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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 100 88 it is the complementary color RGB 135 155 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 100 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 120 100 88: RGB 125 100 83, RGB 142 118 102, RGB 159 136 121, RGB 176 154 140 and RGB 193 172 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 100 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 120 100 88: RGB 120 100 88, RGB 103 82 69, RGB 86 64 50, RGB 69 46 31 and RGB 52 28 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 27 / 53

HEX #786458

RGB 120 100 88

HSL 22.5, 0.15%, 0.41%

LAB 43.96, 6.01, 9.79

 

Complementary color

CMYK 19 / 7 / 0 / 35

HEX #879BA7

RGB 135 155 167

HSL 202.5, 0.15%, 0.59%

LAB 62.83, -4.39, -8.63

 

CMYK 0 / 20 / 34 / 51

HEX #7D6453

RGB 125 100 83

HSL 24.29, 0.2%, 0.41%

LAB 44.37, 7.4, 13.45

 

CMYK 0 / 17 / 28 / 44

HEX #8E7666

RGB 142 118 102

HSL 24, 0.16%, 0.48%

LAB 51.46, 6.78, 12.31

 

CMYK 0 / 14 / 24 / 38

HEX #9F8879

RGB 159 136 121

HSL 23.68, 0.17%, 0.55%

LAB 58.38, 6.27, 11.27

 

CMYK 0 / 13 / 20 / 31

HEX #B09A8C

RGB 176 154 140

HSL 23.33, 0.19%, 0.62%

LAB 65.15, 5.83, 10.33

 

CMYK 0 / 11 / 18 / 24

HEX #C1AC9F

RGB 193 172 159

HSL 22.94, 0.22%, 0.69%

LAB 71.79, 5.44, 9.44

 

CMYK 0 / 17 / 27 / 53

HEX #786458

RGB 120 100 88

HSL 22.5, 0.15%, 0.41%

LAB 43.96, 6.01, 9.79

 

CMYK 0 / 20 / 33 / 60

HEX #675245

RGB 103 82 69

HSL 22.94, 0.2%, 0.34%

LAB 36.65, 6.62, 10.94

 

CMYK 0 / 26 / 42 / 66

HEX #564032

RGB 86 64 50

HSL 23.33, 0.26%, 0.27%

LAB 29.1, 7.4, 12.26

 

CMYK 0 / 33 / 55 / 73

HEX #452E1F

RGB 69 46 31

HSL 23.68, 0.38%, 0.2%

LAB 21.28, 8.46, 13.86

 

CMYK 0 / 46 / 77 / 80

HEX #341C0C

RGB 52 28 12

HSL 24, 0.63%, 0.13%

LAB 13.15, 9.99, 14.75

 

CMYK 0 / 17 / 27 / 53

HEX #786458

RGB 120 100 88

HSL 22.5, 0.15%, 0.41%

LAB 43.96, 6.01, 9.79

 

CMYK 0 / 13 / 27 / 53

HEX #786958

RGB 120 105 88

HSL 31.88, 0.15%, 0.41%

LAB 45.36, 3.04, 11.74

 

CMYK 0 / 8 / 27 / 53

HEX #786E58

RGB 120 110 88

HSL 41.25, 0.15%, 0.41%

LAB 46.78, 0.11, 13.71

 

CMYK 0 / 3 / 27 / 53

HEX #787458

RGB 120 116 88

HSL 52.5, 0.15%, 0.41%

LAB 48.5, -3.36, 16.06

 

CMYK 1 / 0 / 27 / 53

HEX #777858

RGB 119 120 88

HSL 61.88, 0.15%, 0.41%

LAB 49.57, -6.05, 17.51

 

CMYK 0 / 17 / 27 / 53

HEX #786458

RGB 120 100 88

HSL 22.5, 0.15%, 0.41%

LAB 43.96, 6.01, 9.79

 

CMYK 0 / 16 / 27 / 33

HEX #AB8F7D

RGB 171 143 125

HSL 23.48, 0.21%, 0.58%

LAB 61.47, 7.72, 13.51

 

CMYK 0 / 17 / 27 / 13

HEX #DEB9A3

RGB 222 185 163

HSL 22.37, 0.47%, 0.75%

LAB 77.8, 10.02, 16.13

 

CMYK 0 / 17 / 28 / 93

HEX #120F0D

RGB 18 15 13

HSL 24, 0.16%, 0.06%

LAB 4.51, 0.75, 1.32

 

CMYK 0 / 16 / 26 / 73

HEX #453A33

RGB 69 58 51

HSL 23.33, 0.15%, 0.24%

LAB 25.35, 3.5, 6.14

 

CMYK 0 / 17 / 27 / 53

HEX #786458

RGB 120 100 88

HSL 22.5, 0.15%, 0.41%

LAB 43.96, 6.01, 9.79

 

CMYK 15 / 0 / 27 / 53

HEX #667858

RGB 102 120 88

HSL 93.75, 0.15%, 0.41%

LAB 48.21, -12.99, 15.44

 

CMYK 27 / 26 / 0 / 53

HEX #585978

RGB 88 89 120

HSL 238.13, 0.15%, 0.41%

LAB 38.86, 7.12, -17.63

 

CMYK 0 / 17 / 27 / 53

HEX #786458

RGB 120 100 88

HSL 22.5, 0.15%, 0.41%

LAB 43.96, 6.01, 9.79

 

CMYK 27 / 0 / 17 / 53

HEX #587864

RGB 88 120 100

HSL 142.5, 0.15%, 0.41%

LAB 47.53, -15.95, 7.31

 

CMYK 17 / 27 / 0 / 53

HEX #645878

RGB 100 88 120

HSL 262.5, 0.15%, 0.41%

LAB 39.66, 11.88, -16.31

 

CMYK 0 / 17 / 27 / 53

HEX #786458

RGB 120 100 88

HSL 22.5, 0.15%, 0.41%

LAB 43.96, 6.01, 9.79

 

CMYK 15 / 0 / 27 / 53

HEX #667858

RGB 102 120 88

HSL 93.75, 0.15%, 0.41%

LAB 48.21, -12.99, 15.44

 

CMYK 27 / 10 / 0 / 53

HEX #586C78

RGB 88 108 120

HSL 202.5, 0.15%, 0.41%

LAB 44.46, -4.45, -9.13

 

CMYK 12 / 27 / 0 / 53

HEX #6A5878

RGB 106 88 120

HSL 273.75, 0.15%, 0.41%

LAB 40.25, 14.01, -15.36

 

CMYK 0 / 17 / 27 / 53

HEX #786458

RGB 120 100 88

HSL 22.5, 0.15%, 0.41%

LAB 43.96, 6.01, 9.79

 

CMYK 23 / 0 / 27 / 53

HEX #5D7858

RGB 93 120 88

HSL 110.63, 0.15%, 0.41%

LAB 47.58, -16.48, 14.46

 

CMYK 27 / 10 / 0 / 53

HEX #586C78

RGB 88 108 120

HSL 202.5, 0.15%, 0.41%

LAB 44.46, -4.45, -9.13

 

CMYK 3 / 27 / 0 / 53

HEX #745878

RGB 116 88 120

HSL 292.5, 0.15%, 0.41%

LAB 41.29, 17.62, -13.67

 

Description

Color code: RGB 120 100 88 | qconv.com Color code: RGB 120 100 88 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 100 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 100 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 27 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 27% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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