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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 26 34 it is the complementary color RGB 135 229 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 26 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 120 26 34: RGB 125 26 29, RGB 142 44 48, RGB 159 62 67, RGB 176 80 86 and RGB 193 98 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 26 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 120 26 34: RGB 120 26 34, RGB 103 8 15, RGB 86 0 0, RGB 69 0 0 and RGB 52 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 72 / 53

HEX #781A22

RGB 120 26 34

HSL 354.89, 0.64%, 0.29%

LAB 26.3, 40.44, 20.1

 

Complementary color

CMYK 41 / 0 / 3 / 10

HEX #87E5DD

RGB 135 229 221

HSL 174.89, 0.64%, 0.71%

LAB 85.21, -29.76, -4.87

 

CMYK 0 / 79 / 77 / 51

HEX #7D1A1D

RGB 125 26 29

HSL 358.18, 0.66%, 0.3%

LAB 27.26, 41.83, 24.73

 

CMYK 0 / 69 / 66 / 44

HEX #8E2C30

RGB 142 44 48

HSL 357.55, 0.53%, 0.36%

LAB 33.49, 41.56, 20.95

 

CMYK 0 / 61 / 58 / 38

HEX #9F3E43

RGB 159 62 67

HSL 356.91, 0.44%, 0.43%

LAB 39.95, 40.73, 17.99

 

CMYK 0 / 55 / 51 / 31

HEX #B05056

RGB 176 80 86

HSL 356.25, 0.38%, 0.5%

LAB 46.5, 39.7, 15.64

 

CMYK 0 / 49 / 46 / 24

HEX #C16269

RGB 193 98 105

HSL 355.58, 0.43%, 0.57%

LAB 53.05, 38.62, 13.71

 

CMYK 0 / 78 / 72 / 53

HEX #781A22

RGB 120 26 34

HSL 354.89, 0.64%, 0.29%

LAB 26.3, 40.44, 20.1

 

CMYK 0 / 92 / 85 / 60

HEX #67080F

RGB 103 8 15

HSL 355.58, 0.86%, 0.22%

LAB 20.41, 39.54, 24.53

 

CMYK 0 / 100 / 100 / 66

HEX #560000

RGB 86 0 0

HSL 0, 1%, 0.17%

LAB 15.37, 36.3, 23.94

 

CMYK 0 / 100 / 100 / 73

HEX #450000

RGB 69 0 0

HSL 0, 1%, 0.14%

LAB 11.03, 31.28, 17.37

 

CMYK 0 / 100 / 100 / 80

HEX #340000

RGB 52 0 0

HSL 0, 1%, 0.1%

LAB 6.59, 25.64, 10.42

 

CMYK 0 / 78 / 72 / 53

HEX #781A22

RGB 120 26 34

HSL 354.89, 0.64%, 0.29%

LAB 26.3, 40.44, 20.1

 

CMYK 0 / 74 / 79 / 53

HEX #79201A

RGB 121 32 26

HSL 3.79, 0.65%, 0.29%

LAB 27.22, 38.07, 26.33

 

CMYK 0 / 60 / 79 / 53

HEX #79301A

RGB 121 48 26

HSL 13.89, 0.65%, 0.29%

LAB 30.04, 30.52, 29.37

 

CMYK 0 / 47 / 79 / 53

HEX #79401A

RGB 121 64 26

HSL 24, 0.65%, 0.29%

LAB 33.58, 21.6, 33.04

 

CMYK 0 / 34 / 79 / 53

HEX #79501A

RGB 121 80 26

HSL 34.11, 0.65%, 0.29%

LAB 37.62, 12.1, 37.11

 

CMYK 0 / 78 / 72 / 53

HEX #781A22

RGB 120 26 34

HSL 354.89, 0.64%, 0.29%

LAB 26.3, 40.44, 20.1

 

CMYK 0 / 78 / 72 / 33

HEX #AB2530

RGB 171 37 48

HSL 355.07, 0.64%, 0.41%

LAB 38.19, 53.5, 27.98

 

CMYK 0 / 78 / 72 / 13

HEX #DE303F

RGB 222 48 63

HSL 354.83, 0.73%, 0.53%

LAB 49.5, 65.8, 34.82

 

CMYK 0 / 78 / 72 / 93

HEX #120405

RGB 18 4 5

HSL 355.71, 0.64%, 0.04%

LAB 2.04, 4.3, 1.09

 

CMYK 0 / 78 / 71 / 73

HEX #450F14

RGB 69 15 20

HSL 354.44, 0.64%, 0.16%

LAB 13.58, 26.04, 11.44

 

CMYK 0 / 78 / 72 / 53

HEX #781A22

RGB 120 26 34

HSL 354.89, 0.64%, 0.29%

LAB 26.3, 40.44, 20.1

 

CMYK 8 / 0 / 79 / 53

HEX #6F791A

RGB 111 121 26

HSL 66.32, 0.65%, 0.29%

LAB 48.42, -16.29, 47.07

 

CMYK 79 / 40 / 0 / 53

HEX #1A4979

RGB 26 73 121

HSL 210.32, 0.65%, 0.29%

LAB 30.32, 2.28, -31.88

 

CMYK 0 / 78 / 72 / 53

HEX #781A22

RGB 120 26 34

HSL 354.89, 0.64%, 0.29%

LAB 26.3, 40.44, 20.1

 

CMYK 70 / 0 / 79 / 53

HEX #24791A

RGB 36 121 26

HSL 113.68, 0.65%, 0.29%

LAB 44.41, -43.56, 41.83

 

CMYK 79 / 70 / 0 / 53

HEX #1A2479

RGB 26 36 121

HSL 233.68, 0.65%, 0.29%

LAB 19.48, 28.05, -49.41

 

CMYK 0 / 78 / 72 / 53

HEX #781A22

RGB 120 26 34

HSL 354.89, 0.64%, 0.29%

LAB 26.3, 40.44, 20.1

 

CMYK 8 / 0 / 79 / 53

HEX #6F791A

RGB 111 121 26

HSL 66.32, 0.65%, 0.29%

LAB 48.42, -16.29, 47.07

 

CMYK 79 / 0 / 8 / 53

HEX #1A796F

RGB 26 121 111

HSL 173.68, 0.65%, 0.29%

LAB 45.69, -28.83, -2.18

 

CMYK 70 / 79 / 0 / 53

HEX #241A79

RGB 36 26 121

HSL 246.32, 0.65%, 0.29%

LAB 17.89, 35.43, -52

 

CMYK 0 / 78 / 72 / 53

HEX #781A22

RGB 120 26 34

HSL 354.89, 0.64%, 0.29%

LAB 26.3, 40.44, 20.1

 

CMYK 31 / 0 / 79 / 53

HEX #53791A

RGB 83 121 26

HSL 84, 0.65%, 0.29%

LAB 46.43, -28.49, 44.49

 

CMYK 79 / 0 / 8 / 53

HEX #1A796F

RGB 26 121 111

HSL 173.68, 0.65%, 0.29%

LAB 45.69, -28.83, -2.18

 

CMYK 47 / 79 / 0 / 53

HEX #401A79

RGB 64 26 121

HSL 264, 0.65%, 0.29%

LAB 20.86, 39.47, -47.01

 

Description

Color code: RGB 120 26 34 | qconv.com Color code: RGB 120 26 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 26 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 26 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 72 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 72% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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