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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 92 237 it is the complementary color RGB 138 163 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 92 237. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 117 92 237: RGB 122 92 232, RGB 139 110 251, RGB 156 128 255, RGB 173 146 255 and RGB 190 164 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 92 237. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 117 92 237: RGB 117 92 237, RGB 100 74 218, RGB 83 56 199, RGB 66 38 180 and RGB 49 20 161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 61 / 0 / 7

HEX #755CED

RGB 117 92 237

HSL 250.34, 0.8%, 0.65%

LAB 48.95, 46.49, -70.07

 

Complementary color

CMYK 15 / 0 / 89 / 36

HEX #8AA312

RGB 138 163 18

HSL 70.34, 0.8%, 0.35%

LAB 63.05, -26.06, 62.66

 

CMYK 47 / 60 / 0 / 9

HEX #7A5CE8

RGB 122 92 232

HSL 252.86, 0.75%, 0.64%

LAB 49.03, 46.01, -67.1

 

CMYK 45 / 56 / 0 / 2

HEX #8B6EFB

RGB 139 110 251

HSL 252.34, 0.95%, 0.71%

LAB 55.69, 44.65, -66.87

 

CMYK 39 / 50 / 0 / 0

HEX #9C80FF

RGB 156 128 255

HSL 253.23, 1%, 0.75%

LAB 61.42, 39.37, -59.8

 

CMYK 32 / 43 / 0 / 0

HEX #AD92FF

RGB 173 146 255

HSL 254.86, 1%, 0.79%

LAB 67.02, 33.46, -50.8

 

CMYK 25 / 36 / 0 / 0

HEX #BEA4FF

RGB 190 164 255

HSL 257.14, 1%, 0.82%

LAB 72.71, 28.05, -41.77

 

CMYK 51 / 61 / 0 / 7

HEX #755CED

RGB 117 92 237

HSL 250.34, 0.8%, 0.65%

LAB 48.95, 46.49, -70.07

 

CMYK 54 / 66 / 0 / 15

HEX #644ADA

RGB 100 74 218

HSL 250.83, 0.66%, 0.57%

LAB 42.26, 48.04, -70.26

 

CMYK 58 / 72 / 0 / 22

HEX #5338C7

RGB 83 56 199

HSL 251.33, 0.56%, 0.5%

LAB 35.58, 49.61, -70.28

 

CMYK 63 / 79 / 0 / 29

HEX #4226B4

RGB 66 38 180

HSL 251.83, 0.65%, 0.43%

LAB 29, 50.99, -69.95

 

CMYK 70 / 88 / 0 / 37

HEX #3114A1

RGB 49 20 161

HSL 252.34, 0.78%, 0.35%

LAB 22.75, 51.66, -68.91

 

CMYK 51 / 61 / 0 / 7

HEX #755CED

RGB 117 92 237

HSL 250.34, 0.8%, 0.65%

LAB 48.95, 46.49, -70.07

 

CMYK 41 / 60 / 0 / 7

HEX #8D5EED

RGB 141 94 237

HSL 259.72, 0.8%, 0.65%

LAB 51.59, 50.12, -65.68

 

CMYK 30 / 60 / 0 / 7

HEX #A55EED

RGB 165 94 237

HSL 269.79, 0.8%, 0.65%

LAB 54.15, 55.33, -61.42

 

CMYK 20 / 60 / 0 / 7

HEX #BD5EED

RGB 189 94 237

HSL 279.86, 0.8%, 0.65%

LAB 57.02, 60.83, -56.67

 

CMYK 10 / 60 / 0 / 7

HEX #D55EED

RGB 213 94 237

HSL 289.93, 0.8%, 0.65%

LAB 60.13, 66.49, -51.53

 

CMYK 51 / 61 / 0 / 7

HEX #755CED

RGB 117 92 237

HSL 250.34, 0.8%, 0.65%

LAB 48.95, 46.49, -70.07

 

CMYK 52 / 61 / 0 / 87

HEX #100D21

RGB 16 13 33

HSL 249, 0.43%, 0.09%

LAB 4.59, 6.12, -12.49

 

CMYK 51 / 61 / 0 / 67

HEX #292154

RGB 41 33 84

HSL 249.41, 0.44%, 0.23%

LAB 16.5, 18.95, -29.95

 

CMYK 50 / 61 / 0 / 47

HEX #433487

RGB 67 52 135

HSL 250.84, 0.44%, 0.37%

LAB 27.84, 29.38, -44.46

 

CMYK 51 / 61 / 0 / 27

HEX #5C48BA

RGB 92 72 186

HSL 250.53, 0.45%, 0.51%

LAB 38.65, 38.17, -57.63

 

CMYK 51 / 61 / 0 / 7

HEX #755CED

RGB 117 92 237

HSL 250.34, 0.8%, 0.65%

LAB 48.95, 46.49, -70.07

 

CMYK 0 / 60 / 22 / 7

HEX #ED5EB8

RGB 237 94 184

HSL 322.24, 0.8%, 0.65%

LAB 61.19, 64.27, -19.68

 

CMYK 46 / 0 / 60 / 7

HEX #7FED5E

RGB 127 237 94

HSL 106.15, 0.8%, 0.65%

LAB 84.94, -57.12, 58.22

 

CMYK 51 / 61 / 0 / 7

HEX #755CED

RGB 117 92 237

HSL 250.34, 0.8%, 0.65%

LAB 48.95, 46.49, -70.07

 

CMYK 0 / 50 / 60 / 7

HEX #ED765E

RGB 237 118 94

HSL 10.07, 0.8%, 0.65%

LAB 63.15, 43.92, 34.49

 

CMYK 60 / 0 / 50 / 7

HEX #5EED76

RGB 94 237 118

HSL 130.07, 0.8%, 0.65%

LAB 84.1, -62.57, 46.12

 

CMYK 51 / 61 / 0 / 7

HEX #755CED

RGB 117 92 237

HSL 250.34, 0.8%, 0.65%

LAB 48.95, 46.49, -70.07

 

CMYK 0 / 60 / 22 / 7

HEX #ED5EB8

RGB 237 94 184

HSL 322.24, 0.8%, 0.65%

LAB 61.19, 64.27, -19.68

 

CMYK 10 / 0 / 60 / 7

HEX #D5ED5E

RGB 213 237 94

HSL 70.07, 0.8%, 0.65%

LAB 89.64, -27.02, 64.74

 

CMYK 60 / 0 / 38 / 7

HEX #5EED92

RGB 94 237 146

HSL 141.82, 0.8%, 0.65%

LAB 84.5, -58.2, 32.91

 

CMYK 51 / 61 / 0 / 7

HEX #755CED

RGB 117 92 237

HSL 250.34, 0.8%, 0.65%

LAB 48.95, 46.49, -70.07

 

CMYK 0 / 60 / 41 / 7

HEX #ED5E8D

RGB 237 94 141

HSL 340.28, 0.8%, 0.65%

LAB 59.83, 59.17, 3.12

 

CMYK 10 / 0 / 60 / 7

HEX #D5ED5E

RGB 213 237 94

HSL 70.07, 0.8%, 0.65%

LAB 89.64, -27.02, 64.74

 

CMYK 60 / 0 / 20 / 7

HEX #5EEDBD

RGB 94 237 189

HSL 159.86, 0.8%, 0.65%

LAB 85.31, -49.65, 11.92

 

Description

Color code: RGB 117 92 237 | qconv.com Color code: RGB 117 92 237 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 92 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 92 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 61 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 61% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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