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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 95 165 it is the complementary color RGB 138 160 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 95 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 117 95 165: RGB 122 95 160, RGB 139 113 179, RGB 156 131 198, RGB 173 149 217 and RGB 190 167 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 95 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 117 95 165: RGB 117 95 165, RGB 100 77 146, RGB 83 59 127, RGB 66 41 108 and RGB 49 23 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 42 / 0 / 35

HEX #755FA5

RGB 117 95 165

HSL 258.86, 0.28%, 0.51%

LAB 45.2, 24.52, -34.64

 

Complementary color

CMYK 14 / 0 / 44 / 37

HEX #8AA05A

RGB 138 160 90

HSL 78.86, 0.28%, 0.49%

LAB 62.75, -19.5, 33.87

 

CMYK 24 / 41 / 0 / 37

HEX #7A5FA0

RGB 122 95 160

HSL 264.92, 0.25%, 0.5%

LAB 45.44, 24.74, -31.27

 

CMYK 22 / 37 / 0 / 30

HEX #8B71B3

RGB 139 113 179

HSL 263.64, 0.3%, 0.57%

LAB 52.46, 23.95, -31.29

 

CMYK 21 / 34 / 0 / 22

HEX #9C83C6

RGB 156 131 198

HSL 262.39, 0.37%, 0.65%

LAB 59.32, 23.24, -31.34

 

CMYK 20 / 31 / 0 / 15

HEX #AD95D9

RGB 173 149 217

HSL 261.18, 0.47%, 0.72%

LAB 66.05, 22.6, -31.43

 

CMYK 19 / 29 / 0 / 7

HEX #BEA7EC

RGB 190 167 236

HSL 260, 0.64%, 0.79%

LAB 72.65, 22.02, -31.54

 

CMYK 29 / 42 / 0 / 35

HEX #755FA5

RGB 117 95 165

HSL 258.86, 0.28%, 0.51%

LAB 45.2, 24.52, -34.64

 

CMYK 32 / 47 / 0 / 43

HEX #644D92

RGB 100 77 146

HSL 260, 0.31%, 0.44%

LAB 38.01, 25.47, -34.75

 

CMYK 35 / 54 / 0 / 50

HEX #533B7F

RGB 83 59 127

HSL 261.18, 0.37%, 0.36%

LAB 30.64, 26.55, -34.89

 

CMYK 39 / 62 / 0 / 58

HEX #42296C

RGB 66 41 108

HSL 262.39, 0.45%, 0.29%

LAB 23.09, 27.75, -35.02

 

CMYK 45 / 74 / 0 / 65

HEX #311759

RGB 49 23 89

HSL 263.64, 0.59%, 0.22%

LAB 15.42, 28.93, -35.02

 

CMYK 29 / 42 / 0 / 35

HEX #755FA5

RGB 117 95 165

HSL 258.86, 0.28%, 0.51%

LAB 45.2, 24.52, -34.64

 

CMYK 23 / 42 / 0 / 35

HEX #7F5FA5

RGB 127 95 165

HSL 267.43, 0.28%, 0.51%

LAB 46.19, 27.5, -33.01

 

CMYK 16 / 42 / 0 / 35

HEX #8B5FA5

RGB 139 95 165

HSL 277.71, 0.28%, 0.51%

LAB 47.48, 31.17, -30.9

 

CMYK 8 / 42 / 0 / 35

HEX #975FA5

RGB 151 95 165

HSL 288, 0.28%, 0.51%

LAB 48.86, 34.9, -28.64

 

CMYK 2 / 42 / 0 / 35

HEX #A25FA5

RGB 162 95 165

HSL 297.43, 0.28%, 0.51%

LAB 50.2, 38.35, -26.47

 

CMYK 29 / 42 / 0 / 35

HEX #755FA5

RGB 117 95 165

HSL 258.86, 0.28%, 0.51%

LAB 45.2, 24.52, -34.64

 

CMYK 29 / 43 / 0 / 15

HEX #997CD8

RGB 153 124 216

HSL 258.91, 0.54%, 0.67%

LAB 58.17, 30.77, -43.31

 

CMYK 25 / 42 / 0 / 95

HEX #09070C

RGB 9 7 12

HSL 264, 0.26%, 0.04%

LAB 2.14, 1.23, -1.75

 

CMYK 29 / 43 / 0 / 75

HEX #2D243F

RGB 45 36 63

HSL 260, 0.27%, 0.19%

LAB 16.4, 11.21, -15.69

 

CMYK 29 / 42 / 0 / 55

HEX #514272

RGB 81 66 114

HSL 258.75, 0.27%, 0.35%

LAB 31.49, 17.84, -25.4

 

CMYK 29 / 42 / 0 / 35

HEX #755FA5

RGB 117 95 165

HSL 258.86, 0.28%, 0.51%

LAB 45.2, 24.52, -34.64

 

CMYK 0 / 42 / 21 / 35

HEX #A55F82

RGB 165 95 130

HSL 330, 0.28%, 0.51%

LAB 49.25, 33.2, -7.15

 

CMYK 38 / 0 / 42 / 35

HEX #66A55F

RGB 102 165 95

HSL 114, 0.28%, 0.51%

LAB 62.14, -34.52, 30.02

 

CMYK 29 / 42 / 0 / 35

HEX #755FA5

RGB 117 95 165

HSL 258.86, 0.28%, 0.51%

LAB 45.2, 24.52, -34.64

 

CMYK 0 / 30 / 42 / 35

HEX #A5745F

RGB 165 116 95

HSL 18, 0.28%, 0.51%

LAB 53.29, 16.59, 19.29

 

CMYK 42 / 0 / 30 / 35

HEX #5FA574

RGB 95 165 116

HSL 138, 0.28%, 0.51%

LAB 62.17, -33.12, 18.67

 

CMYK 29 / 42 / 0 / 35

HEX #755FA5

RGB 117 95 165

HSL 258.86, 0.28%, 0.51%

LAB 45.2, 24.52, -34.64

 

CMYK 0 / 42 / 21 / 35

HEX #A55F82

RGB 165 95 130

HSL 330, 0.28%, 0.51%

LAB 49.25, 33.2, -7.15

 

CMYK 13 / 0 / 42 / 35

HEX #90A55F

RGB 144 165 95

HSL 78, 0.28%, 0.51%

LAB 64.7, -19.06, 33.81

 

CMYK 42 / 0 / 21 / 35

HEX #5FA582

RGB 95 165 130

HSL 150, 0.28%, 0.51%

LAB 62.47, -30.29, 11.33

 

CMYK 29 / 42 / 0 / 35

HEX #755FA5

RGB 117 95 165

HSL 258.86, 0.28%, 0.51%

LAB 45.2, 24.52, -34.64

 

CMYK 0 / 42 / 34 / 35

HEX #A55F6D

RGB 165 95 109

HSL 348, 0.28%, 0.51%

LAB 48.62, 30.17, 4.52

 

CMYK 13 / 0 / 42 / 35

HEX #90A55F

RGB 144 165 95

HSL 78, 0.28%, 0.51%

LAB 64.7, -19.06, 33.81

 

CMYK 42 / 0 / 8 / 35

HEX #5FA597

RGB 95 165 151

HSL 168, 0.28%, 0.51%

LAB 62.99, -25.51, 0.35

 

Description

Color code: RGB 117 95 165 | qconv.com Color code: RGB 117 95 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 95 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 95 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 42 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 42% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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