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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 85 97 it is the complementary color RGB 138 170 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 85 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 117 85 97: RGB 122 85 92, RGB 139 103 111, RGB 156 121 130, RGB 173 139 149 and RGB 190 157 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 85 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 117 85 97: RGB 117 85 97, RGB 100 67 78, RGB 83 49 59, RGB 66 31 40 and RGB 49 13 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 17 / 54

HEX #755561

RGB 117 85 97

HSL 337.5, 0.16%, 0.4%

LAB 39.82, 15.3, -1.71

 

Complementary color

CMYK 19 / 0 / 7 / 33

HEX #8AAA9E

RGB 138 170 158

HSL 157.5, 0.16%, 0.6%

LAB 66.99, -13.45, 2.55

 

CMYK 0 / 30 / 25 / 52

HEX #7A555C

RGB 122 85 92

HSL 348.65, 0.18%, 0.41%

LAB 40.26, 16.48, 2.1

 

CMYK 0 / 26 / 20 / 45

HEX #8B676F

RGB 139 103 111

HSL 346.67, 0.15%, 0.47%

LAB 47.41, 15.73, 1.17

 

CMYK 0 / 22 / 17 / 39

HEX #9C7982

RGB 156 121 130

HSL 344.57, 0.15%, 0.54%

LAB 54.4, 15.09, 0.34

 

CMYK 0 / 20 / 14 / 32

HEX #AD8B95

RGB 173 139 149

HSL 342.35, 0.17%, 0.61%

LAB 61.24, 14.52, -0.43

 

CMYK 0 / 17 / 12 / 25

HEX #BE9DA8

RGB 190 157 168

HSL 340, 0.2%, 0.68%

LAB 67.94, 14.01, -1.13

 

CMYK 0 / 27 / 17 / 54

HEX #755561

RGB 117 85 97

HSL 337.5, 0.16%, 0.4%

LAB 39.82, 15.3, -1.71

 

CMYK 0 / 33 / 22 / 61

HEX #64434E

RGB 100 67 78

HSL 340, 0.2%, 0.33%

LAB 32.42, 16.08, -0.82

 

CMYK 0 / 41 / 29 / 67

HEX #53313B

RGB 83 49 59

HSL 342.35, 0.26%, 0.26%

LAB 24.8, 17, 0.24

 

CMYK 0 / 53 / 39 / 74

HEX #421F28

RGB 66 31 40

HSL 344.57, 0.36%, 0.19%

LAB 16.95, 18.07, 1.64

 

CMYK 0 / 73 / 57 / 81

HEX #310D15

RGB 49 13 21

HSL 346.67, 0.58%, 0.12%

LAB 8.95, 19.14, 3.7

 

CMYK 0 / 27 / 17 / 54

HEX #755561

RGB 117 85 97

HSL 337.5, 0.16%, 0.4%

LAB 39.82, 15.3, -1.71

 

CMYK 0 / 28 / 22 / 54

HEX #76555C

RGB 118 85 92

HSL 347.27, 0.16%, 0.4%

LAB 39.78, 14.84, 1.35

 

CMYK 0 / 28 / 26 / 54

HEX #765557

RGB 118 85 87

HSL 356.36, 0.16%, 0.4%

LAB 39.64, 14.02, 4.24

 

CMYK 0 / 25 / 28 / 54

HEX #765955

RGB 118 89 85

HSL 7.27, 0.16%, 0.4%

LAB 40.66, 11.29, 6.93

 

CMYK 0 / 20 / 28 / 54

HEX #765E55

RGB 118 94 85

HSL 16.36, 0.16%, 0.4%

LAB 42.02, 8.28, 8.85

 

CMYK 0 / 27 / 17 / 54

HEX #755561

RGB 117 85 97

HSL 337.5, 0.16%, 0.4%

LAB 39.82, 15.3, -1.71

 

CMYK 0 / 27 / 17 / 34

HEX #A87A8B

RGB 168 122 139

HSL 337.83, 0.21%, 0.57%

LAB 56.2, 20.58, -2.12

 

CMYK 0 / 27 / 17 / 14

HEX #DB9FB6

RGB 219 159 182

HSL 337, 0.45%, 0.74%

LAB 71.71, 25.7, -3.03

 

CMYK 0 / 27 / 20 / 94

HEX #0F0B0C

RGB 15 11 12

HSL 345, 0.15%, 0.05%

LAB 3.32, 1.38, 0.02

 

CMYK 0 / 27 / 17 / 74

HEX #423037

RGB 66 48 55

HSL 336.67, 0.16%, 0.22%

LAB 22.12, 9.52, -1.26

 

CMYK 0 / 27 / 17 / 54

HEX #755561

RGB 117 85 97

HSL 337.5, 0.16%, 0.4%

LAB 39.82, 15.3, -1.71

 

CMYK 0 / 5 / 28 / 54

HEX #767055

RGB 118 112 85

HSL 49.09, 0.16%, 0.4%

LAB 47.1, -2.35, 15.88

 

CMYK 28 / 6 / 0 / 54

HEX #556F76

RGB 85 111 118

HSL 192.73, 0.16%, 0.4%

LAB 45.09, -7.71, -7

 

CMYK 0 / 27 / 17 / 54

HEX #755561

RGB 117 85 97

HSL 337.5, 0.16%, 0.4%

LAB 39.82, 15.3, -1.71

 

CMYK 17 / 0 / 28 / 54

HEX #627655

RGB 98 118 85

HSL 96.36, 0.16%, 0.4%

LAB 47.25, -13.98, 15.82

 

CMYK 28 / 17 / 0 / 54

HEX #556276

RGB 85 98 118

HSL 216.36, 0.16%, 0.4%

LAB 41.18, 0.02, -12.89

 

CMYK 0 / 27 / 17 / 54

HEX #755561

RGB 117 85 97

HSL 337.5, 0.16%, 0.4%

LAB 39.82, 15.3, -1.71

 

CMYK 0 / 5 / 28 / 54

HEX #767055

RGB 118 112 85

HSL 49.09, 0.16%, 0.4%

LAB 47.1, -2.35, 15.88

 

CMYK 28 / 0 / 11 / 54

HEX #557669

RGB 85 118 105

HSL 156.36, 0.16%, 0.4%

LAB 46.85, -14.8, 3.35

 

CMYK 28 / 23 / 0 / 54

HEX #555B76

RGB 85 91 118

HSL 229.09, 0.16%, 0.4%

LAB 39.11, 4.33, -16.04

 

CMYK 0 / 27 / 17 / 54

HEX #755561

RGB 117 85 97

HSL 337.5, 0.16%, 0.4%

LAB 39.82, 15.3, -1.71

 

CMYK 3 / 0 / 28 / 54

HEX #727655

RGB 114 118 85

HSL 67.27, 0.16%, 0.4%

LAB 48.5, -7.47, 17.72

 

CMYK 28 / 0 / 11 / 54

HEX #557669

RGB 85 118 105

HSL 156.36, 0.16%, 0.4%

LAB 46.85, -14.8, 3.35

 

CMYK 25 / 28 / 0 / 54

HEX #595576

RGB 89 85 118

HSL 247.27, 0.16%, 0.4%

LAB 37.71, 9.43, -18.15

 

Description

Color code: RGB 117 85 97 | qconv.com Color code: RGB 117 85 97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 85 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 85 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 17 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 17% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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