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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118.7 200.6 247 it is the complementary color RGB 136.3 54.4 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118.7 200.6 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118.7 200.6 247 shade: RGB 123.7 200.6 242, RGB 140.7 218.6 255, RGB 157.7 236.6 255, RGB 174.7 254.6 255 and RGB 191.7 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118.7 200.6 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118.7 200.6 247 shade: RGB 118.7 200.6 247, RGB 101.7 182.6 228, RGB 84.7 164.6 209, RGB 67.7 146.6 190 and RGB 50.7 128.6 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118.7 200.6 247 shade: RGB 120 201 247, RGB 120 167 247, RGB 120 133 247, RGB 142 120 247 and RGB 176 120 247

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118.7 200.6 247 shade: RGB 120 201 247, RGB 120 167 247, RGB 120 133 247 and RGB 120 120 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118.7 200.6 247 shade matches the following richer shades: RGB 120 201 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118.7 200.6 247 shade: RGB 120 201 247, RGB 132 198 236, RGB 143 195 224, RGB 155 192 212 and RGB 166 188 201

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118.7 200.6 247 shade: RGB 120 247 224, RGB 120 237 247, RGB 120 203 247, RGB 120 169 247 and RGB 120 135 247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118.7 200.6 247 shade: RGB 42 170 243, RGB 81 186 245, RGB 120 201 247, RGB 159 217 249 and RGB 198 232 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118.7 200.6 247 shade: RGB 118.7 200.6 247, RGB 190 120 247 and RGB 247 241 120

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118.7 200.6 247 shade: RGB 118.7 200.6 247, RGB 247 120 203 and RGB 203 247 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118.7 200.6 247 shade: RGB 118.7 200.6 247, RGB 190 120 247, RGB 247 165 120 and RGB 177 247 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118.7 200.6 247 shade: RGB 118.7 200.6 247, RGB 228 120 247, RGB 247 165 120 and RGB 139 247 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 19 / 0 / 3

HEX #76C8F7

RGB 118.7 200.6 247

HSL 201.7, 0.89%, 0.72%

LAB 77.4, -12.47, -30.54

 

Complementary color

CMYK 0 / 60 / 94 / 47

HEX #883608

RGB 136.3 54.4 8

HSL 21.7, 0.89%, 0.28%

LAB 33.88, 32.88, 42.07

 

CMYK 49 / 17 / 0 / 5

HEX #7BC8F2

RGB 123.7 200.6 242

HSL 201, 0.82%, 0.72%

LAB 77.44, -12.79, -27.78

 

CMYK 45 / 14 / 0 / 0

HEX #8CDAFF

RGB 140.7 218.6 255

HSL 199.11, 1%, 0.78%

LAB 83.61, -14.68, -25.21

 

CMYK 38 / 7 / 0 / 0

HEX #9DECFF

RGB 157.7 236.6 255

HSL 191.35, 1%, 0.81%

LAB 89.3, -19.63, -16.52

 

CMYK 31 / 0 / 0 / 0

HEX #AEFEFF

RGB 174.7 254.6 255

HSL 180.3, 1%, 0.84%

LAB 94.98, -24.05, -7.96

 

CMYK 25 / 0 / 0 / 0

HEX #BFFFFF

RGB 191.7 255 255

HSL 180, 1%, 0.88%

LAB 95.96, -19.57, -6.42

 

CMYK 52 / 19 / 0 / 3

HEX #76C8F7

RGB 118.7 200.6 247

HSL 201.7, 0.89%, 0.72%

LAB 77.4, -12.47, -30.54

 

CMYK 55 / 20 / 0 / 11

HEX #65B6E4

RGB 101.7 182.6 228

HSL 201.57, 0.7%, 0.65%

LAB 70.95, -12.01, -30.27

 

CMYK 59 / 21 / 0 / 18

HEX #54A4D1

RGB 84.7 164.6 209

HSL 201.43, 0.57%, 0.58%

LAB 64.39, -11.43, -30

 

CMYK 64 / 23 / 0 / 25

HEX #4392BE

RGB 67.7 146.6 190

HSL 201.29, 0.48%, 0.51%

LAB 57.73, -10.68, -29.72

 

CMYK 70 / 25 / 0 / 33

HEX #3280AB

RGB 50.7 128.6 171

HSL 201.15, 0.54%, 0.43%

LAB 50.96, -9.69, -29.41

 

CMYK 51 / 19 / 0 / 3

HEX #78C9F7

RGB 120 201 247

HSL 201.73, 0.89%, 0.72%

LAB 77.57, -12.4, -30.28

 

CMYK 51 / 32 / 0 / 3

HEX #78A7F7

RGB 120 167 247

HSL 217.8, 0.89%, 0.72%

LAB 68.27, 6.23, -44.71

 

CMYK 51 / 46 / 0 / 3

HEX #7885F7

RGB 120 133 247

HSL 233.86, 0.89%, 0.72%

LAB 59.42, 26.06, -58.75

 

CMYK 43 / 51 / 0 / 3

HEX #8E78F7

RGB 142 120 247

HSL 250.39, 0.89%, 0.72%

LAB 57.94, 38.51, -61.02

 

CMYK 29 / 51 / 0 / 3

HEX #B078F7

RGB 176 120 247

HSL 266.46, 0.89%, 0.72%

LAB 61.11, 46.66, -55.77

 

CMYK 51 / 19 / 0 / 3

HEX #78C9F7

RGB 120 201 247

HSL 201.73, 0.89%, 0.72%

LAB 77.57, -12.4, -30.28

 

CMYK 51 / 32 / 0 / 3

HEX #78A7F7

RGB 120 167 247

HSL 217.8, 0.89%, 0.72%

LAB 68.27, 6.23, -44.71

 

CMYK 51 / 46 / 0 / 3

HEX #7885F7

RGB 120 133 247

HSL 233.86, 0.89%, 0.72%

LAB 59.42, 26.06, -58.75

 

CMYK 51 / 51 / 0 / 3

HEX #7878F7

RGB 120 120 247

HSL 240, 0.89%, 0.72%

LAB 56.23, 33.77, -63.86

 

CMYK 51 / 19 / 0 / 3

HEX #78C9F7

RGB 120 201 247

HSL 201.73, 0.89%, 0.72%

LAB 77.57, -12.4, -30.28

 

CMYK 51 / 19 / 0 / 3

HEX #78C9F7

RGB 120 201 247

HSL 201.73, 0.89%, 0.72%

LAB 77.57, -12.4, -30.28

 

CMYK 44 / 16 / 0 / 7

HEX #84C6EC

RGB 132 198 236

HSL 201.92, 0.73%, 0.72%

LAB 76.89, -11.13, -25.36

 

CMYK 36 / 13 / 0 / 12

HEX #8FC3E0

RGB 143 195 224

HSL 201.48, 0.57%, 0.72%

LAB 76.22, -9.86, -19.86

 

CMYK 27 / 9 / 0 / 17

HEX #9BC0D4

RGB 155 192 212

HSL 201.05, 0.4%, 0.72%

LAB 75.71, -7.79, -14.07

 

CMYK 17 / 6 / 0 / 21

HEX #A6BCC9

RGB 166 188 201

HSL 202.29, 0.24%, 0.72%

LAB 75.01, -4.75, -9.08

 

CMYK 51 / 0 / 9 / 3

HEX #78F7E0

RGB 120 247 224

HSL 169.13, 0.89%, 0.72%

LAB 89.81, -40.79, 0.25

 

CMYK 51 / 4 / 0 / 3

HEX #78EDF7

RGB 120 237 247

HSL 184.72, 0.89%, 0.72%

LAB 87.62, -30.44, -15.01

 

CMYK 51 / 18 / 0 / 3

HEX #78CBF7

RGB 120 203 247

HSL 200.79, 0.89%, 0.72%

LAB 78.12, -13.45, -29.42

 

CMYK 51 / 32 / 0 / 3

HEX #78A9F7

RGB 120 169 247

HSL 216.85, 0.89%, 0.72%

LAB 68.81, 5.09, -43.87

 

CMYK 51 / 45 / 0 / 3

HEX #7887F7

RGB 120 135 247

HSL 232.91, 0.89%, 0.72%

LAB 59.92, 24.88, -57.94

 

CMYK 83 / 30 / 0 / 5

HEX #2AAAF3

RGB 42 170 243

HSL 201.79, 0.89%, 0.56%

LAB 66.3, -8.7, -45.82

 

CMYK 67 / 24 / 0 / 4

HEX #51BAF5

RGB 81 186 245

HSL 201.59, 0.89%, 0.64%

LAB 71.87, -12.23, -38.13

 

CMYK 51 / 19 / 0 / 3

HEX #78C9F7

RGB 120 201 247

HSL 201.73, 0.89%, 0.72%

LAB 77.57, -12.4, -30.28

 

CMYK 36 / 13 / 0 / 2

HEX #9FD9F9

RGB 159 217 249

HSL 201.33, 0.88%, 0.8%

LAB 83.88, -10.83, -21.54

 

CMYK 21 / 8 / 0 / 1

HEX #C6E8FC

RGB 198 232 252

HSL 202.22, 0.9%, 0.88%

LAB 90.21, -6.86, -13.37

 

CMYK 52 / 19 / 0 / 3

HEX #76C8F7

RGB 118.7 200.6 247

HSL 201.7, 0.89%, 0.72%

LAB 77.4, -12.47, -30.54

 

CMYK 23 / 51 / 0 / 3

HEX #BE78F7

RGB 190 120 247

HSL 273.07, 0.89%, 0.72%

LAB 62.59, 50.2, -53.33

 

CMYK 0 / 2 / 51 / 3

HEX #F7F178

RGB 247 241 120

HSL 57.17, 0.89%, 0.72%

LAB 93.47, -13.53, 58.41

 

CMYK 52 / 19 / 0 / 3

HEX #76C8F7

RGB 118.7 200.6 247

HSL 201.7, 0.89%, 0.72%

LAB 77.4, -12.47, -30.54

 

CMYK 0 / 51 / 18 / 3

HEX #F778CB

RGB 247 120 203

HSL 320.79, 0.89%, 0.72%

LAB 67.66, 58.18, -20.44

 

CMYK 18 / 0 / 51 / 3

HEX #CBF778

RGB 203 247 120

HSL 80.79, 0.89%, 0.72%

LAB 91.94, -33.32, 55.83

 

CMYK 52 / 19 / 0 / 3

HEX #76C8F7

RGB 118.7 200.6 247

HSL 201.7, 0.89%, 0.72%

LAB 77.4, -12.47, -30.54

 

CMYK 23 / 51 / 0 / 3

HEX #BE78F7

RGB 190 120 247

HSL 273.07, 0.89%, 0.72%

LAB 62.59, 50.2, -53.33

 

CMYK 0 / 33 / 51 / 3

HEX #F7A578

RGB 247 165 120

HSL 21.26, 0.89%, 0.72%

LAB 74.85, 25.57, 35.6

 

CMYK 28 / 0 / 51 / 3

HEX #B1F778

RGB 177 247 120

HSL 93.07, 0.89%, 0.72%

LAB 90.42, -42.62, 53.66

 

CMYK 52 / 19 / 0 / 3

HEX #76C8F7

RGB 118.7 200.6 247

HSL 201.7, 0.89%, 0.72%

LAB 77.4, -12.47, -30.54

 

CMYK 8 / 51 / 0 / 3

HEX #E478F7

RGB 228 120 247

HSL 291.02, 0.89%, 0.72%

LAB 67.01, 60.12, -46.06

 

CMYK 0 / 33 / 51 / 3

HEX #F7A578

RGB 247 165 120

HSL 21.26, 0.89%, 0.72%

LAB 74.85, 25.57, 35.6

 

CMYK 44 / 0 / 51 / 3

HEX #8BF778

RGB 139 247 120

HSL 111.02, 0.89%, 0.72%

LAB 88.62, -54.74, 51.06

 

Description

Color code: RGB 118.7 200.6 247 | qconv.com Color code: RGB 118.7 200.6 247 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118.7 red, 200.6 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118.7 200.6 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 19 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 19% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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