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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 216 203 it is the complementary color RGB 136 39 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 216 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 119 216 203: RGB 124 216 198, RGB 141 234 217, RGB 158 252 236, RGB 175 255 255 and RGB 192 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 216 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 119 216 203: RGB 119 216 203, RGB 102 198 184, RGB 85 180 165, RGB 68 162 146 and RGB 51 144 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 6 / 15

HEX #77D8CB

RGB 119 216 203

HSL 171.96, 0.55%, 0.66%

LAB 80.37, -31.74, -2.5

 

Complementary color

CMYK 0 / 71 / 62 / 47

HEX #882734

RGB 136 39 52

HSL 351.96, 0.55%, 0.34%

LAB 31.65, 41.88, 15.78

 

CMYK 43 / 0 / 8 / 15

HEX #7CD8C6

RGB 124 216 198

HSL 168.26, 0.54%, 0.67%

LAB 80.45, -31.69, 0.29

 

CMYK 40 / 0 / 7 / 8

HEX #8DEAD9

RGB 141 234 217

HSL 169.03, 0.69%, 0.74%

LAB 86.76, -31.56, -0.45

 

CMYK 37 / 0 / 6 / 1

HEX #9EFCEC

RGB 158 252 236

HSL 169.79, 0.94%, 0.8%

LAB 92.99, -31.43, -1.16

 

CMYK 31 / 0 / 0 / 0

HEX #AFFFFF

RGB 175 255 255

HSL 180, 1%, 0.84%

LAB 95.1, -24.16, -7.78

 

CMYK 25 / 0 / 0 / 0

HEX #C0FFFF

RGB 192 255 255

HSL 180, 1%, 0.88%

LAB 95.97, -19.49, -6.39

 

CMYK 45 / 0 / 6 / 15

HEX #77D8CB

RGB 119 216 203

HSL 171.96, 0.55%, 0.66%

LAB 80.37, -31.74, -2.5

 

CMYK 48 / 0 / 7 / 22

HEX #66C6B8

RGB 102 198 184

HSL 171.25, 0.46%, 0.59%

LAB 73.98, -31.78, -1.74

 

CMYK 53 / 0 / 8 / 29

HEX #55B4A5

RGB 85 180 165

HSL 170.53, 0.39%, 0.52%

LAB 67.49, -31.78, -0.91

 

CMYK 58 / 0 / 10 / 36

HEX #44A292

RGB 68 162 146

HSL 169.79, 0.41%, 0.45%

LAB 60.91, -31.69, -0.01

 

CMYK 65 / 0 / 12 / 44

HEX #33907F

RGB 51 144 127

HSL 169.03, 0.48%, 0.38%

LAB 54.22, -31.46, 1

 

CMYK 45 / 0 / 6 / 15

HEX #77D8CB

RGB 119 216 203

HSL 171.96, 0.55%, 0.66%

LAB 80.37, -31.74, -2.5

 

CMYK 44 / 0 / 0 / 16

HEX #78D6D7

RGB 120 214 215

HSL 180.63, 0.54%, 0.66%

LAB 80.18, -27.59, -9.2

 

CMYK 44 / 8 / 0 / 16

HEX #78C6D7

RGB 120 198 215

HSL 190.74, 0.54%, 0.66%

LAB 75.63, -19.62, -16.01

 

CMYK 44 / 15 / 0 / 16

HEX #78B6D7

RGB 120 182 215

HSL 200.84, 0.54%, 0.66%

LAB 71.12, -11.27, -22.85

 

CMYK 44 / 23 / 0 / 16

HEX #78A6D7

RGB 120 166 215

HSL 210.95, 0.54%, 0.66%

LAB 66.65, -2.55, -29.7

 

CMYK 45 / 0 / 6 / 15

HEX #77D8CB

RGB 119 216 203

HSL 171.96, 0.55%, 0.66%

LAB 80.37, -31.74, -2.5

 

CMYK 42 / 0 / 8 / 95

HEX #070C0B

RGB 7 12 11

HSL 168, 0.26%, 0.04%

LAB 3, -1.49, -0.06

 

CMYK 44 / 0 / 6 / 75

HEX #233F3B

RGB 35 63 59

HSL 171.43, 0.29%, 0.19%

LAB 24.41, -11.73, -0.89

 

CMYK 45 / 0 / 6 / 55

HEX #3F726B

RGB 63 114 107

HSL 171.76, 0.29%, 0.35%

LAB 44.45, -18.98, -1.48

 

CMYK 45 / 0 / 6 / 35

HEX #5BA59B

RGB 91 165 155

HSL 171.89, 0.29%, 0.5%

LAB 62.93, -25.56, -2.01

 

CMYK 45 / 0 / 6 / 15

HEX #77D8CB

RGB 119 216 203

HSL 171.96, 0.55%, 0.66%

LAB 80.37, -31.74, -2.5

 

CMYK 42 / 44 / 0 / 16

HEX #7D78D7

RGB 125 120 215

HSL 243.16, 0.54%, 0.66%

LAB 54.76, 25.45, -48.3

 

CMYK 0 / 24 / 44 / 16

HEX #D7A378

RGB 215 163 120

HSL 27.16, 0.54%, 0.66%

LAB 70.87, 13.85, 29.76

 

CMYK 45 / 0 / 6 / 15

HEX #77D8CB

RGB 119 216 203

HSL 171.96, 0.55%, 0.66%

LAB 80.37, -31.74, -2.5

 

CMYK 7 / 44 / 0 / 16

HEX #C978D7

RGB 201 120 215

HSL 291.16, 0.54%, 0.66%

LAB 62.3, 46.54, -35.91

 

CMYK 0 / 7 / 44 / 16

HEX #D7C978

RGB 215 201 120

HSL 51.16, 0.54%, 0.66%

LAB 80.5, -6.23, 42.1

 

CMYK 45 / 0 / 6 / 15

HEX #77D8CB

RGB 119 216 203

HSL 171.96, 0.55%, 0.66%

LAB 80.37, -31.74, -2.5

 

CMYK 42 / 44 / 0 / 16

HEX #7D78D7

RGB 125 120 215

HSL 243.16, 0.54%, 0.66%

LAB 54.76, 25.45, -48.3

 

CMYK 0 / 44 / 38 / 16

HEX #D77886

RGB 215 120 134

HSL 351.16, 0.54%, 0.66%

LAB 61.31, 38.46, 8.88

 

CMYK 2 / 0 / 44 / 16

HEX #D3D778

RGB 211 215 120

HSL 62.53, 0.54%, 0.66%

LAB 83.86, -14.92, 46.21

 

CMYK 45 / 0 / 6 / 15

HEX #77D8CB

RGB 119 216 203

HSL 171.96, 0.55%, 0.66%

LAB 80.37, -31.74, -2.5

 

CMYK 29 / 44 / 0 / 16

HEX #9978D7

RGB 153 120 215

HSL 260.84, 0.54%, 0.66%

LAB 57.18, 32.82, -44.31

 

CMYK 0 / 44 / 38 / 16

HEX #D77886

RGB 215 120 134

HSL 351.16, 0.54%, 0.66%

LAB 61.31, 38.46, 8.88

 

CMYK 15 / 0 / 44 / 16

HEX #B6D778

RGB 182 215 120

HSL 80.84, 0.54%, 0.66%

LAB 81.78, -26.15, 43.17

 

Description

Color code: RGB 119 216 203 | qconv.com Color code: RGB 119 216 203 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 216 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 216 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 6 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 6% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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