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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 61 147 it is the complementary color RGB 138 194 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 61 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 117 61 147: RGB 122 61 142, RGB 139 79 161, RGB 156 97 180, RGB 173 115 199 and RGB 190 133 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 61 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 117 61 147: RGB 117 61 147, RGB 100 43 128, RGB 83 25 109, RGB 66 7 90 and RGB 49 0 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 59 / 0 / 42

HEX #753D93

RGB 117 61 147

HSL 279.07, 0.41%, 0.41%

LAB 36.42, 39.82, -37.76

 

Complementary color

CMYK 29 / 0 / 44 / 24

HEX #8AC26C

RGB 138 194 108

HSL 99.07, 0.41%, 0.59%

LAB 72.94, -33.79, 37.47

 

CMYK 14 / 57 / 0 / 44

HEX #7A3D8E

RGB 122 61 142

HSL 285.19, 0.4%, 0.4%

LAB 36.8, 40.07, -34.07

 

CMYK 14 / 51 / 0 / 37

HEX #8B4FA1

RGB 139 79 161

HSL 283.9, 0.34%, 0.47%

LAB 43.73, 39.31, -34.41

 

CMYK 13 / 46 / 0 / 29

HEX #9C61B4

RGB 156 97 180

HSL 282.65, 0.36%, 0.54%

LAB 50.58, 38.5, -34.67

 

CMYK 13 / 42 / 0 / 22

HEX #AD73C7

RGB 173 115 199

HSL 281.43, 0.43%, 0.62%

LAB 57.34, 37.69, -34.87

 

CMYK 13 / 39 / 0 / 15

HEX #BE85DA

RGB 190 133 218

HSL 280.24, 0.53%, 0.69%

LAB 63.99, 36.91, -35.06

 

CMYK 20 / 59 / 0 / 42

HEX #753D93

RGB 117 61 147

HSL 279.07, 0.41%, 0.41%

LAB 36.42, 39.82, -37.76

 

CMYK 22 / 66 / 0 / 50

HEX #642B80

RGB 100 43 128

HSL 280.24, 0.5%, 0.34%

LAB 29.4, 40.47, -37.37

 

CMYK 24 / 77 / 0 / 57

HEX #53196D

RGB 83 25 109

HSL 281.43, 0.63%, 0.26%

LAB 22.44, 40.61, -36.6

 

CMYK 27 / 92 / 0 / 65

HEX #42075A

RGB 66 7 90

HSL 282.65, 0.86%, 0.19%

LAB 15.74, 39.52, -35.05

 

CMYK 31 / 100 / 0 / 72

HEX #310047

RGB 49 0 71

HSL 281.41, 1%, 0.14%

LAB 9.86, 35.3, -31.73

 

CMYK 20 / 59 / 0 / 42

HEX #753D93

RGB 117 61 147

HSL 279.07, 0.41%, 0.41%

LAB 36.42, 39.82, -37.76

 

CMYK 11 / 59 / 0 / 42

HEX #833D93

RGB 131 61 147

HSL 288.84, 0.41%, 0.41%

LAB 38.32, 43.62, -34.62

 

CMYK 1 / 59 / 0 / 42

HEX #913D93

RGB 145 61 147

HSL 298.6, 0.41%, 0.41%

LAB 40.35, 47.46, -31.28

 

CMYK 0 / 59 / 9 / 42

HEX #933D86

RGB 147 61 134

HSL 309.07, 0.41%, 0.41%

LAB 40.02, 45.7, -23.86

 

CMYK 0 / 59 / 18 / 42

HEX #933D78

RGB 147 61 120

HSL 318.84, 0.41%, 0.41%

LAB 39.41, 43.4, -16.18

 

CMYK 20 / 59 / 0 / 42

HEX #753D93

RGB 117 61 147

HSL 279.07, 0.41%, 0.41%

LAB 36.42, 39.82, -37.76

 

CMYK 20 / 59 / 0 / 22

HEX #9E52C6

RGB 158 82 198

HSL 279.31, 0.5%, 0.55%

LAB 48.74, 50.9, -48

 

CMYK 20 / 59 / 0 / 2

HEX #C667F9

RGB 198 103 249

HSL 279.04, 0.92%, 0.69%

LAB 60.38, 61.16, -57.9

 

CMYK 20 / 58 / 0 / 82

HEX #24132D

RGB 36 19 45

HSL 279.23, 0.41%, 0.13%

LAB 9.24, 14.75, -14.12

 

CMYK 21 / 58 / 0 / 62

HEX #4C2860

RGB 76 40 96

HSL 278.57, 0.41%, 0.27%

LAB 23.33, 27.88, -26.75

 

CMYK 20 / 59 / 0 / 42

HEX #753D93

RGB 117 61 147

HSL 279.07, 0.41%, 0.41%

LAB 36.42, 39.82, -37.76

 

CMYK 0 / 59 / 50 / 42

HEX #933D4A

RGB 147 61 74

HSL 350.93, 0.41%, 0.41%

LAB 37.91, 37.48, 10.49

 

CMYK 59 / 0 / 44 / 42

HEX #3D9353

RGB 61 147 83

HSL 135.35, 0.41%, 0.41%

LAB 54.54, -40.49, 26.29

 

CMYK 20 / 59 / 0 / 42

HEX #753D93

RGB 117 61 147

HSL 279.07, 0.41%, 0.41%

LAB 36.42, 39.82, -37.76

 

CMYK 0 / 20 / 59 / 42

HEX #93753D

RGB 147 117 61

HSL 39.07, 0.41%, 0.41%

LAB 50.99, 4.8, 34.93

 

CMYK 59 / 0 / 20 / 42

HEX #3D9375

RGB 61 147 117

HSL 159.07, 0.41%, 0.41%

LAB 55.22, -33.41, 8.21

 

CMYK 20 / 59 / 0 / 42

HEX #753D93

RGB 117 61 147

HSL 279.07, 0.41%, 0.41%

LAB 36.42, 39.82, -37.76

 

CMYK 0 / 59 / 50 / 42

HEX #933D4A

RGB 147 61 74

HSL 350.93, 0.41%, 0.41%

LAB 37.91, 37.48, 10.49

 

CMYK 38 / 0 / 59 / 42

HEX #5B933D

RGB 91 147 61

HSL 99.07, 0.41%, 0.41%

LAB 55.51, -34.54, 39.13

 

CMYK 59 / 0 / 9 / 42

HEX #3D9386

RGB 61 147 134

HSL 170.93, 0.41%, 0.41%

LAB 55.67, -29.07, -0.88

 

CMYK 20 / 59 / 0 / 42

HEX #753D93

RGB 117 61 147

HSL 279.07, 0.41%, 0.41%

LAB 36.42, 39.82, -37.76

 

CMYK 0 / 50 / 59 / 42

HEX #934A3D

RGB 147 74 61

HSL 9.07, 0.41%, 0.41%

LAB 40.31, 29.43, 21.77

 

CMYK 38 / 0 / 59 / 42

HEX #5B933D

RGB 91 147 61

HSL 99.07, 0.41%, 0.41%

LAB 55.51, -34.54, 39.13

 

CMYK 59 / 9 / 0 / 42

HEX #3D8693

RGB 61 134 147

HSL 189.07, 0.41%, 0.41%

LAB 52.01, -18.69, -13.85

 

Description

Color code: RGB 117 61 147 | qconv.com Color code: RGB 117 61 147 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 61 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 61 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 59 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 59% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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