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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 123 244 it is the complementary color RGB 136 132 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 123 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 119 123 244: RGB 124 123 239, RGB 141 141 255, RGB 158 159 255, RGB 175 177 255 and RGB 192 195 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 123 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 119 123 244: RGB 119 123 244, RGB 102 105 225, RGB 85 87 206, RGB 68 69 187 and RGB 51 51 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 50 / 0 / 4

HEX #777BF4

RGB 119 123 244

HSL 238.08, 0.85%, 0.71%

LAB 56.7, 30.87, -61.44

 

Complementary color

CMYK 0 / 3 / 92 / 47

HEX #88840B

RGB 136 132 11

HSL 58.08, 0.85%, 0.29%

LAB 53.77, -11.16, 56.44

 

CMYK 48 / 49 / 0 / 6

HEX #7C7BEF

RGB 124 123 239

HSL 240.52, 0.78%, 0.71%

LAB 56.77, 30.44, -58.55

 

CMYK 45 / 45 / 0 / 0

HEX #8D8DFF

RGB 141 141 255

HSL 240, 1%, 0.78%

LAB 63.29, 28.39, -56.88

 

CMYK 38 / 38 / 0 / 0

HEX #9E9FFF

RGB 158 159 255

HSL 239.38, 1%, 0.81%

LAB 68.96, 22.19, -47.83

 

CMYK 31 / 31 / 0 / 0

HEX #AFB1FF

RGB 175 177 255

HSL 238.5, 1%, 0.84%

LAB 74.68, 16.61, -38.77

 

CMYK 25 / 24 / 0 / 0

HEX #C0C3FF

RGB 192 195 255

HSL 237.14, 1%, 0.88%

LAB 80.44, 11.58, -29.79

 

CMYK 51 / 50 / 0 / 4

HEX #777BF4

RGB 119 123 244

HSL 238.08, 0.85%, 0.71%

LAB 56.7, 30.87, -61.44

 

CMYK 55 / 53 / 0 / 12

HEX #6669E1

RGB 102 105 225

HSL 238.54, 0.67%, 0.64%

LAB 49.93, 32.36, -61.77

 

CMYK 59 / 58 / 0 / 19

HEX #5557CE

RGB 85 87 206

HSL 239.01, 0.55%, 0.57%

LAB 43.07, 34.09, -62.1

 

CMYK 64 / 63 / 0 / 27

HEX #4445BB

RGB 68 69 187

HSL 239.5, 0.47%, 0.5%

LAB 36.12, 36.08, -62.4

 

CMYK 70 / 70 / 0 / 34

HEX #3333A8

RGB 51 51 168

HSL 240, 0.53%, 0.43%

LAB 29.16, 38.35, -62.56

 

CMYK 51 / 50 / 0 / 4

HEX #777BF4

RGB 119 123 244

HSL 238.08, 0.85%, 0.71%

LAB 56.7, 30.87, -61.44

 

CMYK 45 / 51 / 0 / 5

HEX #8676F3

RGB 134 118 243

HSL 247.68, 0.84%, 0.71%

LAB 56.58, 36.74, -61.02

 

CMYK 36 / 51 / 0 / 5

HEX #9B76F3

RGB 155 118 243

HSL 257.76, 0.84%, 0.71%

LAB 58.41, 41.61, -57.99

 

CMYK 28 / 51 / 0 / 5

HEX #B076F3

RGB 176 118 243

HSL 267.84, 0.84%, 0.71%

LAB 60.48, 46.79, -54.57

 

CMYK 19 / 51 / 0 / 5

HEX #C576F3

RGB 197 118 243

HSL 277.92, 0.84%, 0.71%

LAB 62.76, 52.18, -50.81

 

CMYK 51 / 50 / 0 / 4

HEX #777BF4

RGB 119 123 244

HSL 238.08, 0.85%, 0.71%

LAB 56.7, 30.87, -61.44

 

CMYK 50 / 50 / 0 / 84

HEX #141428

RGB 20 20 40

HSL 240, 0.33%, 0.12%

LAB 7.25, 6.42, -13.67

 

CMYK 52 / 49 / 0 / 64

HEX #2C2E5B

RGB 44 46 91

HSL 237.45, 0.35%, 0.26%

LAB 21, 13.04, -27.39

 

CMYK 51 / 49 / 0 / 44

HEX #45488E

RGB 69 72 142

HSL 237.53, 0.35%, 0.41%

LAB 33.67, 19.17, -39.38

 

CMYK 51 / 50 / 0 / 24

HEX #5E61C1

RGB 94 97 193

HSL 238.18, 0.44%, 0.56%

LAB 45.33, 25.5, -50.92

 

CMYK 51 / 50 / 0 / 4

HEX #777BF4

RGB 119 123 244

HSL 238.08, 0.85%, 0.71%

LAB 56.7, 30.87, -61.44

 

CMYK 0 / 51 / 9 / 5

HEX #F376DE

RGB 243 118 222

HSL 310.08, 0.84%, 0.71%

LAB 67.49, 60.85, -31.35

 

CMYK 29 / 0 / 51 / 5

HEX #ACF376

RGB 172 243 118

HSL 94.08, 0.84%, 0.71%

LAB 89.01, -42.81, 52.81

 

CMYK 51 / 50 / 0 / 4

HEX #777BF4

RGB 119 123 244

HSL 238.08, 0.85%, 0.71%

LAB 56.7, 30.87, -61.44

 

CMYK 0 / 51 / 50 / 5

HEX #F3767A

RGB 243 118 122

HSL 358.08, 0.84%, 0.71%

LAB 64.5, 48.29, 20.74

 

CMYK 50 / 0 / 51 / 5

HEX #7AF376

RGB 122 243 118

HSL 118.08, 0.84%, 0.71%

LAB 86.77, -58.13, 49.59

 

CMYK 51 / 50 / 0 / 4

HEX #777BF4

RGB 119 123 244

HSL 238.08, 0.85%, 0.71%

LAB 56.7, 30.87, -61.44

 

CMYK 0 / 51 / 9 / 5

HEX #F376DE

RGB 243 118 222

HSL 310.08, 0.84%, 0.71%

LAB 67.49, 60.85, -31.35

 

CMYK 0 / 2 / 51 / 5

HEX #F3EF76

RGB 243 239 118

HSL 58.08, 0.84%, 0.71%

LAB 92.62, -14.29, 58.24

 

CMYK 51 / 0 / 43 / 5

HEX #76F38B

RGB 118 243 139

HSL 130.08, 0.84%, 0.71%

LAB 86.91, -56.24, 39.68

 

CMYK 51 / 50 / 0 / 4

HEX #777BF4

RGB 119 123 244

HSL 238.08, 0.85%, 0.71%

LAB 56.7, 30.87, -61.44

 

CMYK 0 / 51 / 24 / 5

HEX #F376B9

RGB 243 118 185

HSL 327.84, 0.84%, 0.71%

LAB 66.15, 55.37, -12.67

 

CMYK 0 / 2 / 51 / 5

HEX #F3EF76

RGB 243 239 118

HSL 58.08, 0.84%, 0.71%

LAB 92.62, -14.29, 58.24

 

CMYK 51 / 0 / 28 / 5

HEX #76F3B0

RGB 118 243 176

HSL 147.84, 0.84%, 0.71%

LAB 87.53, -49.85, 21.87

 

Description

Color code: RGB 119 123 244 | qconv.com Color code: RGB 119 123 244 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 123 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 123 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 50 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 50% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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