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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 17 / 6 / 0 / 21 it is the complementary color CMYK 0 / 25 / 39 / 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 17 / 6 / 0 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 17 / 6 / 0 / 21: CMYK 12 / 4 / 0 / 23, CMYK 12 / 4 / 0 / 16, CMYK 12 / 4 / 0 / 8, CMYK 12 / 4 / 0 / 1 and CMYK 6 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 17 / 6 / 0 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 17 / 6 / 0 / 21: CMYK 17 / 6 / 0 / 21, CMYK 18 / 6 / 0 / 29, CMYK 18 / 6 / 0 / 36, CMYK 19 / 6 / 0 / 44 and CMYK 21 / 6 / 0 / 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 6 / 0 / 21

HEX #A7BDC9

RGB 167 189 201

HSL 201.18, 0.24%, 0.72%

LAB 75.34, -4.96, -8.57

 

Complementary color

CMYK 0 / 25 / 39 / 65

HEX #584236

RGB 88 66 54

HSL 21.18, 0.24%, 0.28%

LAB 30, 7.62, 10.98

 

CMYK 12 / 4 / 0 / 23

HEX #ACBDC4

RGB 172 189 196

HSL 197.5, 0.17%, 0.72%

LAB 75.55, -4.39, -5.52

 

CMYK 12 / 4 / 0 / 16

HEX #BDCFD7

RGB 189 207 215

HSL 198.46, 0.25%, 0.79%

LAB 82.03, -4.46, -6.04

 

CMYK 12 / 4 / 0 / 8

HEX #CEE1EA

RGB 206 225 234

HSL 199.29, 0.4%, 0.86%

LAB 88.41, -4.53, -6.55

 

CMYK 12 / 4 / 0 / 1

HEX #DFF3FD

RGB 223 243 253

HSL 200, 0.88%, 0.93%

LAB 94.69, -4.6, -7.05

 

CMYK 6 / 0 / 0 / 0

HEX #F0FFFF

RGB 240 255 255

HSL 180, 1%, 0.97%

LAB 98.93, -4.88, -1.7

 

CMYK 17 / 6 / 0 / 21

HEX #A7BDC9

RGB 167 189 201

HSL 201.18, 0.24%, 0.72%

LAB 75.34, -4.96, -8.57

 

CMYK 18 / 6 / 0 / 29

HEX #96ABB6

RGB 150 171 182

HSL 200.63, 0.18%, 0.65%

LAB 68.74, -4.9, -8.1

 

CMYK 18 / 6 / 0 / 36

HEX #8599A3

RGB 133 153 163

HSL 200, 0.14%, 0.58%

LAB 62.01, -4.85, -7.61

 

CMYK 19 / 6 / 0 / 44

HEX #748790

RGB 116 135 144

HSL 199.29, 0.11%, 0.51%

LAB 55.13, -4.8, -7.12

 

CMYK 21 / 6 / 0 / 51

HEX #63757D

RGB 99 117 125

HSL 198.46, 0.12%, 0.44%

LAB 48.08, -4.75, -6.62

 

CMYK 17 / 6 / 0 / 21

HEX #A7BDC9

RGB 167 189 201

HSL 201.18, 0.24%, 0.72%

LAB 75.34, -4.96, -8.57

 

CMYK 17 / 9 / 0 / 22

HEX #A6B7C8

RGB 166 183 200

HSL 210, 0.24%, 0.72%

LAB 73.64, -2.29, -10.58

 

CMYK 17 / 12 / 0 / 22

HEX #A6B1C8

RGB 166 177 200

HSL 220.59, 0.24%, 0.72%

LAB 72.04, 0.96, -12.97

 

CMYK 17 / 15 / 0 / 22

HEX #A6ABC8

RGB 166 171 200

HSL 231.18, 0.24%, 0.72%

LAB 70.46, 4.25, -15.35

 

CMYK 17 / 17 / 0 / 22

HEX #A7A6C8

RGB 167 166 200

HSL 241.76, 0.24%, 0.72%

LAB 69.23, 7.34, -17.2

 

CMYK 17 / 6 / 0 / 21

HEX #A7BDC9

RGB 167 189 201

HSL 201.18, 0.24%, 0.72%

LAB 75.34, -4.96, -8.57

 

CMYK 17 / 6 / 0 / 1

HEX #D1EDFC

RGB 209 237 252

HSL 200.93, 0.88%, 0.9%

LAB 92.2, -6.09, -10.32

 

CMYK 17 / 6 / 0 / 81

HEX #282D30

RGB 40 45 48

HSL 202.5, 0.09%, 0.17%

LAB 18.1, -1.4, -2.68

 

CMYK 17 / 6 / 0 / 61

HEX #525D63

RGB 82 93 99

HSL 201.18, 0.09%, 0.35%

LAB 38.77, -2.83, -4.88

 

CMYK 17 / 6 / 0 / 41

HEX #7D8D96

RGB 125 141 150

HSL 201.6, 0.11%, 0.54%

LAB 57.67, -3.77, -6.73

 

CMYK 17 / 6 / 0 / 21

HEX #A7BDC9

RGB 167 189 201

HSL 201.18, 0.24%, 0.72%

LAB 75.34, -4.96, -8.57

 

CMYK 8 / 17 / 0 / 22

HEX #B9A6C8

RGB 185 166 200

HSL 273.53, 0.24%, 0.72%

LAB 70.7, 13.27, -14.83

 

CMYK 0 / 0 / 17 / 22

HEX #C8C7A6

RGB 200 199 166

HSL 58.24, 0.24%, 0.72%

LAB 79.55, -5.2, 16.68

 

CMYK 17 / 6 / 0 / 21

HEX #A7BDC9

RGB 167 189 201

HSL 201.18, 0.24%, 0.72%

LAB 75.34, -4.96, -8.57

 

CMYK 0 / 17 / 6 / 22

HEX #C8A6BC

RGB 200 166 188

HSL 321.18, 0.24%, 0.72%

LAB 71.68, 16.15, -6.61

 

CMYK 6 / 0 / 17 / 22

HEX #BCC8A6

RGB 188 200 166

HSL 81.18, 0.24%, 0.72%

LAB 78.9, -10.11, 15.64

 

CMYK 17 / 6 / 0 / 21

HEX #A7BDC9

RGB 167 189 201

HSL 201.18, 0.24%, 0.72%

LAB 75.34, -4.96, -8.57

 

CMYK 8 / 17 / 0 / 22

HEX #B9A6C8

RGB 185 166 200

HSL 273.53, 0.24%, 0.72%

LAB 70.7, 13.27, -14.83

 

CMYK 0 / 11 / 17 / 22

HEX #C8B2A6

RGB 200 178 166

HSL 21.18, 0.24%, 0.72%

LAB 74.11, 5.93, 9.01

 

CMYK 10 / 0 / 17 / 22

HEX #B5C8A6

RGB 181 200 166

HSL 93.53, 0.24%, 0.72%

LAB 78.39, -12.63, 14.86

 

CMYK 17 / 6 / 0 / 21

HEX #A7BDC9

RGB 167 189 201

HSL 201.18, 0.24%, 0.72%

LAB 75.34, -4.96, -8.57

 

CMYK 3 / 17 / 0 / 22

HEX #C3A6C8

RGB 195 166 200

HSL 291.18, 0.24%, 0.72%

LAB 71.59, 16.65, -13.41

 

CMYK 0 / 11 / 17 / 22

HEX #C8B2A6

RGB 200 178 166

HSL 21.18, 0.24%, 0.72%

LAB 74.11, 5.93, 9.01

 

CMYK 15 / 0 / 17 / 22

HEX #ABC8A6

RGB 171 200 166

HSL 111.18, 0.24%, 0.72%

LAB 77.71, -16.16, 13.8

 

Description

Color code: CMYK 17 / 6 / 0 / 21 | qconv.com Color code: CMYK 17 / 6 / 0 / 21 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 189 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 189 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 6 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 6% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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