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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 197 115 it is the complementary color RGB 136 58 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 197 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 119 197 115: RGB 124 197 110, RGB 141 215 129, RGB 158 233 148, RGB 175 251 167 and RGB 192 255 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 197 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 119 197 115: RGB 119 197 115, RGB 102 179 96, RGB 85 161 77, RGB 68 143 58 and RGB 51 125 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 42 / 23

HEX #77C573

RGB 119 197 115

HSL 117.07, 0.41%, 0.61%

LAB 72.95, -40.47, 33.73

 

Complementary color

CMYK 3 / 59 / 0 / 45

HEX #883A8C

RGB 136 58 140

HSL 297.07, 0.41%, 0.39%

LAB 38.12, 45.1, -30.63

 

CMYK 37 / 0 / 44 / 23

HEX #7CC56E

RGB 124 197 110

HSL 110.34, 0.43%, 0.6%

LAB 73.12, -39.61, 36.53

 

CMYK 34 / 0 / 40 / 16

HEX #8DD781

RGB 141 215 129

HSL 111.63, 0.52%, 0.67%

LAB 79.53, -39.43, 35.32

 

CMYK 32 / 0 / 36 / 9

HEX #9EE994

RGB 158 233 148

HSL 112.94, 0.66%, 0.75%

LAB 85.85, -39.22, 34.15

 

CMYK 30 / 0 / 33 / 2

HEX #AFFBA7

RGB 175 251 167

HSL 114.29, 0.91%, 0.82%

LAB 92.09, -39, 33.03

 

CMYK 25 / 0 / 27 / 0

HEX #C0FFBA

RGB 192 255 186

HSL 114.78, 1%, 0.86%

LAB 94.43, -32.41, 26.78

 

CMYK 40 / 0 / 42 / 23

HEX #77C573

RGB 119 197 115

HSL 117.07, 0.41%, 0.61%

LAB 72.95, -40.47, 33.73

 

CMYK 43 / 0 / 46 / 30

HEX #66B360

RGB 102 179 96

HSL 115.66, 0.35%, 0.54%

LAB 66.45, -40.64, 35

 

CMYK 47 / 0 / 52 / 37

HEX #55A14D

RGB 85 161 77

HSL 114.29, 0.35%, 0.47%

LAB 59.85, -40.71, 36.3

 

CMYK 52 / 0 / 59 / 44

HEX #448F3A

RGB 68 143 58

HSL 112.94, 0.42%, 0.39%

LAB 53.15, -40.62, 37.57

 

CMYK 59 / 0 / 69 / 51

HEX #337D27

RGB 51 125 39

HSL 111.63, 0.52%, 0.32%

LAB 46.34, -40.24, 38.65

 

CMYK 40 / 0 / 42 / 23

HEX #77C573

RGB 119 197 115

HSL 117.07, 0.41%, 0.61%

LAB 72.95, -40.47, 33.73

 

CMYK 42 / 0 / 37 / 23

HEX #72C47C

RGB 114 196 124

HSL 127.32, 0.41%, 0.61%

LAB 72.57, -40.14, 28.53

 

CMYK 42 / 0 / 30 / 23

HEX #72C489

RGB 114 196 137

HSL 136.83, 0.41%, 0.61%

LAB 72.8, -37.87, 21.99

 

CMYK 42 / 0 / 23 / 23

HEX #72C497

RGB 114 196 151

HSL 147.07, 0.41%, 0.61%

LAB 73.08, -35.19, 14.89

 

CMYK 42 / 0 / 16 / 23

HEX #72C4A5

RGB 114 196 165

HSL 157.32, 0.41%, 0.61%

LAB 73.4, -32.25, 7.78

 

CMYK 40 / 0 / 42 / 23

HEX #77C573

RGB 119 197 115

HSL 117.07, 0.41%, 0.61%

LAB 72.95, -40.47, 33.73

 

CMYK 40 / 0 / 42 / 3

HEX #96F891

RGB 150 248 145

HSL 117.09, 0.88%, 0.77%

LAB 89.7, -48.64, 40.59

 

CMYK 39 / 0 / 41 / 83

HEX #1B2C1A

RGB 27 44 26

HSL 116.67, 0.26%, 0.14%

LAB 16.05, -11.64, 9.51

 

CMYK 40 / 0 / 42 / 63

HEX #395F37

RGB 57 95 55

HSL 117, 0.27%, 0.29%

LAB 36.61, -22.63, 18.74

 

CMYK 40 / 0 / 42 / 43

HEX #589255

RGB 88 146 85

HSL 117.05, 0.26%, 0.45%

LAB 55.37, -31.87, 26.5

 

CMYK 40 / 0 / 42 / 23

HEX #77C573

RGB 119 197 115

HSL 117.07, 0.41%, 0.61%

LAB 72.95, -40.47, 33.73

 

CMYK 42 / 6 / 0 / 23

HEX #72B8C4

RGB 114 184 196

HSL 188.78, 0.41%, 0.61%

LAB 70.76, -18.89, -13.01

 

CMYK 0 / 42 / 23 / 23

HEX #C47297

RGB 196 114 151

HSL 332.93, 0.41%, 0.61%

LAB 58.04, 37.07, -5.98

 

CMYK 40 / 0 / 42 / 23

HEX #77C573

RGB 119 197 115

HSL 117.07, 0.41%, 0.61%

LAB 72.95, -40.47, 33.73

 

CMYK 42 / 40 / 0 / 23

HEX #7276C4

RGB 114 118 196

HSL 237.07, 0.41%, 0.61%

LAB 52.42, 18.38, -41.27

 

CMYK 0 / 42 / 40 / 23

HEX #C47276

RGB 196 114 118

HSL 357.07, 0.41%, 0.61%

LAB 57.15, 32.72, 11.89

 

CMYK 40 / 0 / 42 / 23

HEX #77C573

RGB 119 197 115

HSL 117.07, 0.41%, 0.61%

LAB 72.95, -40.47, 33.73

 

CMYK 42 / 6 / 0 / 23

HEX #72B8C4

RGB 114 184 196

HSL 188.78, 0.41%, 0.61%

LAB 70.76, -18.89, -13.01

 

CMYK 2 / 42 / 0 / 23

HEX #C072C4

RGB 192 114 196

HSL 297.07, 0.41%, 0.61%

LAB 59.18, 43.37, -30.13

 

CMYK 0 / 35 / 42 / 23

HEX #C47F72

RGB 196 127 114

HSL 9.51, 0.41%, 0.61%

LAB 60.01, 25.2, 18.14

 

CMYK 40 / 0 / 42 / 23

HEX #77C573

RGB 119 197 115

HSL 117.07, 0.41%, 0.61%

LAB 72.95, -40.47, 33.73

 

CMYK 42 / 19 / 0 / 23

HEX #729FC4

RGB 114 159 196

HSL 207.07, 0.41%, 0.61%

LAB 63.64, -5.5, -23.81

 

CMYK 2 / 42 / 0 / 23

HEX #C072C4

RGB 192 114 196

HSL 297.07, 0.41%, 0.61%

LAB 59.18, 43.37, -30.13

 

CMYK 0 / 23 / 42 / 23

HEX #C49772

RGB 196 151 114

HSL 27.07, 0.41%, 0.61%

LAB 65.81, 12, 25.97

 

Description

Color code: RGB 119 197 115 | qconv.com Color code: RGB 119 197 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 197 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 197 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 42 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 42% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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