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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 98 207 it is the complementary color RGB 137 157 48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 98 207. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 118 98 207: RGB 123 98 202, RGB 140 116 221, RGB 157 134 240, RGB 174 152 255 and RGB 191 170 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 98 207. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 118 98 207: RGB 118 98 207, RGB 101 80 188, RGB 84 62 169, RGB 67 44 150 and RGB 50 26 131

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 53 / 0 / 19

HEX #7662CF

RGB 118 98 207

HSL 251.01, 0.53%, 0.6%

LAB 48.38, 34.55, -53.98

 

Complementary color

CMYK 13 / 0 / 69 / 38

HEX #899D30

RGB 137 157 48

HSL 71.01, 0.53%, 0.4%

LAB 61.35, -22.24, 52.07

 

CMYK 39 / 51 / 0 / 21

HEX #7B62CA

RGB 123 98 202

HSL 254.42, 0.5%, 0.59%

LAB 48.52, 34.34, -50.86

 

CMYK 37 / 48 / 0 / 13

HEX #8C74DD

RGB 140 116 221

HSL 253.71, 0.61%, 0.66%

LAB 55.37, 33.24, -50.64

 

CMYK 35 / 44 / 0 / 6

HEX #9D86F0

RGB 157 134 240

HSL 253.02, 0.78%, 0.73%

LAB 62.09, 32.25, -50.46

 

CMYK 32 / 40 / 0 / 0

HEX #AE98FF

RGB 174 152 255

HSL 252.82, 1%, 0.8%

LAB 68.52, 30.35, -48.44

 

CMYK 25 / 33 / 0 / 0

HEX #BFAAFF

RGB 191 170 255

HSL 254.82, 1%, 0.83%

LAB 74.22, 25.01, -39.4

 

CMYK 43 / 53 / 0 / 19

HEX #7662CF

RGB 118 98 207

HSL 251.01, 0.53%, 0.6%

LAB 48.38, 34.55, -53.98

 

CMYK 46 / 57 / 0 / 26

HEX #6550BC

RGB 101 80 188

HSL 251.67, 0.45%, 0.53%

LAB 41.43, 35.89, -54.26

 

CMYK 50 / 63 / 0 / 34

HEX #543EA9

RGB 84 62 169

HSL 252.34, 0.46%, 0.45%

LAB 34.39, 37.36, -54.5

 

CMYK 55 / 71 / 0 / 41

HEX #432C96

RGB 67 44 150

HSL 253.02, 0.55%, 0.38%

LAB 27.29, 38.93, -54.63

 

CMYK 62 / 80 / 0 / 49

HEX #321A83

RGB 50 26 131

HSL 253.71, 0.67%, 0.31%

LAB 20.27, 40.32, -54.4

 

CMYK 43 / 53 / 0 / 19

HEX #7662CF

RGB 118 98 207

HSL 251.01, 0.53%, 0.6%

LAB 48.38, 34.55, -53.98

 

CMYK 34 / 53 / 0 / 19

HEX #8862CF

RGB 136 98 207

HSL 260.92, 0.53%, 0.6%

LAB 50.07, 38.9, -51.18

 

CMYK 26 / 53 / 0 / 19

HEX #9A62CF

RGB 154 98 207

HSL 270.83, 0.53%, 0.6%

LAB 51.96, 43.5, -48.05

 

CMYK 17 / 53 / 0 / 19

HEX #AC62CF

RGB 172 98 207

HSL 280.73, 0.53%, 0.6%

LAB 54.04, 48.26, -44.62

 

CMYK 8 / 53 / 0 / 19

HEX #BE62CF

RGB 190 98 207

HSL 290.64, 0.53%, 0.6%

LAB 56.28, 53.11, -40.94

 

CMYK 43 / 53 / 0 / 19

HEX #7662CF

RGB 118 98 207

HSL 251.01, 0.53%, 0.6%

LAB 48.38, 34.55, -53.98

 

CMYK 33 / 67 / 0 / 99

HEX #020103

RGB 2 1 3

HSL 270, 0.5%, 0.01%

LAB 0.37, 0.54, -0.67

 

CMYK 43 / 52 / 0 / 79

HEX #1F1A36

RGB 31 26 54

HSL 250.71, 0.35%, 0.16%

LAB 11.25, 10.69, -17.54

 

CMYK 43 / 52 / 0 / 59

HEX #3C3269

RGB 60 50 105

HSL 250.91, 0.35%, 0.3%

LAB 24.52, 19.37, -30.83

 

CMYK 43 / 53 / 0 / 39

HEX #594A9C

RGB 89 74 156

HSL 250.98, 0.36%, 0.45%

LAB 36.78, 27.22, -42.8

 

CMYK 43 / 53 / 0 / 19

HEX #7662CF

RGB 118 98 207

HSL 251.01, 0.53%, 0.6%

LAB 48.38, 34.55, -53.98

 

CMYK 0 / 53 / 20 / 19

HEX #CF62A5

RGB 207 98 165

HSL 323.12, 0.53%, 0.6%

LAB 56.8, 50.94, -15.82

 

CMYK 41 / 0 / 53 / 19

HEX #7ACF62

RGB 122 207 98

HSL 106.79, 0.53%, 0.6%

LAB 75.85, -46.12, 45.78

 

CMYK 43 / 53 / 0 / 19

HEX #7662CF

RGB 118 98 207

HSL 251.01, 0.53%, 0.6%

LAB 48.38, 34.55, -53.98

 

CMYK 0 / 43 / 53 / 19

HEX #CF7662

RGB 207 118 98

HSL 11.01, 0.53%, 0.6%

LAB 59.07, 32.79, 26.2

 

CMYK 53 / 0 / 43 / 19

HEX #62CF76

RGB 98 207 118

HSL 131.01, 0.53%, 0.6%

LAB 75.16, -50.16, 34.88

 

CMYK 43 / 53 / 0 / 19

HEX #7662CF

RGB 118 98 207

HSL 251.01, 0.53%, 0.6%

LAB 48.38, 34.55, -53.98

 

CMYK 0 / 53 / 20 / 19

HEX #CF62A5

RGB 207 98 165

HSL 323.12, 0.53%, 0.6%

LAB 56.8, 50.94, -15.82

 

CMYK 10 / 0 / 53 / 19

HEX #BBCF62

RGB 187 207 98

HSL 71.01, 0.53%, 0.6%

LAB 79.65, -22.58, 51.22

 

CMYK 53 / 0 / 32 / 19

HEX #62CF8C

RGB 98 207 140

HSL 143.12, 0.53%, 0.6%

LAB 75.52, -46.36, 24

 

CMYK 43 / 53 / 0 / 19

HEX #7662CF

RGB 118 98 207

HSL 251.01, 0.53%, 0.6%

LAB 48.38, 34.55, -53.98

 

CMYK 0 / 53 / 36 / 19

HEX #CF6285

RGB 207 98 133

HSL 340.73, 0.53%, 0.6%

LAB 55.78, 46.69, 1.37

 

CMYK 10 / 0 / 53 / 19

HEX #BBCF62

RGB 187 207 98

HSL 71.01, 0.53%, 0.6%

LAB 79.65, -22.58, 51.22

 

CMYK 53 / 0 / 17 / 19

HEX #62CFAC

RGB 98 207 172

HSL 160.73, 0.53%, 0.6%

LAB 76.19, -39.7, 7.92

 

Description

Color code: RGB 118 98 207 | qconv.com Color code: RGB 118 98 207 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 98 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 98 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 53 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 53% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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