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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 84 93 it is the complementary color RGB 138 171 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 84 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 117 84 93: RGB 122 84 88, RGB 139 102 107, RGB 156 120 126, RGB 173 138 145 and RGB 190 156 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 84 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 117 84 93: RGB 117 84 93, RGB 100 66 74, RGB 83 48 55, RGB 66 30 36 and RGB 49 12 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 21 / 54

HEX #75545D

RGB 117 84 93

HSL 343.64, 0.16%, 0.39%

LAB 39.43, 15.21, 0.21

 

Complementary color

CMYK 19 / 0 / 5 / 33

HEX #8AABA2

RGB 138 171 162

HSL 163.64, 0.16%, 0.61%

LAB 67.38, -13.14, 0.89

 

CMYK 0 / 31 / 28 / 52

HEX #7A5458

RGB 122 84 88

HSL 353.68, 0.18%, 0.4%

LAB 39.89, 16.45, 4.04

 

CMYK 0 / 27 / 23 / 45

HEX #8B666B

RGB 139 102 107

HSL 351.89, 0.15%, 0.47%

LAB 47.04, 15.67, 3.03

 

CMYK 0 / 23 / 19 / 39

HEX #9C787E

RGB 156 120 126

HSL 350, 0.15%, 0.54%

LAB 54.03, 15, 2.14

 

CMYK 0 / 20 / 16 / 32

HEX #AD8A91

RGB 173 138 145

HSL 348, 0.18%, 0.61%

LAB 60.87, 14.41, 1.33

 

CMYK 0 / 18 / 14 / 25

HEX #BE9CA4

RGB 190 156 164

HSL 345.88, 0.21%, 0.68%

LAB 67.58, 13.89, 0.57

 

CMYK 0 / 28 / 21 / 54

HEX #75545D

RGB 117 84 93

HSL 343.64, 0.16%, 0.39%

LAB 39.43, 15.21, 0.21

 

CMYK 0 / 34 / 26 / 61

HEX #64424A

RGB 100 66 74

HSL 345.88, 0.2%, 0.33%

LAB 32.03, 16.02, 1.18

 

CMYK 0 / 42 / 34 / 67

HEX #533037

RGB 83 48 55

HSL 348, 0.27%, 0.26%

LAB 24.41, 16.99, 2.37

 

CMYK 0 / 55 / 45 / 74

HEX #421E24

RGB 66 30 36

HSL 350, 0.38%, 0.19%

LAB 16.57, 18.13, 3.95

 

CMYK 0 / 76 / 65 / 81

HEX #310C11

RGB 49 12 17

HSL 351.89, 0.61%, 0.12%

LAB 8.62, 19.26, 5.77

 

CMYK 0 / 28 / 21 / 54

HEX #75545D

RGB 117 84 93

HSL 343.64, 0.16%, 0.39%

LAB 39.43, 15.21, 0.21

 

CMYK 0 / 28 / 24 / 55

HEX #735357

RGB 115 83 87

HSL 352.5, 0.16%, 0.39%

LAB 38.76, 13.99, 2.93

 

CMYK 0 / 26 / 28 / 55

HEX #735553

RGB 115 85 83

HSL 3.75, 0.16%, 0.39%

LAB 39.18, 12.13, 6.02

 

CMYK 0 / 22 / 28 / 55

HEX #735A53

RGB 115 90 83

HSL 13.13, 0.16%, 0.39%

LAB 40.54, 9.1, 7.95

 

CMYK 0 / 17 / 28 / 55

HEX #735F53

RGB 115 95 83

HSL 22.5, 0.16%, 0.39%

LAB 41.93, 6.09, 9.89

 

CMYK 0 / 28 / 21 / 54

HEX #75545D

RGB 117 84 93

HSL 343.64, 0.16%, 0.39%

LAB 39.43, 15.21, 0.21

 

CMYK 0 / 28 / 20 / 34

HEX #A87986

RGB 168 121 134

HSL 343.4, 0.21%, 0.57%

LAB 55.81, 20.34, 0.21

 

CMYK 0 / 28 / 21 / 14

HEX #DB9DAE

RGB 219 157 174

HSL 343.55, 0.46%, 0.74%

LAB 71.03, 25.55, 0.4

 

CMYK 0 / 27 / 20 / 94

HEX #0F0B0C

RGB 15 11 12

HSL 345, 0.15%, 0.05%

LAB 3.32, 1.38, 0.02

 

CMYK 0 / 29 / 21 / 74

HEX #422F34

RGB 66 47 52

HSL 344.21, 0.17%, 0.22%

LAB 21.72, 9.61, 0.21

 

CMYK 0 / 28 / 21 / 54

HEX #75545D

RGB 117 84 93

HSL 343.64, 0.16%, 0.39%

LAB 39.43, 15.21, 0.21

 

CMYK 0 / 3 / 28 / 55

HEX #737053

RGB 115 112 83

HSL 54.38, 0.16%, 0.39%

LAB 46.79, -3.93, 16.59

 

CMYK 28 / 9 / 0 / 55

HEX #536973

RGB 83 105 115

HSL 198.75, 0.16%, 0.39%

LAB 43.03, -5.63, -8.28

 

CMYK 0 / 28 / 21 / 54

HEX #75545D

RGB 117 84 93

HSL 343.64, 0.16%, 0.39%

LAB 39.43, 15.21, 0.21

 

CMYK 20 / 0 / 28 / 55

HEX #5C7353

RGB 92 115 83

HSL 103.13, 0.16%, 0.39%

LAB 45.85, -15.05, 15.01

 

CMYK 28 / 20 / 0 / 55

HEX #535C73

RGB 83 92 115

HSL 223.13, 0.16%, 0.39%

LAB 39.12, 2.23, -14.19

 

CMYK 0 / 28 / 21 / 54

HEX #75545D

RGB 117 84 93

HSL 343.64, 0.16%, 0.39%

LAB 39.43, 15.21, 0.21

 

CMYK 0 / 3 / 28 / 55

HEX #737053

RGB 115 112 83

HSL 54.38, 0.16%, 0.39%

LAB 46.79, -3.93, 16.59

 

CMYK 28 / 0 / 8 / 55

HEX #53736A

RGB 83 115 106

HSL 163.13, 0.16%, 0.39%

LAB 45.83, -13.59, 1.26

 

CMYK 28 / 25 / 0 / 55

HEX #535673

RGB 83 86 115

HSL 234.38, 0.16%, 0.39%

LAB 37.36, 5.97, -16.89

 

CMYK 0 / 28 / 21 / 54

HEX #75545D

RGB 117 84 93

HSL 343.64, 0.16%, 0.39%

LAB 39.43, 15.21, 0.21

 

CMYK 6 / 0 / 28 / 55

HEX #6C7353

RGB 108 115 83

HSL 73.13, 0.16%, 0.39%

LAB 47.07, -8.58, 16.87

 

CMYK 28 / 0 / 8 / 55

HEX #53736A

RGB 83 115 106

HSL 163.13, 0.16%, 0.39%

LAB 45.83, -13.59, 1.26

 

CMYK 22 / 28 / 0 / 55

HEX #5A5373

RGB 90 83 115

HSL 253.13, 0.16%, 0.39%

LAB 37.11, 10.25, -17.22

 

Description

Color code: RGB 117 84 93 | qconv.com Color code: RGB 117 84 93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 84 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 84 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 21 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 21% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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