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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 69 8 it is the complementary color RGB 135 186 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 69 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 120 69 8: RGB 125 69 3, RGB 142 87 22, RGB 159 105 41, RGB 176 123 60 and RGB 193 141 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 69 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 120 69 8: RGB 120 69 8, RGB 103 51 0, RGB 86 33 0, RGB 69 15 0 and RGB 52 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 93 / 53

HEX #784508

RGB 120 69 8

HSL 32.68, 0.88%, 0.25%

LAB 34.53, 17.58, 41.38

 

Complementary color

CMYK 45 / 25 / 0 / 3

HEX #87BAF7

RGB 135 186 247

HSL 212.68, 0.88%, 0.75%

LAB 74.18, -0.92, -35.45

 

CMYK 0 / 45 / 98 / 51

HEX #7D4503

RGB 125 69 3

HSL 32.46, 0.95%, 0.25%

LAB 35.25, 19.79, 43.95

 

CMYK 0 / 39 / 85 / 44

HEX #8E5716

RGB 142 87 22

HSL 32.5, 0.73%, 0.32%

LAB 42.19, 17.61, 44.1

 

CMYK 0 / 34 / 74 / 38

HEX #9F6929

RGB 159 105 41

HSL 32.54, 0.59%, 0.39%

LAB 49.05, 15.77, 43.21

 

CMYK 0 / 30 / 66 / 31

HEX #B07B3C

RGB 176 123 60

HSL 32.59, 0.49%, 0.46%

LAB 55.81, 14.23, 41.85

 

CMYK 0 / 27 / 59 / 24

HEX #C18D4F

RGB 193 141 79

HSL 32.63, 0.48%, 0.53%

LAB 62.47, 12.95, 40.38

 

CMYK 0 / 43 / 93 / 53

HEX #784508

RGB 120 69 8

HSL 32.68, 0.88%, 0.25%

LAB 34.53, 17.58, 41.38

 

CMYK 0 / 50 / 100 / 60

HEX #673300

RGB 103 51 0

HSL 29.71, 1%, 0.2%

LAB 27.44, 20.1, 37.92

 

CMYK 0 / 62 / 100 / 66

HEX #562100

RGB 86 33 0

HSL 23.02, 1%, 0.17%

LAB 20.31, 22.79, 29.85

 

CMYK 0 / 78 / 100 / 73

HEX #450F00

RGB 69 15 0

HSL 13.04, 1%, 0.14%

LAB 13.27, 24.97, 20.43

 

CMYK 0 / 100 / 100 / 80

HEX #340000

RGB 52 0 0

HSL 0, 1%, 0.1%

LAB 6.59, 25.64, 10.42

 

CMYK 0 / 43 / 93 / 53

HEX #784508

RGB 120 69 8

HSL 32.68, 0.88%, 0.25%

LAB 34.53, 17.58, 41.38

 

CMYK 0 / 28 / 94 / 53

HEX #775607

RGB 119 86 7

HSL 42.32, 0.89%, 0.25%

LAB 38.89, 6.89, 44.97

 

CMYK 0 / 13 / 94 / 53

HEX #776807

RGB 119 104 7

HSL 51.96, 0.89%, 0.25%

LAB 44, -3.7, 48.91

 

CMYK 3 / 0 / 94 / 53

HEX #747707

RGB 116 119 7

HSL 61.61, 0.89%, 0.25%

LAB 48.16, -13.53, 52.03

 

CMYK 18 / 0 / 94 / 53

HEX #617707

RGB 97 119 7

HSL 71.79, 0.89%, 0.25%

LAB 46.65, -22.26, 50.18

 

CMYK 0 / 43 / 93 / 53

HEX #784508

RGB 120 69 8

HSL 32.68, 0.88%, 0.25%

LAB 34.53, 17.58, 41.38

 

CMYK 0 / 43 / 94 / 33

HEX #AB620B

RGB 171 98 11

HSL 32.63, 0.88%, 0.36%

LAB 48.78, 24.1, 54.4

 

CMYK 0 / 42 / 93 / 13

HEX #DE800F

RGB 222 128 15

HSL 32.75, 0.87%, 0.46%

LAB 62.51, 29.71, 66.54

 

CMYK 0 / 44 / 94 / 93

HEX #120A01

RGB 18 10 1

HSL 31.76, 0.89%, 0.04%

LAB 3.14, 1.34, 4.32

 

CMYK 0 / 42 / 93 / 73

HEX #452805

RGB 69 40 5

HSL 32.81, 0.86%, 0.15%

LAB 19.2, 10.41, 25.78

 

CMYK 0 / 43 / 93 / 53

HEX #784508

RGB 120 69 8

HSL 32.68, 0.88%, 0.25%

LAB 34.53, 17.58, 41.38

 

CMYK 69 / 0 / 94 / 53

HEX #257707

RGB 37 119 7

HSL 103.93, 0.89%, 0.25%

LAB 43.66, -43.66, 46.5

 

CMYK 82 / 94 / 0 / 53

HEX #160777

RGB 22 7 119

HSL 248.04, 0.89%, 0.25%

LAB 13.56, 42.61, -57.93

 

CMYK 0 / 43 / 93 / 53

HEX #784508

RGB 120 69 8

HSL 32.68, 0.88%, 0.25%

LAB 34.53, 17.58, 41.38

 

CMYK 94 / 0 / 44 / 53

HEX #077743

RGB 7 119 67

HSL 152.14, 0.89%, 0.25%

LAB 43.72, -41.08, 20.84

 

CMYK 44 / 94 / 0 / 53

HEX #430777

RGB 67 7 119

HSL 272.14, 0.89%, 0.25%

LAB 18.7, 46.37, -49.26

 

CMYK 0 / 43 / 93 / 53

HEX #784508

RGB 120 69 8

HSL 32.68, 0.88%, 0.25%

LAB 34.53, 17.58, 41.38

 

CMYK 69 / 0 / 94 / 53

HEX #257707

RGB 37 119 7

HSL 103.93, 0.89%, 0.25%

LAB 43.66, -43.66, 46.5

 

CMYK 94 / 50 / 0 / 53

HEX #073C77

RGB 7 60 119

HSL 211.61, 0.89%, 0.25%

LAB 25.59, 8.5, -38.22

 

CMYK 25 / 94 / 0 / 53

HEX #590777

RGB 89 7 119

HSL 283.93, 0.89%, 0.25%

LAB 22.33, 49.49, -43.17

 

CMYK 0 / 43 / 93 / 53

HEX #784508

RGB 120 69 8

HSL 32.68, 0.88%, 0.25%

LAB 34.53, 17.58, 41.38

 

CMYK 94 / 0 / 91 / 53

HEX #07770B

RGB 7 119 11

HSL 122.14, 0.89%, 0.25%

LAB 43.16, -47.98, 44.99

 

CMYK 94 / 50 / 0 / 53

HEX #073C77

RGB 7 60 119

HSL 211.61, 0.89%, 0.25%

LAB 25.59, 8.5, -38.22

 

CMYK 0 / 94 / 3 / 53

HEX #770774

RGB 119 7 116

HSL 301.61, 0.89%, 0.25%

LAB 27.67, 54.22, -32.37

 

Description

Color code: RGB 120 69 8 | qconv.com Color code: RGB 120 69 8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 69 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 69 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 93 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 93% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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