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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 21 37 it is the complementary color RGB 135 234 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 21 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 120 21 37: RGB 125 21 32, RGB 142 39 51, RGB 159 57 70, RGB 176 75 89 and RGB 193 93 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 21 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 120 21 37: RGB 120 21 37, RGB 103 3 18, RGB 86 0 0, RGB 69 0 0 and RGB 52 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 69 / 53

HEX #781525

RGB 120 21 37

HSL 350.3, 0.7%, 0.28%

LAB 25.75, 42.29, 17.43

 

Complementary color

CMYK 42 / 0 / 7 / 8

HEX #87EADA

RGB 135 234 218

HSL 170.3, 0.7%, 0.72%

LAB 86.53, -32.83, -1.34

 

CMYK 0 / 83 / 74 / 51

HEX #7D1520

RGB 125 21 32

HSL 353.65, 0.71%, 0.29%

LAB 26.74, 43.57, 22.19

 

CMYK 0 / 73 / 64 / 44

HEX #8E2733

RGB 142 39 51

HSL 353.01, 0.57%, 0.35%

LAB 32.79, 43.82, 18.13

 

CMYK 0 / 64 / 56 / 38

HEX #9F3946

RGB 159 57 70

HSL 352.35, 0.47%, 0.42%

LAB 39.14, 43.31, 15.03

 

CMYK 0 / 57 / 49 / 31

HEX #B04B59

RGB 176 75 89

HSL 351.68, 0.4%, 0.49%

LAB 45.61, 42.46, 12.6

 

CMYK 0 / 52 / 44 / 24

HEX #C15D6C

RGB 193 93 108

HSL 351, 0.45%, 0.56%

LAB 52.12, 41.5, 10.63

 

CMYK 0 / 83 / 69 / 53

HEX #781525

RGB 120 21 37

HSL 350.3, 0.7%, 0.28%

LAB 25.75, 42.29, 17.43

 

CMYK 0 / 97 / 83 / 60

HEX #670312

RGB 103 3 18

HSL 351, 0.94%, 0.21%

LAB 20.01, 40.88, 22.38

 

CMYK 0 / 100 / 100 / 66

HEX #560000

RGB 86 0 0

HSL 0, 1%, 0.17%

LAB 15.37, 36.3, 23.94

 

CMYK 0 / 100 / 100 / 73

HEX #450000

RGB 69 0 0

HSL 0, 1%, 0.14%

LAB 11.03, 31.28, 17.37

 

CMYK 0 / 100 / 100 / 80

HEX #340000

RGB 52 0 0

HSL 0, 1%, 0.1%

LAB 6.59, 25.64, 10.42

 

CMYK 0 / 83 / 69 / 53

HEX #781525

RGB 120 21 37

HSL 350.3, 0.7%, 0.28%

LAB 25.75, 42.29, 17.43

 

CMYK 0 / 83 / 83 / 53

HEX #791515

RGB 121 21 21

HSL 0, 0.7%, 0.28%

LAB 25.73, 41.86, 27.8

 

CMYK 0 / 69 / 83 / 53

HEX #792615

RGB 121 38 21

HSL 10.2, 0.7%, 0.28%

LAB 28.13, 35.24, 30.22

 

CMYK 0 / 55 / 83 / 53

HEX #793615

RGB 121 54 21

HSL 19.8, 0.7%, 0.28%

LAB 31.25, 27.07, 33.29

 

CMYK 0 / 41 / 83 / 53

HEX #794715

RGB 121 71 21

HSL 30, 0.7%, 0.28%

LAB 35.25, 17.26, 37.11

 

CMYK 0 / 83 / 69 / 53

HEX #781525

RGB 120 21 37

HSL 350.3, 0.7%, 0.28%

LAB 25.75, 42.29, 17.43

 

CMYK 0 / 82 / 69 / 33

HEX #AB1E35

RGB 171 30 53

HSL 350.21, 0.7%, 0.39%

LAB 37.56, 55.74, 24.11

 

CMYK 0 / 82 / 69 / 13

HEX #DE2744

RGB 222 39 68

HSL 350.49, 0.73%, 0.51%

LAB 48.76, 68.32, 30.98

 

CMYK 0 / 83 / 67 / 93

HEX #120306

RGB 18 3 6

HSL 348, 0.71%, 0.04%

LAB 1.87, 4.84, 0.42

 

CMYK 0 / 83 / 70 / 73

HEX #450C15

RGB 69 12 21

HSL 350.53, 0.7%, 0.16%

LAB 13.12, 27.43, 10.16

 

CMYK 0 / 83 / 69 / 53

HEX #781525

RGB 120 21 37

HSL 350.3, 0.7%, 0.28%

LAB 25.75, 42.29, 17.43

 

CMYK 2 / 0 / 83 / 53

HEX #767915

RGB 118 121 21

HSL 61.8, 0.7%, 0.28%

LAB 48.98, -13.28, 49.42

 

CMYK 83 / 36 / 0 / 53

HEX #154E79

RGB 21 78 121

HSL 205.8, 0.7%, 0.28%

LAB 31.78, -1.64, -29.57

 

CMYK 0 / 83 / 69 / 53

HEX #781525

RGB 120 21 37

HSL 350.3, 0.7%, 0.28%

LAB 25.75, 42.29, 17.43

 

CMYK 69 / 0 / 83 / 53

HEX #267915

RGB 38 121 21

HSL 109.8, 0.7%, 0.28%

LAB 44.43, -43.47, 43.59

 

CMYK 83 / 69 / 0 / 53

HEX #152679

RGB 21 38 121

HSL 229.8, 0.7%, 0.28%

LAB 19.75, 26.18, -48.98

 

CMYK 0 / 83 / 69 / 53

HEX #781525

RGB 120 21 37

HSL 350.3, 0.7%, 0.28%

LAB 25.75, 42.29, 17.43

 

CMYK 2 / 0 / 83 / 53

HEX #767915

RGB 118 121 21

HSL 61.8, 0.7%, 0.28%

LAB 48.98, -13.28, 49.42

 

CMYK 83 / 0 / 14 / 53

HEX #157968

RGB 21 121 104

HSL 169.8, 0.7%, 0.28%

LAB 45.41, -31.46, 1.55

 

CMYK 80 / 83 / 0 / 53

HEX #181579

RGB 24 21 121

HSL 241.8, 0.7%, 0.28%

LAB 16.06, 37.11, -55.06

 

CMYK 0 / 83 / 69 / 53

HEX #781525

RGB 120 21 37

HSL 350.3, 0.7%, 0.28%

LAB 25.75, 42.29, 17.43

 

CMYK 27 / 0 / 83 / 53

HEX #587915

RGB 88 121 21

HSL 79.8, 0.7%, 0.28%

LAB 46.72, -26.68, 46.54

 

CMYK 83 / 0 / 14 / 53

HEX #157968

RGB 21 121 104

HSL 169.8, 0.7%, 0.28%

LAB 45.41, -31.46, 1.55

 

CMYK 55 / 83 / 0 / 53

HEX #361579

RGB 54 21 121

HSL 259.8, 0.7%, 0.28%

LAB 18.8, 40.29, -50.43

 

Description

Color code: RGB 120 21 37 | qconv.com Color code: RGB 120 21 37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 21 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 21 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 69 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 69% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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