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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 11 217 199 it is the complementary color RGB 244 38 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 11 217 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 11 217 199 shade: RGB 16 217 194, RGB 33 235 213, RGB 50 253 232, RGB 67 255 251 and RGB 84 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 11 217 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 11 217 199 shade: RGB 11 217 199, RGB 0 199 180, RGB 0 181 161, RGB 0 163 142 and RGB 0 145 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 11 217 199 shade: RGB 11 218 199, RGB 11 218 144, RGB 11 218 88, RGB 11 218 32 and RGB 45 218 11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 11 217 199 shade: RGB 11 218 199, RGB 11 180 218, RGB 11 124 218, RGB 11 68 218 and RGB 11 13 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 11 217 199 shade matches the following richer shades: RGB 11 218 199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 11 217 199 shade: RGB 11 218 199, RGB 30 199 184, RGB 48 180 169, RGB 67 162 154 and RGB 85 143 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 11 217 199 shade: RGB 11 218 87, RGB 11 218 142, RGB 11 218 197, RGB 11 183 218 and RGB 11 128 218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 11 217 199 shade: RGB 7 139 128, RGB 9 178 164, RGB 11 218 199, RGB 27 243 224 and RGB 66 245 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 11 217 199 shade: RGB 11 217 199, RGB 32 11 218 and RGB 218 114 11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 11 217 199 shade: RGB 11 217 199, RGB 197 11 218 and RGB 218 197 11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 11 217 199 shade: RGB 11 217 199, RGB 32 11 218, RGB 218 11 32 and RGB 197 218 11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 11 217 199 shade: RGB 11 217 199, RGB 94 11 218, RGB 218 11 32 and RGB 135 218 11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 8 / 15

HEX #0BD9C7

RGB 11 217 199

HSL 174.76, 0.9%, 0.45%

LAB 78.36, -47.44, -3.59

 

Complementary color

CMYK 0 / 84 / 77 / 4

HEX #F42638

RGB 244 38 56

HSL 354.76, 0.9%, 0.55%

LAB 52.85, 73.89, 43.72

 

CMYK 93 / 0 / 11 / 15

HEX #10D9C2

RGB 16 217 194

HSL 173.13, 0.86%, 0.46%

LAB 78.25, -48.66, -1.07

 

CMYK 86 / 0 / 9 / 8

HEX #21EBD5

RGB 33 235 213

HSL 173.47, 0.83%, 0.53%

LAB 84.25, -50.22, -2.35

 

CMYK 80 / 0 / 8 / 1

HEX #32FDE8

RGB 50 253 232

HSL 173.79, 0.98%, 0.59%

LAB 90.21, -51.48, -3.51

 

CMYK 74 / 0 / 2 / 0

HEX #43FFFB

RGB 67 255 251

HSL 178.72, 1%, 0.63%

LAB 91.54, -45.65, -11.37

 

CMYK 67 / 0 / 0 / 0

HEX #54FFFF

RGB 84 255 255

HSL 180, 1%, 0.66%

LAB 91.96, -42.57, -12.78

 

CMYK 95 / 0 / 8 / 15

HEX #0BD9C7

RGB 11 217 199

HSL 174.76, 0.9%, 0.45%

LAB 78.36, -47.44, -3.59

 

CMYK 100 / 0 / 10 / 22

HEX #00C7B4

RGB 0 199 180

HSL 174.27, 1%, 0.39%

LAB 72.32, -45.41, -2.21

 

CMYK 100 / 0 / 11 / 29

HEX #00B5A1

RGB 0 181 161

HSL 173.37, 1%, 0.35%

LAB 66.23, -43.05, -0.73

 

CMYK 100 / 0 / 13 / 36

HEX #00A38E

RGB 0 163 142

HSL 172.27, 1%, 0.32%

LAB 60.02, -40.66, 0.82

 

CMYK 100 / 0 / 15 / 43

HEX #00917B

RGB 0 145 123

HSL 170.9, 1%, 0.28%

LAB 53.69, -38.21, 2.43

 

CMYK 95 / 0 / 9 / 15

HEX #0BDAC7

RGB 11 218 199

HSL 174.49, 0.9%, 0.45%

LAB 78.66, -47.87, -3.14

 

CMYK 95 / 0 / 34 / 15

HEX #0BDA90

RGB 11 218 144

HSL 158.55, 0.9%, 0.45%

LAB 77.42, -61.31, 24.23

 

CMYK 95 / 0 / 60 / 15

HEX #0BDA58

RGB 11 218 88

HSL 142.32, 0.9%, 0.45%

LAB 76.63, -70.7, 50.68

 

CMYK 95 / 0 / 85 / 15

HEX #0BDA20

RGB 11 218 32

HSL 126.09, 0.9%, 0.45%

LAB 76.26, -75.34, 69.64

 

CMYK 79 / 0 / 95 / 15

HEX #2DDA0B

RGB 45 218 11

HSL 110.14, 0.9%, 0.45%

LAB 76.51, -73.3, 73.28

 

CMYK 95 / 0 / 9 / 15

HEX #0BDAC7

RGB 11 218 199

HSL 174.49, 0.9%, 0.45%

LAB 78.66, -47.87, -3.14

 

CMYK 95 / 17 / 0 / 15

HEX #0BB4DA

RGB 11 180 218

HSL 191.01, 0.9%, 0.45%

LAB 67.85, -24.4, -29.73

 

CMYK 95 / 43 / 0 / 15

HEX #0B7CDA

RGB 11 124 218

HSL 207.25, 0.9%, 0.45%

LAB 51.32, 7.21, -55.75

 

CMYK 95 / 69 / 0 / 15

HEX #0B44DA

RGB 11 68 218

HSL 223.48, 0.9%, 0.45%

LAB 36.49, 43.09, -79.89

 

CMYK 95 / 94 / 0 / 15

HEX #0B0DDA

RGB 11 13 218

HSL 239.42, 0.9%, 0.45%

LAB 27.9, 67.97, -94.16

 

CMYK 95 / 0 / 9 / 15

HEX #0BDAC7

RGB 11 218 199

HSL 174.49, 0.9%, 0.45%

LAB 78.66, -47.87, -3.14

 

CMYK 95 / 0 / 9 / 15

HEX #0BDAC7

RGB 11 218 199

HSL 174.49, 0.9%, 0.45%

LAB 78.66, -47.87, -3.14

 

CMYK 85 / 0 / 8 / 22

HEX #1EC7B8

RGB 30 199 184

HSL 174.67, 0.74%, 0.45%

LAB 72.62, -43.02, -3.94

 

CMYK 73 / 0 / 6 / 29

HEX #30B4A9

RGB 48 180 169

HSL 175, 0.58%, 0.45%

LAB 66.62, -37.06, -4.52

 

CMYK 59 / 0 / 5 / 36

HEX #43A29A

RGB 67 162 154

HSL 174.95, 0.41%, 0.45%

LAB 61.1, -29.75, -4.23

 

CMYK 41 / 0 / 3 / 44

HEX #558F8A

RGB 85 143 138

HSL 174.83, 0.25%, 0.45%

LAB 55.49, -20.2, -3.32

 

CMYK 95 / 0 / 60 / 15

HEX #0BDA57

RGB 11 218 87

HSL 142.03, 0.9%, 0.45%

LAB 76.62, -70.82, 51.11

 

CMYK 95 / 0 / 35 / 15

HEX #0BDA8E

RGB 11 218 142

HSL 157.97, 0.9%, 0.45%

LAB 77.38, -61.72, 25.22

 

CMYK 95 / 0 / 10 / 15

HEX #0BDAC5

RGB 11 218 197

HSL 173.91, 0.9%, 0.45%

LAB 78.6, -48.42, -2.15

 

CMYK 95 / 16 / 0 / 15

HEX #0BB7DA

RGB 11 183 218

HSL 190.14, 0.9%, 0.45%

LAB 68.75, -25.91, -28.35

 

CMYK 95 / 41 / 0 / 15

HEX #0B80DA

RGB 11 128 218

HSL 206.09, 0.9%, 0.45%

LAB 52.48, 4.75, -53.91

 

CMYK 95 / 0 / 8 / 45

HEX #078B80

RGB 7 139 128

HSL 175, 0.9%, 0.29%

LAB 51.92, -33.7, -3.04

 

CMYK 95 / 0 / 8 / 30

HEX #09B2A4

RGB 9 178 164

HSL 175.03, 0.9%, 0.37%

LAB 65.42, -40.58, -3.57

 

CMYK 95 / 0 / 9 / 15

HEX #0BDAC7

RGB 11 218 199

HSL 174.49, 0.9%, 0.45%

LAB 78.66, -47.87, -3.14

 

CMYK 89 / 0 / 8 / 5

HEX #1BF3E0

RGB 27 243 224

HSL 174.72, 0.9%, 0.53%

LAB 86.86, -50.91, -4.29

 

CMYK 73 / 0 / 7 / 4

HEX #42F5E5

RGB 66 245 229

HSL 174.64, 0.9%, 0.61%

LAB 88.03, -47.36, -5.13

 

CMYK 95 / 0 / 8 / 15

HEX #0BD9C7

RGB 11 217 199

HSL 174.76, 0.9%, 0.45%

LAB 78.36, -47.44, -3.59

 

CMYK 85 / 95 / 0 / 15

HEX #200BDA

RGB 32 11 218

HSL 246.09, 0.9%, 0.45%

LAB 28.4, 68.65, -93.31

 

CMYK 0 / 48 / 95 / 15

HEX #DA720B

RGB 218 114 11

HSL 29.86, 0.9%, 0.45%

LAB 58.94, 35.33, 64.56

 

CMYK 95 / 0 / 8 / 15

HEX #0BD9C7

RGB 11 217 199

HSL 174.76, 0.9%, 0.45%

LAB 78.36, -47.44, -3.59

 

CMYK 10 / 95 / 0 / 15

HEX #C50BDA

RGB 197 11 218

HSL 293.91, 0.9%, 0.45%

LAB 48.48, 83.18, -59.59

 

CMYK 0 / 10 / 95 / 15

HEX #DAC50B

RGB 218 197 11

HSL 53.91, 0.9%, 0.45%

LAB 78.96, -8.56, 78.84

 

CMYK 95 / 0 / 8 / 15

HEX #0BD9C7

RGB 11 217 199

HSL 174.76, 0.9%, 0.45%

LAB 78.36, -47.44, -3.59

 

CMYK 85 / 95 / 0 / 15

HEX #200BDA

RGB 32 11 218

HSL 246.09, 0.9%, 0.45%

LAB 28.4, 68.65, -93.31

 

CMYK 0 / 95 / 85 / 15

HEX #DA0B20

RGB 218 11 32

HSL 353.91, 0.9%, 0.45%

LAB 45.97, 70.61, 48.06

 

CMYK 10 / 0 / 95 / 15

HEX #C5DA0B

RGB 197 218 11

HSL 66.09, 0.9%, 0.45%

LAB 82.93, -27.83, 81.09

 

CMYK 95 / 0 / 8 / 15

HEX #0BD9C7

RGB 11 217 199

HSL 174.76, 0.9%, 0.45%

LAB 78.36, -47.44, -3.59

 

CMYK 57 / 95 / 0 / 15

HEX #5E0BDA

RGB 94 11 218

HSL 264.06, 0.9%, 0.45%

LAB 33.31, 71.31, -85.01

 

CMYK 0 / 95 / 85 / 15

HEX #DA0B20

RGB 218 11 32

HSL 353.91, 0.9%, 0.45%

LAB 45.97, 70.61, 48.06

 

CMYK 38 / 0 / 95 / 15

HEX #87DA0B

RGB 135 218 11

HSL 84.06, 0.9%, 0.45%

LAB 79.22, -51.65, 76.6

 

Description

Color code: RGB 11 217 199 | qconv.com Color code: RGB 11 217 199 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 217 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 217 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 8 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 8% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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