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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 143 99 it is the complementary color RGB 138 112 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 143 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 117 143 99: RGB 122 143 94, RGB 139 161 113, RGB 156 179 132, RGB 173 197 151 and RGB 190 215 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 143 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 117 143 99: RGB 117 143 99, RGB 100 125 80, RGB 83 107 61, RGB 66 89 42 and RGB 49 71 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 31 / 44

HEX #758F63

RGB 117 143 99

HSL 95.45, 0.18%, 0.47%

LAB 56.41, -17.69, 20.48

 

Complementary color

CMYK 12 / 28 / 0 / 39

HEX #8A709C

RGB 138 112 156

HSL 275.45, 0.18%, 0.53%

LAB 51.14, 18.87, -19.95

 

CMYK 15 / 0 / 34 / 44

HEX #7A8F5E

RGB 122 143 94

HSL 85.71, 0.21%, 0.46%

LAB 56.67, -16.51, 23.67

 

CMYK 14 / 0 / 30 / 37

HEX #8BA171

RGB 139 161 113

HSL 87.5, 0.2%, 0.54%

LAB 63.48, -16.48, 22.52

 

CMYK 13 / 0 / 26 / 30

HEX #9CB384

RGB 156 179 132

HSL 89.36, 0.24%, 0.61%

LAB 70.16, -16.45, 21.45

 

CMYK 12 / 0 / 23 / 23

HEX #ADC597

RGB 173 197 151

HSL 91.3, 0.28%, 0.68%

LAB 76.71, -16.41, 20.43

 

CMYK 12 / 0 / 21 / 16

HEX #BED7AA

RGB 190 215 170

HSL 93.33, 0.36%, 0.75%

LAB 83.15, -16.38, 19.48

 

CMYK 18 / 0 / 31 / 44

HEX #758F63

RGB 117 143 99

HSL 95.45, 0.18%, 0.47%

LAB 56.41, -17.69, 20.48

 

CMYK 20 / 0 / 36 / 51

HEX #647D50

RGB 100 125 80

HSL 93.33, 0.22%, 0.4%

LAB 49.44, -17.79, 21.66

 

CMYK 22 / 0 / 43 / 58

HEX #536B3D

RGB 83 107 61

HSL 91.3, 0.27%, 0.33%

LAB 42.29, -17.87, 22.93

 

CMYK 26 / 0 / 53 / 65

HEX #42592A

RGB 66 89 42

HSL 89.36, 0.36%, 0.26%

LAB 34.94, -17.91, 24.26

 

CMYK 31 / 0 / 68 / 72

HEX #314717

RGB 49 71 23

HSL 87.5, 0.51%, 0.18%

LAB 27.36, -17.81, 25.51

 

CMYK 18 / 0 / 31 / 44

HEX #758F63

RGB 117 143 99

HSL 95.45, 0.18%, 0.47%

LAB 56.41, -17.69, 20.48

 

CMYK 23 / 0 / 30 / 45

HEX #6D8D62

RGB 109 141 98

HSL 104.65, 0.18%, 0.47%

LAB 55.26, -19.83, 19.39

 

CMYK 28 / 0 / 30 / 45

HEX #658D62

RGB 101 141 98

HSL 115.81, 0.18%, 0.47%

LAB 54.76, -22.76, 18.63

 

CMYK 30 / 0 / 28 / 45

HEX #628D65

RGB 98 141 101

HSL 124.19, 0.18%, 0.47%

LAB 54.64, -23.28, 16.74

 

CMYK 30 / 0 / 23 / 45

HEX #628D6D

RGB 98 141 109

HSL 135.35, 0.18%, 0.47%

LAB 54.81, -21.75, 12.44

 

CMYK 18 / 0 / 31 / 44

HEX #758F63

RGB 117 143 99

HSL 95.45, 0.18%, 0.47%

LAB 56.41, -17.69, 20.48

 

CMYK 18 / 0 / 31 / 24

HEX #9FC286

RGB 159 194 134

HSL 95, 0.33%, 0.64%

LAB 74.62, -22.61, 26.45

 

CMYK 18 / 0 / 31 / 4

HEX #C8F5AA

RGB 200 245 170

HSL 96, 0.79%, 0.81%

LAB 91.9, -27.48, 31.53

 

CMYK 17 / 0 / 32 / 84

HEX #22291C

RGB 34 41 28

HSL 92.31, 0.19%, 0.14%

LAB 15.54, -6.16, 7.53

 

CMYK 18 / 0 / 30 / 64

HEX #4B5C40

RGB 75 92 64

HSL 96.43, 0.18%, 0.31%

LAB 36.97, -12.39, 14.03

 

CMYK 18 / 0 / 31 / 44

HEX #758F63

RGB 117 143 99

HSL 95.45, 0.18%, 0.47%

LAB 56.41, -17.69, 20.48

 

CMYK 30 / 0 / 6 / 45

HEX #628D84

RGB 98 141 132

HSL 167.44, 0.18%, 0.47%

LAB 55.39, -16.78, 0.07

 

CMYK 0 / 30 / 6 / 45

HEX #8D6285

RGB 141 98 133

HSL 311.16, 0.18%, 0.47%

LAB 47.09, 23.37, -12.47

 

CMYK 18 / 0 / 31 / 44

HEX #758F63

RGB 117 143 99

HSL 95.45, 0.18%, 0.47%

LAB 56.41, -17.69, 20.48

 

CMYK 30 / 18 / 0 / 45

HEX #62748D

RGB 98 116 141

HSL 214.88, 0.18%, 0.47%

LAB 48.27, -0.45, -15.81

 

CMYK 0 / 30 / 18 / 45

HEX #8D6274

RGB 141 98 116

HSL 334.88, 0.18%, 0.47%

LAB 46.52, 20.29, -3.11

 

CMYK 18 / 0 / 31 / 44

HEX #758F63

RGB 117 143 99

HSL 95.45, 0.18%, 0.47%

LAB 56.41, -17.69, 20.48

 

CMYK 30 / 0 / 6 / 45

HEX #628D84

RGB 98 141 132

HSL 167.44, 0.18%, 0.47%

LAB 55.39, -16.78, 0.07

 

CMYK 13 / 30 / 0 / 45

HEX #7B628D

RGB 123 98 141

HSL 274.88, 0.18%, 0.47%

LAB 45.45, 18.71, -19.93

 

CMYK 0 / 30 / 24 / 45

HEX #8D626B

RGB 141 98 107

HSL 347.44, 0.18%, 0.47%

LAB 46.26, 18.81, 1.92

 

CMYK 18 / 0 / 31 / 44

HEX #758F63

RGB 117 143 99

HSL 95.45, 0.18%, 0.47%

LAB 56.41, -17.69, 20.48

 

CMYK 30 / 3 / 0 / 45

HEX #62898D

RGB 98 137 141

HSL 185.58, 0.18%, 0.47%

LAB 54.46, -12.43, -6.5

 

CMYK 13 / 30 / 0 / 45

HEX #7B628D

RGB 123 98 141

HSL 274.88, 0.18%, 0.47%

LAB 45.45, 18.71, -19.93

 

CMYK 0 / 28 / 30 / 45

HEX #8D6562

RGB 141 101 98

HSL 4.19, 0.18%, 0.47%

LAB 46.78, 15.69, 8.08

 

Description

Color code: RGB 117 143 99 | qconv.com Color code: RGB 117 143 99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 143 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 143 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 31 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 31% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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