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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 85 202 it is the complementary color RGB 138 170 53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 85 202. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 117 85 202: RGB 122 85 197, RGB 139 103 216, RGB 156 121 235, RGB 173 139 254 and RGB 190 157 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 85 202. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 117 85 202: RGB 117 85 202, RGB 100 67 183, RGB 83 49 164, RGB 66 31 145 and RGB 49 13 126

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 58 / 0 / 21

HEX #7555CA

RGB 117 85 202

HSL 256.41, 0.52%, 0.56%

LAB 45, 40.5, -56.54

 

Complementary color

CMYK 19 / 0 / 69 / 33

HEX #8AAA35

RGB 138 170 53

HSL 76.41, 0.52%, 0.44%

LAB 65.29, -27.9, 54.12

 

CMYK 38 / 57 / 0 / 23

HEX #7A55C5

RGB 122 85 197

HSL 259.82, 0.49%, 0.55%

LAB 45.17, 40.28, -53.35

 

CMYK 36 / 52 / 0 / 15

HEX #8B67D8

RGB 139 103 216

HSL 259.12, 0.59%, 0.63%

LAB 52, 39.15, -53.19

 

CMYK 34 / 49 / 0 / 8

HEX #9C79EB

RGB 156 121 235

HSL 258.42, 0.74%, 0.7%

LAB 58.73, 38.1, -53.03

 

CMYK 32 / 45 / 0 / 0

HEX #AD8BFE

RGB 173 139 254

HSL 257.74, 0.98%, 0.77%

LAB 65.36, 37.13, -52.88

 

CMYK 25 / 38 / 0 / 0

HEX #BE9DFF

RGB 190 157 255

HSL 260.2, 1%, 0.81%

LAB 71.06, 31.93, -44.34

 

CMYK 42 / 58 / 0 / 21

HEX #7555CA

RGB 117 85 202

HSL 256.41, 0.52%, 0.56%

LAB 45, 40.5, -56.54

 

CMYK 45 / 63 / 0 / 28

HEX #6443B7

RGB 100 67 183

HSL 257.07, 0.46%, 0.49%

LAB 38.1, 41.8, -56.72

 

CMYK 49 / 70 / 0 / 36

HEX #5331A4

RGB 83 49 164

HSL 257.74, 0.54%, 0.42%

LAB 31.15, 43.1, -56.77

 

CMYK 54 / 79 / 0 / 43

HEX #421F91

RGB 66 31 145

HSL 258.42, 0.65%, 0.35%

LAB 24.27, 44.16, -56.51

 

CMYK 61 / 90 / 0 / 51

HEX #310D7E

RGB 49 13 126

HSL 259.12, 0.81%, 0.27%

LAB 17.68, 44.36, -55.51

 

CMYK 42 / 58 / 0 / 21

HEX #7555CA

RGB 117 85 202

HSL 256.41, 0.52%, 0.56%

LAB 45, 40.5, -56.54

 

CMYK 33 / 58 / 0 / 21

HEX #8754C9

RGB 135 84 201

HSL 266.15, 0.52%, 0.56%

LAB 46.59, 44.94, -53.31

 

CMYK 23 / 58 / 0 / 21

HEX #9A54C9

RGB 154 84 201

HSL 275.9, 0.52%, 0.56%

LAB 48.79, 49.56, -49.66

 

CMYK 14 / 58 / 0 / 21

HEX #AD54C9

RGB 173 84 201

HSL 285.64, 0.52%, 0.56%

LAB 51.2, 54.32, -45.68

 

CMYK 4 / 58 / 0 / 21

HEX #C154C9

RGB 193 84 201

HSL 295.9, 0.52%, 0.56%

LAB 53.92, 59.41, -41.21

 

CMYK 42 / 58 / 0 / 21

HEX #7555CA

RGB 117 85 202

HSL 256.41, 0.52%, 0.56%

LAB 45, 40.5, -56.54

 

CMYK 42 / 58 / 0 / 1

HEX #936AFD

RGB 147 106 253

HSL 256.73, 0.97%, 0.7%

LAB 55.69, 49.1, -67.94

 

CMYK 43 / 57 / 0 / 81

HEX #1C1531

RGB 28 21 49

HSL 255, 0.4%, 0.14%

LAB 9.03, 11.72, -17.45

 

CMYK 42 / 58 / 0 / 61

HEX #3A2A64

RGB 58 42 100

HSL 256.55, 0.41%, 0.28%

LAB 21.86, 22.58, -31.86

 

CMYK 42 / 58 / 0 / 41

HEX #574097

RGB 87 64 151

HSL 255.86, 0.4%, 0.42%

LAB 33.83, 31.43, -44.53

 

CMYK 42 / 58 / 0 / 21

HEX #7555CA

RGB 117 85 202

HSL 256.41, 0.52%, 0.56%

LAB 45, 40.5, -56.54

 

CMYK 0 / 58 / 27 / 21

HEX #C95492

RGB 201 84 146

HSL 328.21, 0.52%, 0.56%

LAB 52.77, 53.04, -10.86

 

CMYK 50 / 0 / 58 / 21

HEX #64C954

RGB 100 201 84

HSL 111.79, 0.52%, 0.56%

LAB 72.97, -51.83, 48.67

 

CMYK 42 / 58 / 0 / 21

HEX #7555CA

RGB 117 85 202

HSL 256.41, 0.52%, 0.56%

LAB 45, 40.5, -56.54

 

CMYK 0 / 43 / 58 / 21

HEX #C97354

RGB 201 115 84

HSL 15.9, 0.52%, 0.56%

LAB 57.38, 30.86, 31.72

 

CMYK 58 / 0 / 43 / 21

HEX #54C973

RGB 84 201 115

HSL 135.9, 0.52%, 0.56%

LAB 72.82, -51.61, 33.3

 

CMYK 42 / 58 / 0 / 21

HEX #7555CA

RGB 117 85 202

HSL 256.41, 0.52%, 0.56%

LAB 45, 40.5, -56.54

 

CMYK 0 / 58 / 27 / 21

HEX #C95492

RGB 201 84 146

HSL 328.21, 0.52%, 0.56%

LAB 52.77, 53.04, -10.86

 

CMYK 15 / 0 / 58 / 21

HEX #AAC954

RGB 170 201 84

HSL 75.9, 0.52%, 0.56%

LAB 76.65, -27.62, 53.85

 

CMYK 58 / 0 / 31 / 21

HEX #54C98A

RGB 84 201 138

HSL 147.69, 0.52%, 0.56%

LAB 73.22, -47.44, 21.84

 

CMYK 42 / 58 / 0 / 21

HEX #7555CA

RGB 117 85 202

HSL 256.41, 0.52%, 0.56%

LAB 45, 40.5, -56.54

 

CMYK 0 / 58 / 45 / 21

HEX #C9546F

RGB 201 84 111

HSL 346.15, 0.52%, 0.56%

LAB 51.73, 48.97, 8.47

 

CMYK 15 / 0 / 58 / 21

HEX #AAC954

RGB 170 201 84

HSL 75.9, 0.52%, 0.56%

LAB 76.65, -27.62, 53.85

 

CMYK 58 / 0 / 14 / 21

HEX #54C9AD

RGB 84 201 173

HSL 165.64, 0.52%, 0.56%

LAB 73.98, -39.71, 4.15

 

Description

Color code: RGB 117 85 202 | qconv.com Color code: RGB 117 85 202 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 85 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 85 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 58 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 58% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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