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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 23 109 it is the complementary color RGB 138 232 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 23 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 117 23 109: RGB 122 23 104, RGB 139 41 123, RGB 156 59 142, RGB 173 77 161 and RGB 190 95 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 23 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 117 23 109: RGB 117 23 109, RGB 100 5 90, RGB 83 0 71, RGB 66 0 52 and RGB 49 0 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 7 / 54

HEX #75176D

RGB 117 23 109

HSL 305.11, 0.67%, 0.27%

LAB 28.11, 49.04, -27.2

 

Complementary color

CMYK 41 / 0 / 37 / 9

HEX #8AE892

RGB 138 232 146

HSL 125.11, 0.67%, 0.73%

LAB 84.58, -45.22, 33.31

 

CMYK 0 / 81 / 15 / 52

HEX #7A1768

RGB 122 23 104

HSL 310.91, 0.68%, 0.28%

LAB 28.77, 49.42, -22.87

 

CMYK 0 / 71 / 12 / 45

HEX #8B297B

RGB 139 41 123

HSL 309.8, 0.54%, 0.35%

LAB 35.01, 50.41, -24.95

 

CMYK 0 / 62 / 9 / 39

HEX #9C3B8E

RGB 156 59 142

HSL 308.66, 0.45%, 0.42%

LAB 41.45, 50.53, -26.4

 

CMYK 0 / 55 / 7 / 32

HEX #AD4DA1

RGB 173 77 161

HSL 307.5, 0.38%, 0.49%

LAB 47.96, 50.2, -27.46

 

CMYK 0 / 50 / 5 / 25

HEX #BE5FB4

RGB 190 95 180

HSL 306.32, 0.42%, 0.56%

LAB 54.48, 49.64, -28.28

 

CMYK 0 / 80 / 7 / 54

HEX #75176D

RGB 117 23 109

HSL 305.11, 0.67%, 0.27%

LAB 28.11, 49.04, -27.2

 

CMYK 0 / 95 / 10 / 61

HEX #64055A

RGB 100 5 90

HSL 306.32, 0.9%, 0.21%

LAB 22.15, 46.7, -24.41

 

CMYK 0 / 100 / 14 / 67

HEX #530047

RGB 83 0 71

HSL 308.67, 1%, 0.16%

LAB 16.96, 41.51, -19.93

 

CMYK 0 / 100 / 21 / 74

HEX #420034

RGB 66 0 52

HSL 312.73, 1%, 0.13%

LAB 12, 34.95, -14.52

 

CMYK 0 / 100 / 33 / 81

HEX #310021

RGB 49 0 33

HSL 319.59, 1%, 0.1%

LAB 6.89, 27.89, -8.53

 

CMYK 0 / 80 / 7 / 54

HEX #75176D

RGB 117 23 109

HSL 305.11, 0.67%, 0.27%

LAB 28.11, 49.04, -27.2

 

CMYK 0 / 81 / 20 / 55

HEX #72165B

RGB 114 22 91

HSL 315, 0.68%, 0.27%

LAB 26.47, 45.81, -18.1

 

CMYK 0 / 81 / 33 / 55

HEX #72164C

RGB 114 22 76

HSL 324.78, 0.68%, 0.27%

LAB 25.78, 43.77, -9.17

 

CMYK 0 / 81 / 46 / 55

HEX #72163D

RGB 114 22 61

HSL 334.57, 0.68%, 0.27%

LAB 25.22, 42.06, 0.15

 

CMYK 0 / 81 / 61 / 55

HEX #72162D

RGB 114 22 45

HSL 345, 0.68%, 0.27%

LAB 24.77, 40.63, 10.46

 

CMYK 0 / 80 / 7 / 54

HEX #75176D

RGB 117 23 109

HSL 305.11, 0.67%, 0.27%

LAB 28.11, 49.04, -27.2

 

CMYK 0 / 80 / 7 / 34

HEX #A8219D

RGB 168 33 157

HSL 304.89, 0.67%, 0.39%

LAB 40.97, 65, -36.09

 

CMYK 0 / 80 / 7 / 14

HEX #DB2BCC

RGB 219 43 204

HSL 305.11, 0.71%, 0.51%

LAB 53.11, 79.83, -43.94

 

CMYK 0 / 80 / 7 / 94

HEX #0F030E

RGB 15 3 14

HSL 305, 0.67%, 0.04%

LAB 1.79, 4.93, -3.17

 

CMYK 0 / 80 / 8 / 74

HEX #420D3D

RGB 66 13 61

HSL 305.66, 0.67%, 0.15%

LAB 14.3, 31.38, -17.35

 

CMYK 0 / 80 / 7 / 54

HEX #75176D

RGB 117 23 109

HSL 305.11, 0.67%, 0.27%

LAB 28.11, 49.04, -27.2

 

CMYK 0 / 58 / 81 / 55

HEX #723016

RGB 114 48 22

HSL 16.96, 0.68%, 0.27%

LAB 28.77, 27.43, 29.9

 

CMYK 81 / 0 / 25 / 55

HEX #167255

RGB 22 114 85

HSL 161.09, 0.68%, 0.27%

LAB 42.55, -33.37, 8.79

 

CMYK 0 / 80 / 7 / 54

HEX #75176D

RGB 117 23 109

HSL 305.11, 0.67%, 0.27%

LAB 28.11, 49.04, -27.2

 

CMYK 6 / 0 / 81 / 55

HEX #6B7216

RGB 107 114 22

HSL 64.57, 0.68%, 0.27%

LAB 45.93, -14.55, 46.02

 

CMYK 81 / 6 / 0 / 55

HEX #166B72

RGB 22 107 114

HSL 184.57, 0.68%, 0.27%

LAB 41.06, -21.25, -10.9

 

CMYK 0 / 80 / 7 / 54

HEX #75176D

RGB 117 23 109

HSL 305.11, 0.67%, 0.27%

LAB 28.11, 49.04, -27.2

 

CMYK 0 / 58 / 81 / 55

HEX #723016

RGB 114 48 22

HSL 16.96, 0.68%, 0.27%

LAB 28.77, 27.43, 29.9

 

CMYK 81 / 0 / 74 / 55

HEX #16721E

RGB 22 114 30

HSL 125.22, 0.68%, 0.27%

LAB 41.69, -43.32, 37.39

 

CMYK 81 / 23 / 0 / 55

HEX #165872

RGB 22 88 114

HSL 196.96, 0.68%, 0.27%

LAB 34.73, -10.52, -20.59

 

CMYK 0 / 80 / 7 / 54

HEX #75176D

RGB 117 23 109

HSL 305.11, 0.67%, 0.27%

LAB 28.11, 49.04, -27.2

 

CMYK 0 / 33 / 81 / 55

HEX #724C16

RGB 114 76 22

HSL 35.22, 0.68%, 0.27%

LAB 35.6, 10.97, 36.66

 

CMYK 81 / 0 / 74 / 55

HEX #16721E

RGB 22 114 30

HSL 125.22, 0.68%, 0.27%

LAB 41.69, -43.32, 37.39

 

CMYK 81 / 46 / 0 / 55

HEX #163D72

RGB 22 61 114

HSL 214.57, 0.68%, 0.27%

LAB 25.93, 7.07, -34.48

 

Description

Color code: RGB 117 23 109 | qconv.com Color code: RGB 117 23 109 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 23 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 23 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 7 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 7% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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