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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 120 147 it is the complementary color RGB 136 135 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 120 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 119 120 147: RGB 124 120 142, RGB 141 138 161, RGB 158 156 180, RGB 175 174 199 and RGB 192 192 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 120 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 119 120 147: RGB 119 120 147, RGB 102 102 128, RGB 85 84 109, RGB 68 66 90 and RGB 51 48 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 18 / 0 / 42

HEX #777893

RGB 119 120 147

HSL 237.86, 0.11%, 0.52%

LAB 51.22, 5.6, -14.71

 

Complementary color

CMYK 0 / 1 / 21 / 47

HEX #88876C

RGB 136 135 108

HSL 57.86, 0.11%, 0.48%

LAB 55.73, -4.42, 14.69

 

CMYK 13 / 15 / 0 / 44

HEX #7C788E

RGB 124 120 142

HSL 250.91, 0.09%, 0.51%

LAB 51.46, 6.16, -11.38

 

CMYK 12 / 14 / 0 / 37

HEX #8D8AA1

RGB 141 138 161

HSL 247.83, 0.11%, 0.59%

LAB 58.43, 5.86, -11.77

 

CMYK 12 / 13 / 0 / 29

HEX #9E9CB4

RGB 158 156 180

HSL 245, 0.14%, 0.66%

LAB 65.23, 5.58, -12.16

 

CMYK 12 / 13 / 0 / 22

HEX #AFAEC7

RGB 175 174 199

HSL 242.4, 0.18%, 0.73%

LAB 71.9, 5.33, -12.56

 

CMYK 12 / 12 / 0 / 15

HEX #C0C0DA

RGB 192 192 218

HSL 240, 0.26%, 0.8%

LAB 78.44, 5.09, -12.96

 

CMYK 19 / 18 / 0 / 42

HEX #777893

RGB 119 120 147

HSL 237.86, 0.11%, 0.52%

LAB 51.22, 5.6, -14.71

 

CMYK 20 / 20 / 0 / 50

HEX #666680

RGB 102 102 128

HSL 240, 0.11%, 0.45%

LAB 44.07, 5.94, -14.42

 

CMYK 22 / 23 / 0 / 57

HEX #55546D

RGB 85 84 109

HSL 242.4, 0.13%, 0.38%

LAB 36.7, 6.32, -14.17

 

CMYK 24 / 27 / 0 / 65

HEX #44425A

RGB 68 66 90

HSL 245, 0.15%, 0.31%

LAB 29.07, 6.78, -13.95

 

CMYK 28 / 32 / 0 / 72

HEX #333047

RGB 51 48 71

HSL 247.83, 0.19%, 0.23%

LAB 21.1, 7.35, -13.81

 

CMYK 19 / 18 / 0 / 42

HEX #777893

RGB 119 120 147

HSL 237.86, 0.11%, 0.52%

LAB 51.22, 5.6, -14.71

 

CMYK 16 / 18 / 0 / 43

HEX #7A7792

RGB 122 119 146

HSL 246.67, 0.11%, 0.52%

LAB 51.16, 6.98, -14.2

 

CMYK 14 / 18 / 0 / 43

HEX #7E7792

RGB 126 119 146

HSL 255.56, 0.11%, 0.52%

LAB 51.5, 8.36, -13.65

 

CMYK 10 / 18 / 0 / 43

HEX #837792

RGB 131 119 146

HSL 266.67, 0.11%, 0.52%

LAB 51.94, 10.11, -12.94

 

CMYK 8 / 18 / 0 / 43

HEX #877792

RGB 135 119 146

HSL 275.56, 0.11%, 0.52%

LAB 52.31, 11.52, -12.35

 

CMYK 19 / 18 / 0 / 42

HEX #777893

RGB 119 120 147

HSL 237.86, 0.11%, 0.52%

LAB 51.22, 5.6, -14.71

 

CMYK 19 / 18 / 0 / 22

HEX #A0A2C6

RGB 160 162 198

HSL 236.84, 0.25%, 0.7%

LAB 67.57, 6.87, -18.65

 

CMYK 19 / 18 / 0 / 2

HEX #CACBF9

RGB 202 203 249

HSL 238.72, 0.8%, 0.88%

LAB 82.97, 8.92, -22.66

 

CMYK 20 / 18 / 0 / 82

HEX #24252D

RGB 36 37 45

HSL 233.33, 0.11%, 0.16%

LAB 14.89, 1.68, -5.42

 

CMYK 19 / 19 / 0 / 62

HEX #4E4E60

RGB 78 78 96

HSL 240, 0.1%, 0.34%

LAB 33.8, 4.26, -10.48

 

CMYK 19 / 18 / 0 / 42

HEX #777893

RGB 119 120 147

HSL 237.86, 0.11%, 0.52%

LAB 51.22, 5.6, -14.71

 

CMYK 0 / 18 / 3 / 43

HEX #92778E

RGB 146 119 142

HSL 308.89, 0.11%, 0.52%

LAB 53.23, 14.67, -8.52

 

CMYK 10 / 0 / 18 / 43

HEX #839277

RGB 131 146 119

HSL 93.33, 0.11%, 0.52%

LAB 58.71, -10.59, 12.53

 

CMYK 19 / 18 / 0 / 42

HEX #777893

RGB 119 120 147

HSL 237.86, 0.11%, 0.52%

LAB 51.22, 5.6, -14.71

 

CMYK 0 / 18 / 18 / 43

HEX #927778

RGB 146 119 120

HSL 357.78, 0.11%, 0.52%

LAB 52.58, 10.67, 3.41

 

CMYK 18 / 0 / 18 / 43

HEX #789277

RGB 120 146 119

HSL 117.78, 0.11%, 0.52%

LAB 57.93, -14.68, 11.31

 

CMYK 19 / 18 / 0 / 42

HEX #777893

RGB 119 120 147

HSL 237.86, 0.11%, 0.52%

LAB 51.22, 5.6, -14.71

 

CMYK 0 / 18 / 3 / 43

HEX #92778E

RGB 146 119 142

HSL 308.89, 0.11%, 0.52%

LAB 53.23, 14.67, -8.52

 

CMYK 0 / 1 / 18 / 43

HEX #929077

RGB 146 144 119

HSL 55.56, 0.11%, 0.52%

LAB 59.33, -3.68, 13.58

 

CMYK 18 / 0 / 16 / 43

HEX #77927B

RGB 119 146 123

HSL 128.89, 0.11%, 0.52%

LAB 57.95, -14.28, 9.07

 

CMYK 19 / 18 / 0 / 42

HEX #777893

RGB 119 120 147

HSL 237.86, 0.11%, 0.52%

LAB 51.22, 5.6, -14.71

 

CMYK 0 / 18 / 9 / 43

HEX #927785

RGB 146 119 133

HSL 328.89, 0.11%, 0.52%

LAB 52.95, 12.96, -3.67

 

CMYK 0 / 1 / 18 / 43

HEX #929077

RGB 146 144 119

HSL 55.56, 0.11%, 0.52%

LAB 59.33, -3.68, 13.58

 

CMYK 18 / 0 / 10 / 43

HEX #779283

RGB 119 146 131

HSL 146.67, 0.11%, 0.52%

LAB 58.15, -12.69, 4.8

 

Description

Color code: RGB 119 120 147 | qconv.com Color code: RGB 119 120 147 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 120 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 120 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 18 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 18% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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