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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 95 / 41 / 0 / 15 it is the complementary color CMYK 0 / 48 / 84 / 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 95 / 41 / 0 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 95 / 41 / 0 / 15: CMYK 92 / 40 / 0 / 17, CMYK 86 / 37 / 0 / 9, CMYK 80 / 34 / 0 / 2, CMYK 74 / 29 / 0 / 0 and CMYK 67 / 22 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 95 / 41 / 0 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 95 / 41 / 0 / 15: CMYK 95 / 41 / 0 / 15, CMYK 100 / 44 / 0 / 22, CMYK 100 / 49 / 0 / 30, CMYK 100 / 54 / 0 / 37 and CMYK 100 / 60 / 0 / 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 41 / 0 / 15

HEX #0B80D9

RGB 11 128 217

HSL 205.92, 0.9%, 0.45%

LAB 52.42, 4.36, -53.43

 

Complementary color

CMYK 0 / 48 / 84 / 4

HEX #F47F26

RGB 244 127 38

HSL 25.92, 0.9%, 0.55%

LAB 65.4, 39.56, 63.74

 

CMYK 92 / 40 / 0 / 17

HEX #1080D4

RGB 16 128 212

HSL 205.71, 0.86%, 0.45%

LAB 52.18, 2.62, -51

 

CMYK 86 / 37 / 0 / 9

HEX #2192E7

RGB 33 146 231

HSL 205.76, 0.8%, 0.52%

LAB 58.65, -0, -51.32

 

CMYK 80 / 34 / 0 / 2

HEX #32A4FA

RGB 50 164 250

HSL 205.8, 0.95%, 0.59%

LAB 65.07, -2.15, -51.58

 

CMYK 74 / 29 / 0 / 0

HEX #43B6FF

RGB 67 182 255

HSL 203.3, 1%, 0.63%

LAB 70.78, -8.67, -45.26

 

CMYK 67 / 22 / 0 / 0

HEX #54C8FF

RGB 84 200 255

HSL 199.3, 1%, 0.66%

LAB 76.32, -16.02, -36.58

 

CMYK 95 / 41 / 0 / 15

HEX #0B80D9

RGB 11 128 217

HSL 205.92, 0.9%, 0.45%

LAB 52.42, 4.36, -53.43

 

CMYK 100 / 44 / 0 / 22

HEX #006EC6

RGB 0 110 198

HSL 206.67, 1%, 0.39%

LAB 45.95, 7.73, -52.99

 

CMYK 100 / 49 / 0 / 30

HEX #005CB3

RGB 0 92 179

HSL 209.16, 1%, 0.35%

LAB 39.43, 11.67, -52.44

 

CMYK 100 / 54 / 0 / 37

HEX #004AA0

RGB 0 74 160

HSL 212.25, 1%, 0.31%

LAB 32.78, 15.89, -51.89

 

CMYK 100 / 60 / 0 / 45

HEX #00388D

RGB 0 56 141

HSL 216.17, 1%, 0.28%

LAB 26.01, 20.41, -51.3

 

CMYK 95 / 41 / 0 / 15

HEX #0B80D9

RGB 11 128 217

HSL 205.92, 0.9%, 0.45%

LAB 52.42, 4.36, -53.43

 

CMYK 95 / 56 / 0 / 15

HEX #0B61DA

RGB 11 97 218

HSL 215.07, 0.9%, 0.45%

LAB 43.77, 24.44, -67.95

 

CMYK 95 / 71 / 0 / 15

HEX #0B3FDA

RGB 11 63 218

HSL 224.93, 0.9%, 0.45%

LAB 35.38, 46.15, -81.73

 

CMYK 95 / 87 / 0 / 15

HEX #0B1CDA

RGB 11 28 218

HSL 235.07, 0.9%, 0.45%

LAB 29.32, 63.64, -91.79

 

CMYK 87 / 95 / 0 / 15

HEX #1C0BDA

RGB 28 11 218

HSL 244.93, 0.9%, 0.45%

LAB 28.24, 68.58, -93.58

 

CMYK 95 / 41 / 0 / 15

HEX #0B80D9

RGB 11 128 217

HSL 205.92, 0.9%, 0.45%

LAB 52.42, 4.36, -53.43

 

CMYK 92 / 38 / 0 / 95

HEX #01080D

RGB 1 8 13

HSL 205, 0.86%, 0.03%

LAB 1.89, -1.1, -2.64

 

CMYK 95 / 41 / 0 / 75

HEX #032640

RGB 3 38 64

HSL 205.57, 0.91%, 0.13%

LAB 14.26, -0.82, -19.94

 

CMYK 95 / 41 / 0 / 55

HEX #064473

RGB 6 68 115

HSL 205.87, 0.9%, 0.24%

LAB 27.87, 1.14, -32.02

 

CMYK 95 / 41 / 0 / 35

HEX #0862A6

RGB 8 98 166

HSL 205.82, 0.91%, 0.34%

LAB 40.48, 2.8, -43.07

 

CMYK 95 / 41 / 0 / 15

HEX #0B80D9

RGB 11 128 217

HSL 205.92, 0.9%, 0.45%

LAB 52.42, 4.36, -53.43

 

CMYK 37 / 95 / 0 / 15

HEX #8A0BDA

RGB 138 11 218

HSL 276.81, 0.9%, 0.45%

LAB 39.08, 75.32, -75.29

 

CMYK 2 / 0 / 95 / 15

HEX #D6DA0B

RGB 214 218 11

HSL 61.16, 0.9%, 0.45%

LAB 84.21, -20.73, 82.62

 

CMYK 95 / 41 / 0 / 15

HEX #0B80D9

RGB 11 128 217

HSL 205.92, 0.9%, 0.45%

LAB 52.42, 4.36, -53.43

 

CMYK 0 / 95 / 40 / 15

HEX #DA0B83

RGB 218 11 131

HSL 325.22, 0.9%, 0.45%

LAB 47.99, 76.08, -8.73

 

CMYK 40 / 0 / 95 / 15

HEX #83DA0B

RGB 131 218 11

HSL 85.22, 0.9%, 0.45%

LAB 79.04, -53, 76.37

 

CMYK 95 / 41 / 0 / 15

HEX #0B80D9

RGB 11 128 217

HSL 205.92, 0.9%, 0.45%

LAB 52.42, 4.36, -53.43

 

CMYK 37 / 95 / 0 / 15

HEX #8A0BDA

RGB 138 11 218

HSL 276.81, 0.9%, 0.45%

LAB 39.08, 75.32, -75.29

 

CMYK 0 / 56 / 95 / 15

HEX #DA610B

RGB 218 97 11

HSL 24.93, 0.9%, 0.45%

LAB 55.56, 43.84, 62.34

 

CMYK 59 / 0 / 95 / 15

HEX #5ADA0B

RGB 90 218 11

HSL 97.1, 0.9%, 0.45%

LAB 77.48, -65, 74.47

 

CMYK 95 / 41 / 0 / 15

HEX #0B80D9

RGB 11 128 217

HSL 205.92, 0.9%, 0.45%

LAB 52.42, 4.36, -53.43

 

CMYK 8 / 95 / 0 / 15

HEX #C80BDA

RGB 200 11 218

HSL 294.78, 0.9%, 0.45%

LAB 48.98, 83.64, -58.74

 

CMYK 0 / 56 / 95 / 15

HEX #DA610B

RGB 218 97 11

HSL 24.93, 0.9%, 0.45%

LAB 55.56, 43.84, 62.34

 

CMYK 87 / 0 / 95 / 15

HEX #1CDA0B

RGB 28 218 11

HSL 115.07, 0.9%, 0.45%

LAB 76.32, -75, 73.04

 

Description

Color code: CMYK 95 / 41 / 0 / 15 | qconv.com Color code: CMYK 95 / 41 / 0 / 15 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 128 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 128 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 41 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 41% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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