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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 134 157 it is the complementary color RGB 138 121 98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 134 157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 117 134 157: RGB 122 134 152, RGB 139 152 171, RGB 156 170 190, RGB 173 188 209 and RGB 190 206 228

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 134 157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 117 134 157: RGB 117 134 157, RGB 100 116 138, RGB 83 98 119, RGB 66 80 100 and RGB 49 62 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 15 / 0 / 38

HEX #75869D

RGB 117 134 157

HSL 214.5, 0.17%, 0.54%

LAB 55.35, -0.78, -14.3

 

Complementary color

CMYK 0 / 12 / 29 / 46

HEX #8A7962

RGB 138 121 98

HSL 34.5, 0.17%, 0.46%

LAB 51.79, 2.81, 15.03

 

CMYK 20 / 12 / 0 / 40

HEX #7A8698

RGB 122 134 152

HSL 216, 0.13%, 0.54%

LAB 55.54, -0.34, -11.09

 

CMYK 19 / 11 / 0 / 33

HEX #8B98AB

RGB 139 152 171

HSL 215.63, 0.16%, 0.61%

LAB 62.41, -0.5, -11.49

 

CMYK 18 / 11 / 0 / 25

HEX #9CAABE

RGB 156 170 190

HSL 215.29, 0.21%, 0.68%

LAB 69.14, -0.64, -11.89

 

CMYK 17 / 10 / 0 / 18

HEX #ADBCD1

RGB 173 188 209

HSL 215, 0.28%, 0.75%

LAB 75.73, -0.78, -12.29

 

CMYK 17 / 10 / 0 / 11

HEX #BECEE4

RGB 190 206 228

HSL 214.74, 0.41%, 0.82%

LAB 82.21, -0.92, -12.7

 

CMYK 25 / 15 / 0 / 38

HEX #75869D

RGB 117 134 157

HSL 214.5, 0.17%, 0.54%

LAB 55.35, -0.78, -14.3

 

CMYK 28 / 16 / 0 / 46

HEX #64748A

RGB 100 116 138

HSL 214.74, 0.16%, 0.47%

LAB 48.3, -0.59, -13.98

 

CMYK 30 / 18 / 0 / 53

HEX #536277

RGB 83 98 119

HSL 215, 0.18%, 0.4%

LAB 41.07, -0.38, -13.68

 

CMYK 34 / 20 / 0 / 61

HEX #425064

RGB 66 80 100

HSL 215.29, 0.2%, 0.33%

LAB 33.6, -0.12, -13.41

 

CMYK 40 / 23 / 0 / 68

HEX #313E51

RGB 49 62 81

HSL 215.63, 0.25%, 0.25%

LAB 25.84, 0.2, -13.19

 

CMYK 25 / 15 / 0 / 38

HEX #75869D

RGB 117 134 157

HSL 214.5, 0.17%, 0.54%

LAB 55.35, -0.78, -14.3

 

CMYK 25 / 18 / 0 / 38

HEX #75809D

RGB 117 128 157

HSL 223.5, 0.17%, 0.54%

LAB 53.66, 2.69, -16.86

 

CMYK 25 / 23 / 0 / 38

HEX #75799D

RGB 117 121 157

HSL 234, 0.17%, 0.54%

LAB 51.71, 6.81, -19.82

 

CMYK 24 / 25 / 0 / 38

HEX #78759D

RGB 120 117 157

HSL 244.5, 0.17%, 0.54%

LAB 50.86, 10.15, -21.11

 

CMYK 19 / 25 / 0 / 38

HEX #7F759D

RGB 127 117 157

HSL 255, 0.17%, 0.54%

LAB 51.46, 12.45, -20.14

 

CMYK 25 / 15 / 0 / 38

HEX #75869D

RGB 117 134 157

HSL 214.5, 0.17%, 0.54%

LAB 55.35, -0.78, -14.3

 

CMYK 25 / 14 / 0 / 18

HEX #9BB2D0

RGB 155 178 208

HSL 213.96, 0.36%, 0.71%

LAB 71.8, -1.21, -17.79

 

CMYK 25 / 25 / 0 / 98

HEX #030304

RGB 3 3 4

HSL 240, 0.14%, 0.01%

LAB 0.84, 0.14, -0.38

 

CMYK 25 / 15 / 0 / 78

HEX #292F37

RGB 41 47 55

HSL 214.29, 0.15%, 0.19%

LAB 19.14, -0.42, -5.97

 

CMYK 25 / 15 / 0 / 58

HEX #4F5A6A

RGB 79 90 106

HSL 215.56, 0.15%, 0.36%

LAB 37.87, -0.3, -10.57

 

CMYK 25 / 15 / 0 / 38

HEX #75869D

RGB 117 134 157

HSL 214.5, 0.17%, 0.54%

LAB 55.35, -0.78, -14.3

 

CMYK 6 / 25 / 0 / 38

HEX #94759D

RGB 148 117 157

HSL 286.5, 0.17%, 0.54%

LAB 53.44, 19.58, -16.94

 

CMYK 4 / 0 / 25 / 38

HEX #969D75

RGB 150 157 117

HSL 70.5, 0.17%, 0.54%

LAB 63.25, -9.5, 20.14

 

CMYK 25 / 15 / 0 / 38

HEX #75869D

RGB 117 134 157

HSL 214.5, 0.17%, 0.54%

LAB 55.35, -0.78, -14.3

 

CMYK 0 / 25 / 14 / 38

HEX #9D7587

RGB 157 117 135

HSL 333, 0.17%, 0.54%

LAB 53.64, 18.63, -3.69

 

CMYK 14 / 0 / 25 / 38

HEX #879D75

RGB 135 157 117

HSL 93, 0.17%, 0.54%

LAB 62.13, -15.28, 18.43

 

CMYK 25 / 15 / 0 / 38

HEX #75869D

RGB 117 134 157

HSL 214.5, 0.17%, 0.54%

LAB 55.35, -0.78, -14.3

 

CMYK 6 / 25 / 0 / 38

HEX #94759D

RGB 148 117 157

HSL 286.5, 0.17%, 0.54%

LAB 53.44, 19.58, -16.94

 

CMYK 0 / 11 / 25 / 38

HEX #9D8C75

RGB 157 140 117

HSL 34.5, 0.17%, 0.54%

LAB 59.17, 2.62, 14.63

 

CMYK 19 / 0 / 25 / 38

HEX #7F9D75

RGB 127 157 117

HSL 105, 0.17%, 0.54%

LAB 61.58, -18.26, 17.58

 

CMYK 25 / 15 / 0 / 38

HEX #75869D

RGB 117 134 157

HSL 214.5, 0.17%, 0.54%

LAB 55.35, -0.78, -14.3

 

CMYK 0 / 25 / 2 / 38

HEX #9D759A

RGB 157 117 154

HSL 304.5, 0.17%, 0.54%

LAB 54.26, 22.12, -13.85

 

CMYK 0 / 11 / 25 / 38

HEX #9D8C75

RGB 157 140 117

HSL 34.5, 0.17%, 0.54%

LAB 59.17, 2.62, 14.63

 

CMYK 25 / 0 / 24 / 38

HEX #759D78

RGB 117 157 120

HSL 124.5, 0.17%, 0.54%

LAB 61, -21.31, 15.02

 

Description

Color code: RGB 117 134 157 | qconv.com Color code: RGB 117 134 157 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 134 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 134 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 15 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 15% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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