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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 148 85 it is the complementary color RGB 137 107 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 148 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 118 148 85: RGB 123 148 80, RGB 140 166 99, RGB 157 184 118, RGB 174 202 137 and RGB 191 220 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 148 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 118 148 85: RGB 118 148 85, RGB 101 130 66, RGB 84 112 47, RGB 67 94 28 and RGB 50 76 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 43 / 42

HEX #769455

RGB 118 148 85

HSL 88.57, 0.27%, 0.46%

LAB 57.74, -21.94, 29.9

 

Complementary color

CMYK 19 / 37 / 0 / 33

HEX #896BAA

RGB 137 107 170

HSL 268.57, 0.27%, 0.54%

LAB 50.38, 24.7, -29.32

 

CMYK 17 / 0 / 46 / 42

HEX #7B9450

RGB 123 148 80

HSL 82.06, 0.3%, 0.45%

LAB 58.01, -20.59, 32.96

 

CMYK 16 / 0 / 40 / 35

HEX #8CA663

RGB 140 166 99

HSL 83.28, 0.27%, 0.52%

LAB 64.76, -20.64, 31.74

 

CMYK 15 / 0 / 36 / 28

HEX #9DB876

RGB 157 184 118

HSL 84.55, 0.32%, 0.59%

LAB 71.39, -20.65, 30.56

 

CMYK 14 / 0 / 32 / 21

HEX #AECA89

RGB 174 202 137

HSL 85.85, 0.38%, 0.66%

LAB 77.9, -20.64, 29.44

 

CMYK 13 / 0 / 29 / 14

HEX #BFDC9C

RGB 191 220 156

HSL 87.19, 0.48%, 0.74%

LAB 84.31, -20.62, 28.36

 

CMYK 20 / 0 / 43 / 42

HEX #769455

RGB 118 148 85

HSL 88.57, 0.27%, 0.46%

LAB 57.74, -21.94, 29.9

 

CMYK 22 / 0 / 49 / 49

HEX #658242

RGB 101 130 66

HSL 87.19, 0.33%, 0.38%

LAB 50.83, -21.94, 31.15

 

CMYK 25 / 0 / 58 / 56

HEX #54702F

RGB 84 112 47

HSL 85.85, 0.41%, 0.31%

LAB 43.77, -21.87, 32.38

 

CMYK 29 / 0 / 70 / 63

HEX #435E1C

RGB 67 94 28

HSL 84.55, 0.54%, 0.24%

LAB 36.52, -21.64, 33.36

 

CMYK 34 / 0 / 88 / 70

HEX #324C09

RGB 50 76 9

HSL 83.28, 0.79%, 0.17%

LAB 29.07, -21.11, 33.42

 

CMYK 20 / 0 / 43 / 42

HEX #769455

RGB 118 148 85

HSL 88.57, 0.27%, 0.46%

LAB 57.74, -21.94, 29.9

 

CMYK 27 / 0 / 43 / 42

HEX #6C9455

RGB 108 148 85

HSL 98.1, 0.27%, 0.46%

LAB 57.1, -25.76, 28.95

 

CMYK 34 / 0 / 43 / 42

HEX #629455

RGB 98 148 85

HSL 107.62, 0.27%, 0.46%

LAB 56.52, -29.4, 28.09

 

CMYK 41 / 0 / 43 / 42

HEX #579455

RGB 87 148 85

HSL 118.1, 0.27%, 0.46%

LAB 55.95, -33.13, 27.24

 

CMYK 43 / 0 / 36 / 42

HEX #55945E

RGB 85 148 94

HSL 128.57, 0.27%, 0.46%

LAB 56.01, -32.26, 22.38

 

CMYK 20 / 0 / 43 / 42

HEX #769455

RGB 118 148 85

HSL 88.57, 0.27%, 0.46%

LAB 57.74, -21.94, 29.9

 

CMYK 20 / 0 / 43 / 22

HEX #9FC772

RGB 159 199 114

HSL 88.24, 0.43%, 0.61%

LAB 75.72, -27.78, 38.22

 

CMYK 20 / 0 / 42 / 2

HEX #C7FA90

RGB 199 250 144

HSL 88.87, 0.91%, 0.77%

LAB 92.81, -33.57, 45.55

 

CMYK 20 / 0 / 43 / 82

HEX #252E1A

RGB 37 46 26

HSL 87, 0.28%, 0.14%

LAB 17.56, -8.34, 11.65

 

CMYK 21 / 0 / 42 / 62

HEX #4D6138

RGB 77 97 56

HSL 89.27, 0.27%, 0.3%

LAB 38.57, -15.66, 20.94

 

CMYK 20 / 0 / 43 / 42

HEX #769455

RGB 118 148 85

HSL 88.57, 0.27%, 0.46%

LAB 57.74, -21.94, 29.9

 

CMYK 43 / 0 / 14 / 42

HEX #55947F

RGB 85 148 127

HSL 160, 0.27%, 0.46%

LAB 56.73, -25.46, 4.78

 

CMYK 0 / 43 / 3 / 42

HEX #945590

RGB 148 85 144

HSL 303.81, 0.27%, 0.46%

LAB 45.37, 35.31, -21.62

 

CMYK 20 / 0 / 43 / 42

HEX #769455

RGB 118 148 85

HSL 88.57, 0.27%, 0.46%

LAB 57.74, -21.94, 29.9

 

CMYK 43 / 20 / 0 / 42

HEX #557794

RGB 85 119 148

HSL 207.62, 0.27%, 0.46%

LAB 48.59, -4.13, -19.53

 

CMYK 0 / 43 / 20 / 42

HEX #945577

RGB 148 85 119

HSL 327.62, 0.27%, 0.46%

LAB 44.41, 30.88, -7.97

 

CMYK 20 / 0 / 43 / 42

HEX #769455

RGB 118 148 85

HSL 88.57, 0.27%, 0.46%

LAB 57.74, -21.94, 29.9

 

CMYK 43 / 0 / 14 / 42

HEX #55947F

RGB 85 148 127

HSL 160, 0.27%, 0.46%

LAB 56.73, -25.46, 4.78

 

CMYK 22 / 43 / 0 / 42

HEX #735594

RGB 115 85 148

HSL 268.57, 0.27%, 0.46%

LAB 41.66, 25.61, -30.1

 

CMYK 0 / 43 / 28 / 42

HEX #94556A

RGB 148 85 106

HSL 340, 0.27%, 0.46%

LAB 43.99, 28.87, -0.66

 

CMYK 20 / 0 / 43 / 42

HEX #769455

RGB 118 148 85

HSL 88.57, 0.27%, 0.46%

LAB 57.74, -21.94, 29.9

 

CMYK 43 / 0 / 1 / 42

HEX #559492

RGB 85 148 146

HSL 178.1, 0.27%, 0.46%

LAB 57.26, -20.74, -5.31

 

CMYK 22 / 43 / 0 / 42

HEX #735594

RGB 115 85 148

HSL 268.57, 0.27%, 0.46%

LAB 41.66, 25.61, -30.1

 

CMYK 0 / 43 / 41 / 42

HEX #945557

RGB 148 85 87

HSL 358.1, 0.27%, 0.46%

LAB 43.48, 26.34, 10.22

 

Description

Color code: RGB 118 148 85 | qconv.com Color code: RGB 118 148 85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 148 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 148 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 43 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 43% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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