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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 139 192 it is the complementary color RGB 135 116 63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 139 192. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 120 139 192: RGB 125 139 187, RGB 142 157 206, RGB 159 175 225, RGB 176 193 244 and RGB 193 211 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 139 192. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 120 139 192: RGB 120 139 192, RGB 103 121 173, RGB 86 103 154, RGB 69 85 135 and RGB 52 67 116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 28 / 0 / 25

HEX #788BC0

RGB 120 139 192

HSL 224.17, 0.36%, 0.61%

LAB 58.29, 6.41, -29.78

 

Complementary color

CMYK 0 / 14 / 53 / 47

HEX #87743F

RGB 135 116 63

HSL 44.17, 0.36%, 0.39%

LAB 49.5, 0.14, 31.77

 

CMYK 33 / 26 / 0 / 27

HEX #7D8BBB

RGB 125 139 187

HSL 226.45, 0.31%, 0.61%

LAB 58.43, 6.49, -26.7

 

CMYK 31 / 24 / 0 / 19

HEX #8E9DCE

RGB 142 157 206

HSL 225.94, 0.4%, 0.68%

LAB 65.22, 6.09, -26.81

 

CMYK 29 / 22 / 0 / 12

HEX #9FAFE1

RGB 159 175 225

HSL 225.45, 0.52%, 0.75%

LAB 71.87, 5.73, -26.95

 

CMYK 28 / 21 / 0 / 4

HEX #B0C1F4

RGB 176 193 244

HSL 225, 0.76%, 0.82%

LAB 78.4, 5.41, -27.12

 

CMYK 24 / 17 / 0 / 0

HEX #C1D3FF

RGB 193 211 255

HSL 222.58, 1%, 0.88%

LAB 84.56, 3.28, -23.49

 

CMYK 38 / 28 / 0 / 25

HEX #788BC0

RGB 120 139 192

HSL 224.17, 0.36%, 0.61%

LAB 58.29, 6.41, -29.78

 

CMYK 40 / 30 / 0 / 32

HEX #6779AD

RGB 103 121 173

HSL 224.57, 0.3%, 0.54%

LAB 51.35, 6.95, -29.76

 

CMYK 44 / 33 / 0 / 40

HEX #56679A

RGB 86 103 154

HSL 225, 0.28%, 0.47%

LAB 44.25, 7.59, -29.8

 

CMYK 49 / 37 / 0 / 47

HEX #455587

RGB 69 85 135

HSL 225.45, 0.32%, 0.4%

LAB 36.95, 8.4, -29.9

 

CMYK 55 / 42 / 0 / 55

HEX #344374

RGB 52 67 116

HSL 225.94, 0.38%, 0.33%

LAB 29.43, 9.46, -30.08

 

CMYK 38 / 28 / 0 / 25

HEX #788BC0

RGB 120 139 192

HSL 224.17, 0.36%, 0.61%

LAB 58.29, 6.41, -29.78

 

CMYK 38 / 34 / 0 / 25

HEX #777EBF

RGB 119 126 191

HSL 234.17, 0.36%, 0.61%

LAB 54.66, 13.51, -34.86

 

CMYK 35 / 38 / 0 / 25

HEX #7C77BF

RGB 124 119 191

HSL 244.17, 0.36%, 0.61%

LAB 53.21, 19.07, -37.11

 

CMYK 29 / 38 / 0 / 25

HEX #8877BF

RGB 136 119 191

HSL 254.17, 0.36%, 0.61%

LAB 54.23, 22.51, -35.44

 

CMYK 23 / 38 / 0 / 25

HEX #9477BF

RGB 148 119 191

HSL 264.17, 0.36%, 0.61%

LAB 55.33, 26.08, -33.64

 

CMYK 38 / 28 / 0 / 25

HEX #788BC0

RGB 120 139 192

HSL 224.17, 0.36%, 0.61%

LAB 58.29, 6.41, -29.78

 

CMYK 37 / 28 / 0 / 5

HEX #98B0F3

RGB 152 176 243

HSL 224.18, 0.79%, 0.77%

LAB 72.36, 7.83, -36.03

 

CMYK 38 / 28 / 0 / 85

HEX #181C27

RGB 24 28 39

HSL 224, 0.24%, 0.12%

LAB 10.34, 1.51, -8.08

 

CMYK 38 / 28 / 0 / 65

HEX #38415A

RGB 56 65 90

HSL 224.12, 0.23%, 0.29%

LAB 27.74, 3.3, -16.09

 

CMYK 38 / 28 / 0 / 45

HEX #58668D

RGB 88 102 141

HSL 224.15, 0.23%, 0.45%

LAB 43.51, 4.91, -23.19

 

CMYK 38 / 28 / 0 / 25

HEX #788BC0

RGB 120 139 192

HSL 224.17, 0.36%, 0.61%

LAB 58.29, 6.41, -29.78

 

CMYK 3 / 38 / 0 / 25

HEX #BA77BF

RGB 186 119 191

HSL 295.83, 0.36%, 0.61%

LAB 59.34, 37.87, -27.1

 

CMYK 13 / 0 / 38 / 25

HEX #A7BF77

RGB 167 191 119

HSL 80, 0.36%, 0.61%

LAB 74.07, -20.21, 33.66

 

CMYK 38 / 28 / 0 / 25

HEX #788BC0

RGB 120 139 192

HSL 224.17, 0.36%, 0.61%

LAB 58.29, 6.41, -29.78

 

CMYK 0 / 38 / 28 / 25

HEX #BF778A

RGB 191 119 138

HSL 344.17, 0.36%, 0.61%

LAB 58.14, 30.69, 1.61

 

CMYK 28 / 0 / 38 / 25

HEX #8ABF77

RGB 138 191 119

HSL 104.17, 0.36%, 0.61%

LAB 72.23, -30.86, 30.91

 

CMYK 38 / 28 / 0 / 25

HEX #788BC0

RGB 120 139 192

HSL 224.17, 0.36%, 0.61%

LAB 58.29, 6.41, -29.78

 

CMYK 3 / 38 / 0 / 25

HEX #BA77BF

RGB 186 119 191

HSL 295.83, 0.36%, 0.61%

LAB 59.34, 37.87, -27.1

 

CMYK 0 / 10 / 38 / 25

HEX #BFAC77

RGB 191 172 119

HSL 44.17, 0.36%, 0.61%

LAB 70.81, -0.84, 29.78

 

CMYK 35 / 0 / 38 / 25

HEX #7CBF77

RGB 124 191 119

HSL 115.83, 0.36%, 0.61%

LAB 71.47, -35.58, 29.78

 

CMYK 38 / 28 / 0 / 25

HEX #788BC0

RGB 120 139 192

HSL 224.17, 0.36%, 0.61%

LAB 58.29, 6.41, -29.78

 

CMYK 0 / 38 / 9 / 25

HEX #BF77AE

RGB 191 119 174

HSL 314.17, 0.36%, 0.61%

LAB 59.27, 36.37, -17.44

 

CMYK 0 / 10 / 38 / 25

HEX #BFAC77

RGB 191 172 119

HSL 44.17, 0.36%, 0.61%

LAB 70.81, -0.84, 29.78

 

CMYK 38 / 0 / 29 / 25

HEX #77BF88

RGB 119 191 136

HSL 134.17, 0.36%, 0.61%

LAB 71.53, -34.28, 20.82

 

Description

Color code: RGB 120 139 192 | qconv.com Color code: RGB 120 139 192 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 139 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 139 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 28 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 28% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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