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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 190 157 it is the complementary color RGB 135 65 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 190 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 120 190 157: RGB 125 190 152, RGB 142 208 171, RGB 159 226 190, RGB 176 244 209 and RGB 193 255 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 190 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 120 190 157: RGB 120 190 157, RGB 103 172 138, RGB 86 154 119, RGB 69 136 100 and RGB 52 118 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 17 / 25

HEX #78BE9D

RGB 120 190 157

HSL 151.71, 0.35%, 0.61%

LAB 71.73, -29.41, 9.77

 

Complementary color

CMYK 0 / 52 / 27 / 47

HEX #874162

RGB 135 65 98

HSL 331.71, 0.35%, 0.39%

LAB 37.51, 33.98, -5.49

 

CMYK 34 / 0 / 20 / 25

HEX #7DBE98

RGB 125 190 152

HSL 144.92, 0.33%, 0.62%

LAB 71.86, -28.94, 12.71

 

CMYK 32 / 0 / 18 / 18

HEX #8ED0AB

RGB 142 208 171

HSL 146.36, 0.41%, 0.69%

LAB 78.35, -28.69, 11.79

 

CMYK 30 / 0 / 16 / 11

HEX #9FE2BE

RGB 159 226 190

HSL 147.76, 0.54%, 0.75%

LAB 84.73, -28.45, 10.92

 

CMYK 28 / 0 / 14 / 4

HEX #B0F4D1

RGB 176 244 209

HSL 149.12, 0.76%, 0.82%

LAB 91.02, -28.23, 10.1

 

CMYK 24 / 0 / 11 / 0

HEX #C1FFE4

RGB 193 255 228

HSL 153.87, 1%, 0.88%

LAB 95.35, -24.7, 6.62

 

CMYK 37 / 0 / 17 / 25

HEX #78BE9D

RGB 120 190 157

HSL 151.71, 0.35%, 0.61%

LAB 71.73, -29.41, 9.77

 

CMYK 40 / 0 / 20 / 33

HEX #67AC8A

RGB 103 172 138

HSL 150.43, 0.29%, 0.54%

LAB 65.14, -29.67, 10.72

 

CMYK 44 / 0 / 23 / 40

HEX #569A77

RGB 86 154 119

HSL 149.12, 0.28%, 0.47%

LAB 58.44, -29.91, 11.75

 

CMYK 49 / 0 / 26 / 47

HEX #458864

RGB 69 136 100

HSL 147.76, 0.33%, 0.4%

LAB 51.6, -30.14, 12.89

 

CMYK 56 / 0 / 31 / 54

HEX #347651

RGB 52 118 81

HSL 146.36, 0.39%, 0.33%

LAB 44.63, -30.29, 14.16

 

CMYK 37 / 0 / 17 / 25

HEX #78BE9D

RGB 120 190 157

HSL 151.71, 0.35%, 0.61%

LAB 71.73, -29.41, 9.77

 

CMYK 37 / 0 / 12 / 25

HEX #78BEA8

RGB 120 190 168

HSL 161.14, 0.35%, 0.61%

LAB 71.99, -27.05, 4.16

 

CMYK 37 / 0 / 6 / 25

HEX #78BEB3

RGB 120 190 179

HSL 170.57, 0.35%, 0.61%

LAB 72.28, -24.55, -1.42

 

CMYK 37 / 1 / 0 / 25

HEX #78BDBE

RGB 120 189 190

HSL 180.86, 0.35%, 0.61%

LAB 72.3, -21.41, -7.4

 

CMYK 37 / 7 / 0 / 25

HEX #78B1BE

RGB 120 177 190

HSL 191.14, 0.35%, 0.61%

LAB 68.86, -15.22, -12.53

 

CMYK 37 / 0 / 17 / 25

HEX #78BE9D

RGB 120 190 157

HSL 151.71, 0.35%, 0.61%

LAB 71.73, -29.41, 9.77

 

CMYK 37 / 0 / 17 / 5

HEX #98F1C7

RGB 152 241 199

HSL 151.69, 0.76%, 0.77%

LAB 88.79, -35.73, 11.94

 

CMYK 38 / 0 / 16 / 85

HEX #17251F

RGB 23 37 31

HSL 154.29, 0.23%, 0.12%

LAB 13.26, -7.7, 2.08

 

CMYK 36 / 0 / 17 / 65

HEX #385849

RGB 56 88 73

HSL 151.88, 0.22%, 0.28%

LAB 34.6, -15.52, 5

 

CMYK 37 / 0 / 17 / 45

HEX #588B73

RGB 88 139 115

HSL 151.76, 0.22%, 0.45%

LAB 53.79, -22.74, 7.48

 

CMYK 37 / 0 / 17 / 25

HEX #78BE9D

RGB 120 190 157

HSL 151.71, 0.35%, 0.61%

LAB 71.73, -29.41, 9.77

 

CMYK 37 / 26 / 0 / 25

HEX #788CBE

RGB 120 140 190

HSL 222.86, 0.35%, 0.61%

LAB 58.48, 5.28, -28.35

 

CMYK 0 / 33 / 37 / 25

HEX #BE8078

RGB 190 128 120

HSL 6.86, 0.35%, 0.61%

LAB 59.65, 22.98, 14.12

 

CMYK 37 / 0 / 17 / 25

HEX #78BE9D

RGB 120 190 157

HSL 151.71, 0.35%, 0.61%

LAB 71.73, -29.41, 9.77

 

CMYK 18 / 37 / 0 / 25

HEX #9C78BE

RGB 156 120 190

HSL 270.86, 0.35%, 0.61%

LAB 56.31, 27.71, -31.49

 

CMYK 0 / 18 / 37 / 25

HEX #BE9C78

RGB 190 156 120

HSL 30.86, 0.35%, 0.61%

LAB 66.58, 7.52, 23.6

 

CMYK 37 / 0 / 17 / 25

HEX #78BE9D

RGB 120 190 157

HSL 151.71, 0.35%, 0.61%

LAB 71.73, -29.41, 9.77

 

CMYK 37 / 26 / 0 / 25

HEX #788CBE

RGB 120 140 190

HSL 222.86, 0.35%, 0.61%

LAB 58.48, 5.28, -28.35

 

CMYK 0 / 37 / 19 / 25

HEX #BE789A

RGB 190 120 154

HSL 330.86, 0.35%, 0.61%

LAB 58.71, 32.17, -6.81

 

CMYK 0 / 11 / 37 / 25

HEX #BEAA78

RGB 190 170 120

HSL 42.86, 0.35%, 0.61%

LAB 70.21, -0.06, 28.44

 

CMYK 37 / 0 / 17 / 25

HEX #78BE9D

RGB 120 190 157

HSL 151.71, 0.35%, 0.61%

LAB 71.73, -29.41, 9.77

 

CMYK 36 / 37 / 0 / 25

HEX #7978BE

RGB 121 120 190

HSL 240.86, 0.35%, 0.61%

LAB 53.18, 17.36, -36.6

 

CMYK 0 / 37 / 19 / 25

HEX #BE789A

RGB 190 120 154

HSL 330.86, 0.35%, 0.61%

LAB 58.71, 32.17, -6.81

 

CMYK 1 / 0 / 37 / 25

HEX #BDBE78

RGB 189 190 120

HSL 60.86, 0.35%, 0.61%

LAB 75.45, -10.98, 35.25

 

Description

Color code: RGB 120 190 157 | qconv.com Color code: RGB 120 190 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 190 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 190 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 17 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 17% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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