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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 111 163 it is the complementary color RGB 136 144 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 111 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 119 111 163: RGB 124 111 158, RGB 141 129 177, RGB 158 147 196, RGB 175 165 215 and RGB 192 183 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 111 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 119 111 163: RGB 119 111 163, RGB 102 93 144, RGB 85 75 125, RGB 68 57 106 and RGB 51 39 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 32 / 0 / 36

HEX #776FA3

RGB 119 111 163

HSL 249.23, 0.22%, 0.54%

LAB 49.42, 14.94, -26.86

 

Complementary color

CMYK 6 / 0 / 36 / 44

HEX #88905C

RGB 136 144 92

HSL 69.23, 0.22%, 0.46%

LAB 57.99, -11.67, 26.7

 

CMYK 22 / 30 / 0 / 38

HEX #7C6F9E

RGB 124 111 158

HSL 256.6, 0.2%, 0.53%

LAB 49.64, 15.28, -23.54

 

CMYK 20 / 27 / 0 / 31

HEX #8D81B1

RGB 141 129 177

HSL 255, 0.24%, 0.6%

LAB 56.62, 14.72, -23.68

 

CMYK 19 / 25 / 0 / 23

HEX #9E93C4

RGB 158 147 196

HSL 253.47, 0.29%, 0.67%

LAB 63.44, 14.23, -23.85

 

CMYK 19 / 23 / 0 / 16

HEX #AFA5D7

RGB 175 165 215

HSL 252, 0.38%, 0.75%

LAB 70.13, 13.79, -24.04

 

CMYK 18 / 22 / 0 / 8

HEX #C0B7EA

RGB 192 183 234

HSL 250.59, 0.55%, 0.82%

LAB 76.69, 13.38, -24.25

 

CMYK 27 / 32 / 0 / 36

HEX #776FA3

RGB 119 111 163

HSL 249.23, 0.22%, 0.54%

LAB 49.42, 14.94, -26.86

 

CMYK 29 / 35 / 0 / 44

HEX #665D90

RGB 102 93 144

HSL 250.59, 0.22%, 0.46%

LAB 42.26, 15.61, -26.85

 

CMYK 32 / 40 / 0 / 51

HEX #554B7D

RGB 85 75 125

HSL 252, 0.25%, 0.39%

LAB 34.89, 16.4, -26.9

 

CMYK 36 / 46 / 0 / 58

HEX #44396A

RGB 68 57 106

HSL 253.47, 0.3%, 0.32%

LAB 27.29, 17.35, -27.03

 

CMYK 41 / 55 / 0 / 66

HEX #332757

RGB 51 39 87

HSL 255, 0.38%, 0.25%

LAB 19.4, 18.53, -27.24

 

CMYK 27 / 32 / 0 / 36

HEX #776FA3

RGB 119 111 163

HSL 249.23, 0.22%, 0.54%

LAB 49.42, 14.94, -26.86

 

CMYK 21 / 32 / 0 / 36

HEX #806FA3

RGB 128 111 163

HSL 259.62, 0.22%, 0.54%

LAB 50.22, 17.79, -25.55

 

CMYK 17 / 32 / 0 / 36

HEX #886FA3

RGB 136 111 163

HSL 268.85, 0.22%, 0.54%

LAB 50.98, 20.38, -24.32

 

CMYK 11 / 32 / 0 / 36

HEX #916FA3

RGB 145 111 163

HSL 279.23, 0.22%, 0.54%

LAB 51.87, 23.35, -22.86

 

CMYK 6 / 32 / 0 / 36

HEX #9A6FA3

RGB 154 111 163

HSL 289.62, 0.22%, 0.54%

LAB 52.82, 26.35, -21.32

 

CMYK 27 / 32 / 0 / 36

HEX #776FA3

RGB 119 111 163

HSL 249.23, 0.22%, 0.54%

LAB 49.42, 14.94, -26.86

 

CMYK 27 / 32 / 0 / 16

HEX #9C92D6

RGB 156 146 214

HSL 248.82, 0.45%, 0.71%

LAB 63.74, 18.49, -33.46

 

CMYK 30 / 30 / 0 / 96

HEX #07070A

RGB 7 7 10

HSL 240, 0.18%, 0.03%

LAB 1.98, 0.42, -1.14

 

CMYK 26 / 31 / 0 / 76

HEX #2D2A3D

RGB 45 42 61

HSL 249.47, 0.18%, 0.2%

LAB 18.15, 6.36, -11.59

 

CMYK 27 / 32 / 0 / 56

HEX #524C70

RGB 82 76 112

HSL 250, 0.19%, 0.37%

LAB 34.26, 11.17, -19.82

 

CMYK 27 / 32 / 0 / 36

HEX #776FA3

RGB 119 111 163

HSL 249.23, 0.22%, 0.54%

LAB 49.42, 14.94, -26.86

 

CMYK 0 / 32 / 11 / 36

HEX #A36F91

RGB 163 111 145

HSL 320.77, 0.22%, 0.54%

LAB 53.17, 26.02, -10.18

 

CMYK 24 / 0 / 32 / 36

HEX #7CA36F

RGB 124 163 111

HSL 105, 0.22%, 0.54%

LAB 63.03, -23.41, 22.83

 

CMYK 27 / 32 / 0 / 36

HEX #776FA3

RGB 119 111 163

HSL 249.23, 0.22%, 0.54%

LAB 49.42, 14.94, -26.86

 

CMYK 0 / 27 / 32 / 36

HEX #A3776F

RGB 163 119 111

HSL 9.23, 0.22%, 0.54%

LAB 54.16, 16.09, 11.17

 

CMYK 32 / 0 / 27 / 36

HEX #6FA377

RGB 111 163 119

HSL 129.23, 0.22%, 0.54%

LAB 62.43, -26.55, 17.49

 

CMYK 27 / 32 / 0 / 36

HEX #776FA3

RGB 119 111 163

HSL 249.23, 0.22%, 0.54%

LAB 49.42, 14.94, -26.86

 

CMYK 0 / 32 / 11 / 36

HEX #A36F91

RGB 163 111 145

HSL 320.77, 0.22%, 0.54%

LAB 53.17, 26.02, -10.18

 

CMYK 5 / 0 / 32 / 36

HEX #9BA36F

RGB 155 163 111

HSL 69.23, 0.22%, 0.54%

LAB 65.21, -11.57, 26.12

 

CMYK 32 / 0 / 21 / 36

HEX #6FA381

RGB 111 163 129

HSL 140.77, 0.22%, 0.54%

LAB 62.64, -24.64, 12.25

 

CMYK 27 / 32 / 0 / 36

HEX #776FA3

RGB 119 111 163

HSL 249.23, 0.22%, 0.54%

LAB 49.42, 14.94, -26.86

 

CMYK 0 / 32 / 21 / 36

HEX #A36F81

RGB 163 111 129

HSL 339.23, 0.22%, 0.54%

LAB 52.66, 23.33, -1.53

 

CMYK 5 / 0 / 32 / 36

HEX #9BA36F

RGB 155 163 111

HSL 69.23, 0.22%, 0.54%

LAB 65.21, -11.57, 26.12

 

CMYK 32 / 0 / 11 / 36

HEX #6FA391

RGB 111 163 145

HSL 159.23, 0.22%, 0.54%

LAB 63.03, -21.28, 3.86

 

Description

Color code: RGB 119 111 163 | qconv.com Color code: RGB 119 111 163 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 111 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 111 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 32 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 32% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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