL 13.17, 0.21%, 0.61%

LAB 62.45, 10.62, 9.3

 

CMYK 0 / 16 / 20 / 24

HEX #C1A29A

RGB 193 162 154

HSL 12.31, 0.24%, 0.68%

LAB 69.12, 10.11, 8.4

 

CMYK 0 / 25 / 31 / 53

HEX #785A53

RGB 120 90 83

HSL 11.35, 0.18%, 0.4%

LAB 41.1, 11.23, 8.82

 

CMYK 0 / 30 / 38 / 60

HEX #674840

RGB 103 72 64

HSL 12.31, 0.23%, 0.33%

LAB 33.75, 12.07, 10.06

 

CMYK 0 / 37 / 48 / 66

HEX #56362D

RGB 86 54 45

HSL 13.17, 0.31%, 0.26%

LAB 26.18, 13.12, 11.56

 

CMYK 0 / 48 / 62 / 73

HEX #45241A

RGB 69 36 26

HSL 13.95, 0.45%, 0.19%

LAB 18.37, 14.49, 13.47

 

CMYK 0 / 65 / 87 / 80

HEX #341207

RGB 52 18 7

HSL 14.67, 0.76%, 0.12%

LAB 10.39, 16.24, 13.05

 

CMYK 0 / 25 / 31 / 53

HEX #785A53

RGB 120 90 83

HSL 11.35, 0.18%, 0.4%

LAB 41.1, 11.23, 8.82

 

CMYK 0 / 20 / 31 / 53

HEX #786053

RGB 120 96 83

HSL 21.08, 0.18%, 0.4%

LAB 42.74, 7.63, 11.1

 

CMYK 0 / 15 / 31 / 53

HEX #786653

RGB 120 102 83

HSL 30.81, 0.18%, 0.4%

LAB 44.41, 4.06, 13.41

 

CMYK 0 / 10 / 31 / 53

HEX #786C53

RGB 120 108 83

HSL 40.54, 0.18%, 0.4%

LAB 46.1, 0.53, 15.73

 

CMYK 0 / 5 / 31 / 53

HEX #787253

RGB 120 114 83

HSL 50.27, 0.18%, 0.4%

LAB 47.82, -2.95, 18.06

 

CMYK 0 / 25 / 31 / 53

HEX #785A53

RGB 120 90 83

HSL 11.35, 0.18%, 0.4%

LAB 41.1, 11.23, 8.82

 

CMYK 0 / 25 / 31 / 33

HEX #AB8076

RGB 171 128 118

HSL 11.32, 0.24%, 0.57%

LAB 57.47, 15.16, 11.89

 

CMYK 0 / 25 / 31 / 13

HEX #DEA79A

RGB 222 167 154

HSL 11.47, 0.51%, 0.74%

LAB 73.22, 18.45, 14.6

 

CMYK 0 / 22 / 33 / 93

HEX #120E0C

RGB 18 14 12

HSL 20, 0.2%, 0.06%

LAB 4.24, 1.1, 1.39

 

CMYK 0 / 25 / 30 / 73

HEX #453430

RGB 69 52 48

HSL 11.43, 0.18%, 0.23%

LAB 23.45, 6.93, 5.46

 

CMYK 0 / 25 / 31 / 53

HEX #785A53

RGB 120 90 83

HSL 11.35, 0.18%, 0.4%

LAB 41.1, 11.23, 8.82

 

CMYK 12 / 0 / 31 / 53

HEX #6A7853

RGB 106 120 83

HSL 82.7, 0.18%, 0.4%

LAB 48.41, -12.2, 18.65

 

CMYK 31 / 24 / 0 / 53

HEX #535B78

RGB 83 91 120

HSL 227.03, 0.18%, 0.4%

LAB 39.03, 4.21, -17.4

 

CMYK 0 / 25 / 31 / 53

HEX #785A53

RGB 120 90 83

HSL 11.35, 0.18%, 0.4%

LAB 41.1, 11.23, 8.82

 

CMYK 31 / 0 / 25 / 53

HEX #53785A

RGB 83 120 90

HSL 131.35, 0.18%, 0.4%

LAB 46.99, -19.77, 12.38

 

CMYK 25 / 31 / 0 / 53

HEX #5A5378

RGB 90 83 120

HSL 251.35, 0.18%, 0.4%

LAB 37.33, 11.56, -19.97

 

CMYK 0 / 25 / 31 / 53

HEX #785A53

RGB 120 90 83

HSL 11.35, 0.18%, 0.4%

LAB 41.1, 11.23, 8.82

 

CMYK 12 / 0 / 31 / 53

HEX #6A7853

RGB 106 120 83

HSL 82.7, 0.18%, 0.4%

LAB 48.41, -12.2, 18.65

 

CMYK 31 / 6 / 0 / 53

HEX #537178

RGB 83 113 120

HSL 191.35, 0.18%, 0.4%

LAB 45.64, -8.99, -7.39

 

CMYK 19 / 31 / 0 / 53

HEX #615378

RGB 97 83 120

HSL 262.7, 0.18%, 0.4%

LAB 37.99, 13.95, -18.89

 

CMYK 0 / 25 / 31 / 53

HEX #785A53

RGB 120 90 83

HSL 11.35, 0.18%, 0.4%

LAB 41.1, 11.23, 8.82

 

CMYK 21 / 0 / 31 / 53

HEX #5F7853

RGB 95 120 83

HSL 100.54, 0.18%, 0.4%

LAB 47.61, -16.59, 17.43

 

CMYK 31 / 6 / 0 / 53

HEX #537178

RGB 83 113 120

HSL 191.35, 0.18%, 0.4%

LAB 45.64, -8.99, -7.39

 

CMYK 10 / 31 / 0 / 53

HEX #6C5378

RGB 108 83 120

HSL 280.54, 0.18%, 0.4%

LAB 39.12, 17.8, -17.06

 

Description

Color code: RGB 120 90 83 | qconv.com Color code: RGB 120 90 83 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 90 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 90 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 31 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 31% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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