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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 98 86 it is the complementary color RGB 136 157 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 98 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 119 98 86: RGB 124 98 81, RGB 141 116 100, RGB 158 134 119, RGB 175 152 138 and RGB 192 170 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 98 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 119 98 86: RGB 119 98 86, RGB 102 80 67, RGB 85 62 48, RGB 68 44 29 and RGB 51 26 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 28 / 53

HEX #776256

RGB 119 98 86

HSL 21.82, 0.16%, 0.4%

LAB 43.26, 6.46, 9.99

 

Complementary color

CMYK 20 / 7 / 0 / 34

HEX #889DA9

RGB 136 157 169

HSL 201.82, 0.16%, 0.6%

LAB 63.52, -4.71, -8.73

 

CMYK 0 / 21 / 35 / 51

HEX #7C6251

RGB 124 98 81

HSL 23.72, 0.21%, 0.4%

LAB 43.67, 7.87, 13.67

 

CMYK 0 / 18 / 29 / 45

HEX #8D7464

RGB 141 116 100

HSL 23.41, 0.17%, 0.47%

LAB 50.77, 7.23, 12.51

 

CMYK 0 / 15 / 25 / 38

HEX #9E8677

RGB 158 134 119

HSL 23.08, 0.17%, 0.54%

LAB 57.7, 6.7, 11.46

 

CMYK 0 / 13 / 21 / 31

HEX #AF988A

RGB 175 152 138

HSL 22.7, 0.19%, 0.61%

LAB 64.49, 6.24, 10.5

 

CMYK 0 / 11 / 18 / 25

HEX #C0AA9D

RGB 192 170 157

HSL 22.29, 0.22%, 0.68%

LAB 71.14, 5.84, 9.61

 

CMYK 0 / 18 / 28 / 53

HEX #776256

RGB 119 98 86

HSL 21.82, 0.16%, 0.4%

LAB 43.26, 6.46, 9.99

 

CMYK 0 / 22 / 34 / 60

HEX #665043

RGB 102 80 67

HSL 22.29, 0.21%, 0.33%

LAB 35.92, 7.11, 11.16

 

CMYK 0 / 27 / 44 / 67

HEX #553E30

RGB 85 62 48

HSL 22.7, 0.28%, 0.26%

LAB 28.35, 7.93, 12.53

 

CMYK 0 / 35 / 57 / 73

HEX #442C1D

RGB 68 44 29

HSL 23.08, 0.4%, 0.19%

LAB 20.51, 9.06, 14.18

 

CMYK 0 / 49 / 80 / 80

HEX #331A0A

RGB 51 26 10

HSL 23.41, 0.67%, 0.12%

LAB 12.38, 10.68, 14.54

 

CMYK 0 / 18 / 28 / 53

HEX #776256

RGB 119 98 86

HSL 21.82, 0.16%, 0.4%

LAB 43.26, 6.46, 9.99

 

CMYK 0 / 14 / 28 / 54

HEX #766655

RGB 118 102 85

HSL 30.91, 0.16%, 0.4%

LAB 44.25, 3.5, 11.96

 

CMYK 0 / 9 / 28 / 54

HEX #766B55

RGB 118 107 85

HSL 40, 0.16%, 0.4%

LAB 45.67, 0.56, 13.92

 

CMYK 0 / 4 / 28 / 54

HEX #767155

RGB 118 113 85

HSL 50.91, 0.16%, 0.4%

LAB 47.39, -2.93, 16.28

 

CMYK 1 / 0 / 28 / 54

HEX #757655

RGB 117 118 85

HSL 61.82, 0.16%, 0.4%

LAB 48.75, -6.21, 18.11

 

CMYK 0 / 18 / 28 / 53

HEX #776256

RGB 119 98 86

HSL 21.82, 0.16%, 0.4%

LAB 43.26, 6.46, 9.99

 

CMYK 0 / 18 / 28 / 33

HEX #AA8C7B

RGB 170 140 123

HSL 21.7, 0.22%, 0.57%

LAB 60.54, 8.71, 13.33

 

CMYK 0 / 18 / 28 / 13

HEX #DDB6A0

RGB 221 182 160

HSL 21.64, 0.47%, 0.75%

LAB 76.9, 10.83, 16.48

 

CMYK 0 / 18 / 29 / 93

HEX #110E0C

RGB 17 14 12

HSL 24, 0.17%, 0.06%

LAB 4.15, 0.72, 1.26

 

CMYK 0 / 18 / 28 / 73

HEX #443831

RGB 68 56 49

HSL 22.11, 0.16%, 0.23%

LAB 24.57, 4, 6.35

 

CMYK 0 / 18 / 28 / 53

HEX #776256

RGB 119 98 86

HSL 21.82, 0.16%, 0.4%

LAB 43.26, 6.46, 9.99

 

CMYK 15 / 0 / 28 / 54

HEX #647655

RGB 100 118 85

HSL 92.73, 0.16%, 0.4%

LAB 47.39, -13.19, 16.04

 

CMYK 28 / 26 / 0 / 54

HEX #555776

RGB 85 87 118

HSL 236.36, 0.16%, 0.4%

LAB 37.94, 6.83, -17.83

 

CMYK 0 / 18 / 28 / 53

HEX #776256

RGB 119 98 86

HSL 21.82, 0.16%, 0.4%

LAB 43.26, 6.46, 9.99

 

CMYK 28 / 0 / 18 / 54

HEX #557661

RGB 85 118 97

HSL 141.82, 0.16%, 0.4%

LAB 46.65, -16.56, 7.8

 

CMYK 18 / 28 / 0 / 54

HEX #615576

RGB 97 85 118

HSL 261.82, 0.16%, 0.4%

LAB 38.46, 12.2, -16.95

 

CMYK 0 / 18 / 28 / 53

HEX #776256

RGB 119 98 86

HSL 21.82, 0.16%, 0.4%

LAB 43.26, 6.46, 9.99

 

CMYK 15 / 0 / 28 / 54

HEX #647655

RGB 100 118 85

HSL 92.73, 0.16%, 0.4%

LAB 47.39, -13.19, 16.04

 

CMYK 28 / 10 / 0 / 54

HEX #556A76

RGB 85 106 118

HSL 201.82, 0.16%, 0.4%

LAB 43.58, -4.78, -9.26

 

CMYK 13 / 28 / 0 / 54

HEX #675576

RGB 103 85 118

HSL 272.73, 0.16%, 0.4%

LAB 39.05, 14.32, -15.99

 

CMYK 0 / 18 / 28 / 53

HEX #776256

RGB 119 98 86

HSL 21.82, 0.16%, 0.4%

LAB 43.26, 6.46, 9.99

 

CMYK 24 / 0 / 28 / 54

HEX #5A7655

RGB 90 118 85

HSL 110.91, 0.16%, 0.4%

LAB 46.69, -17.09, 14.97

 

CMYK 28 / 10 / 0 / 54

HEX #556A76

RGB 85 106 118

HSL 201.82, 0.16%, 0.4%

LAB 43.58, -4.78, -9.26

 

CMYK 4 / 28 / 0 / 54

HEX #715576

RGB 113 85 118

HSL 290.91, 0.16%, 0.4%

LAB 40.11, 17.93, -14.28

 

Description

Color code: RGB 119 98 86 | qconv.com Color code: RGB 119 98 86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 98 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 98 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 28 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 28% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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