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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 81 198 it is the complementary color RGB 137 174 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 81 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 118 81 198: RGB 123 81 193, RGB 140 99 212, RGB 157 117 231, RGB 174 135 250 and RGB 191 153 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 81 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 118 81 198: RGB 118 81 198, RGB 101 63 179, RGB 84 45 160, RGB 67 27 141 and RGB 50 9 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 59 / 0 / 22

HEX #7651C6

RGB 118 81 198

HSL 258.97, 0.51%, 0.55%

LAB 43.96, 41.9, -55.9

 

Complementary color

CMYK 21 / 0 / 67 / 32

HEX #89AE39

RGB 137 174 57

HSL 78.97, 0.51%, 0.45%

LAB 66.43, -29.94, 53.68

 

CMYK 36 / 58 / 0 / 24

HEX #7B51C1

RGB 123 81 193

HSL 262.5, 0.47%, 0.54%

LAB 44.16, 41.71, -52.67

 

CMYK 34 / 53 / 0 / 17

HEX #8C63D4

RGB 140 99 212

HSL 261.77, 0.57%, 0.61%

LAB 50.98, 40.62, -52.55

 

CMYK 32 / 49 / 0 / 9

HEX #9D75E7

RGB 157 117 231

HSL 261.05, 0.7%, 0.68%

LAB 57.71, 39.59, -52.42

 

CMYK 30 / 46 / 0 / 2

HEX #AE87FA

RGB 174 135 250

HSL 260.35, 0.92%, 0.75%

LAB 64.35, 38.63, -52.29

 

CMYK 25 / 40 / 0 / 0

HEX #BF99FF

RGB 191 153 255

HSL 262.35, 1%, 0.8%

LAB 70.23, 34.42, -45.64

 

CMYK 40 / 59 / 0 / 22

HEX #7651C6

RGB 118 81 198

HSL 258.97, 0.51%, 0.55%

LAB 43.96, 41.9, -55.9

 

CMYK 44 / 65 / 0 / 30

HEX #653FB3

RGB 101 63 179

HSL 259.66, 0.48%, 0.47%

LAB 37.07, 43.12, -56.01

 

CMYK 48 / 72 / 0 / 37

HEX #542DA0

RGB 84 45 160

HSL 260.35, 0.56%, 0.4%

LAB 30.16, 44.27, -55.97

 

CMYK 52 / 81 / 0 / 45

HEX #431B8D

RGB 67 27 141

HSL 261.05, 0.68%, 0.33%

LAB 23.34, 45.03, -55.54

 

CMYK 59 / 93 / 0 / 52

HEX #32097A

RGB 50 9 122

HSL 261.77, 0.86%, 0.26%

LAB 16.89, 44.67, -54.26

 

CMYK 40 / 59 / 0 / 22

HEX #7651C6

RGB 118 81 198

HSL 258.97, 0.51%, 0.55%

LAB 43.96, 41.9, -55.9

 

CMYK 31 / 59 / 0 / 22

HEX #8851C6

RGB 136 81 198

HSL 268.21, 0.51%, 0.55%

LAB 45.9, 46.06, -52.68

 

CMYK 22 / 59 / 0 / 22

HEX #9B51C6

RGB 155 81 198

HSL 277.95, 0.51%, 0.55%

LAB 48.17, 50.66, -48.92

 

CMYK 12 / 59 / 0 / 22

HEX #AF51C6

RGB 175 81 198

HSL 288.21, 0.51%, 0.55%

LAB 50.78, 55.66, -44.62

 

CMYK 2 / 59 / 0 / 22

HEX #C251C6

RGB 194 81 198

HSL 297.95, 0.51%, 0.55%

LAB 53.42, 60.47, -40.26

 

CMYK 40 / 59 / 0 / 22

HEX #7651C6

RGB 118 81 198

HSL 258.97, 0.51%, 0.55%

LAB 43.96, 41.9, -55.9

 

CMYK 41 / 59 / 0 / 2

HEX #9466F9

RGB 148 102 249

HSL 258.78, 0.92%, 0.69%

LAB 54.7, 50.42, -67.32

 

CMYK 40 / 60 / 0 / 82

HEX #1B122D

RGB 27 18 45

HSL 260, 0.43%, 0.12%

LAB 7.72, 12.26, -16.6

 

CMYK 41 / 59 / 0 / 62

HEX #392760

RGB 57 39 96

HSL 258.95, 0.42%, 0.26%

LAB 20.69, 23.04, -31.1

 

CMYK 40 / 59 / 0 / 42

HEX #583C93

RGB 88 60 147

HSL 259.31, 0.42%, 0.41%

LAB 32.73, 32.93, -43.86

 

CMYK 40 / 59 / 0 / 22

HEX #7651C6

RGB 118 81 198

HSL 258.97, 0.51%, 0.55%

LAB 43.96, 41.9, -55.9

 

CMYK 0 / 59 / 29 / 22

HEX #C6518C

RGB 198 81 140

HSL 329.74, 0.51%, 0.55%

LAB 51.59, 52.7, -9.11

 

CMYK 53 / 0 / 59 / 22

HEX #5DC651

RGB 93 198 81

HSL 113.85, 0.51%, 0.55%

LAB 71.76, -52.92, 48.57

 

CMYK 40 / 59 / 0 / 22

HEX #7651C6

RGB 118 81 198

HSL 258.97, 0.51%, 0.55%

LAB 43.96, 41.9, -55.9

 

CMYK 0 / 41 / 59 / 22

HEX #C67451

RGB 198 116 81

HSL 17.95, 0.51%, 0.55%

LAB 57.16, 28.88, 33.02

 

CMYK 59 / 0 / 41 / 22

HEX #51C674

RGB 81 198 116

HSL 137.95, 0.51%, 0.55%

LAB 71.82, -50.93, 31.47

 

CMYK 40 / 59 / 0 / 22

HEX #7651C6

RGB 118 81 198

HSL 258.97, 0.51%, 0.55%

LAB 43.96, 41.9, -55.9

 

CMYK 0 / 59 / 29 / 22

HEX #C6518C

RGB 198 81 140

HSL 329.74, 0.51%, 0.55%

LAB 51.59, 52.7, -9.11

 

CMYK 18 / 0 / 59 / 22

HEX #A3C651

RGB 163 198 81

HSL 77.95, 0.51%, 0.55%

LAB 75.31, -29.2, 53.54

 

CMYK 59 / 0 / 29 / 22

HEX #51C68C

RGB 81 198 140

HSL 150.26, 0.51%, 0.55%

LAB 72.25, -46.43, 19.44

 

CMYK 40 / 59 / 0 / 22

HEX #7651C6

RGB 118 81 198

HSL 258.97, 0.51%, 0.55%

LAB 43.96, 41.9, -55.9

 

CMYK 0 / 59 / 47 / 22

HEX #C65169

RGB 198 81 105

HSL 347.69, 0.51%, 0.55%

LAB 50.58, 48.76, 10.37

 

CMYK 18 / 0 / 59 / 22

HEX #A3C651

RGB 163 198 81

HSL 77.95, 0.51%, 0.55%

LAB 75.31, -29.2, 53.54

 

CMYK 59 / 0 / 12 / 22

HEX #51C6AF

RGB 81 198 175

HSL 168.21, 0.51%, 0.55%

LAB 73.04, -38.44, 1.7

 

Description

Color code: RGB 118 81 198 | qconv.com Color code: RGB 118 81 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 81 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 81 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 59 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 59% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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