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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 132 175 it is the complementary color RGB 138 123 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 132 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 117 132 175: RGB 122 132 170, RGB 139 150 189, RGB 156 168 208, RGB 173 186 227 and RGB 190 204 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 132 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 117 132 175: RGB 117 132 175, RGB 100 114 156, RGB 83 96 137, RGB 66 78 118 and RGB 49 60 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 25 / 0 / 31

HEX #7584AF

RGB 117 132 175

HSL 224.48, 0.27%, 0.57%

LAB 55.46, 5.02, -24.48

 

Complementary color

CMYK 0 / 11 / 42 / 46

HEX #8A7B50

RGB 138 123 80

HSL 44.48, 0.27%, 0.43%

LAB 52, -0.71, 25.6

 

CMYK 28 / 22 / 0 / 33

HEX #7A84AA

RGB 122 132 170

HSL 227.5, 0.22%, 0.57%

LAB 55.63, 5.23, -21.32

 

CMYK 26 / 21 / 0 / 26

HEX #8B96BD

RGB 139 150 189

HSL 226.8, 0.27%, 0.64%

LAB 62.49, 4.9, -21.51

 

CMYK 25 / 19 / 0 / 18

HEX #9CA8D0

RGB 156 168 208

HSL 226.15, 0.36%, 0.71%

LAB 69.2, 4.6, -21.73

 

CMYK 24 / 18 / 0 / 11

HEX #ADBAE3

RGB 173 186 227

HSL 225.56, 0.49%, 0.78%

LAB 75.79, 4.33, -21.96

 

CMYK 23 / 17 / 0 / 4

HEX #BECCF6

RGB 190 204 246

HSL 225, 0.76%, 0.85%

LAB 82.26, 4.08, -22.22

 

CMYK 33 / 25 / 0 / 31

HEX #7584AF

RGB 117 132 175

HSL 224.48, 0.27%, 0.57%

LAB 55.46, 5.02, -24.48

 

CMYK 36 / 27 / 0 / 39

HEX #64729C

RGB 100 114 156

HSL 225, 0.22%, 0.5%

LAB 48.44, 5.45, -24.38

 

CMYK 39 / 30 / 0 / 46

HEX #536089

RGB 83 96 137

HSL 225.56, 0.25%, 0.43%

LAB 41.23, 5.97, -24.34

 

CMYK 44 / 34 / 0 / 54

HEX #424E76

RGB 66 78 118

HSL 226.15, 0.28%, 0.36%

LAB 33.81, 6.62, -24.37

 

CMYK 51 / 39 / 0 / 61

HEX #313C63

RGB 49 60 99

HSL 226.8, 0.34%, 0.29%

LAB 26.11, 7.48, -24.48

 

CMYK 33 / 25 / 0 / 31

HEX #7584AF

RGB 117 132 175

HSL 224.48, 0.27%, 0.57%

LAB 55.46, 5.02, -24.48

 

CMYK 34 / 30 / 0 / 32

HEX #7379AE

RGB 115 121 174

HSL 233.9, 0.27%, 0.57%

LAB 52.26, 10.66, -28.87

 

CMYK 32 / 34 / 0 / 32

HEX #7773AE

RGB 119 115 174

HSL 244.07, 0.27%, 0.57%

LAB 50.97, 15.43, -30.86

 

CMYK 26 / 34 / 0 / 32

HEX #8173AE

RGB 129 115 174

HSL 254.24, 0.27%, 0.57%

LAB 51.82, 18.45, -29.46

 

CMYK 20 / 34 / 0 / 32

HEX #8B73AE

RGB 139 115 174

HSL 264.41, 0.27%, 0.57%

LAB 52.74, 21.57, -27.96

 

CMYK 33 / 25 / 0 / 31

HEX #7584AF

RGB 117 132 175

HSL 224.48, 0.27%, 0.57%

LAB 55.46, 5.02, -24.48

 

CMYK 33 / 25 / 0 / 11

HEX #97AAE2

RGB 151 170 226

HSL 224.8, 0.56%, 0.74%

LAB 70.05, 6.47, -30.35

 

CMYK 32 / 23 / 0 / 91

HEX #0F1116

RGB 15 17 22

HSL 222.86, 0.19%, 0.07%

LAB 5.06, 0.39, -3.27

 

CMYK 33 / 25 / 0 / 71

HEX #313749

RGB 49 55 73

HSL 225, 0.2%, 0.24%

LAB 23.22, 2.43, -11.91

 

CMYK 33 / 24 / 0 / 51

HEX #535E7C

RGB 83 94 124

HSL 223.9, 0.2%, 0.41%

LAB 40.08, 3.46, -18.23

 

CMYK 33 / 25 / 0 / 31

HEX #7584AF

RGB 117 132 175

HSL 224.48, 0.27%, 0.57%

LAB 55.46, 5.02, -24.48

 

CMYK 2 / 34 / 0 / 32

HEX #AB73AE

RGB 171 115 174

HSL 296.95, 0.27%, 0.57%

LAB 56.06, 31.94, -22.56

 

CMYK 11 / 0 / 34 / 32

HEX #9BAE73

RGB 155 174 115

HSL 79.32, 0.27%, 0.57%

LAB 68.37, -16.75, 28.16

 

CMYK 33 / 25 / 0 / 31

HEX #7584AF

RGB 117 132 175

HSL 224.48, 0.27%, 0.57%

LAB 55.46, 5.02, -24.48

 

CMYK 0 / 34 / 25 / 32

HEX #AE7383

RGB 174 115 131

HSL 343.73, 0.27%, 0.57%

LAB 54.97, 25.54, 0.82

 

CMYK 25 / 0 / 34 / 32

HEX #83AE73

RGB 131 174 115

HSL 103.73, 0.27%, 0.57%

LAB 66.78, -25.73, 25.75

 

CMYK 33 / 25 / 0 / 31

HEX #7584AF

RGB 117 132 175

HSL 224.48, 0.27%, 0.57%

LAB 55.46, 5.02, -24.48

 

CMYK 2 / 34 / 0 / 32

HEX #AB73AE

RGB 171 115 174

HSL 296.95, 0.27%, 0.57%

LAB 56.06, 31.94, -22.56

 

CMYK 0 / 9 / 34 / 32

HEX #AE9F73

RGB 174 159 115

HSL 44.75, 0.27%, 0.57%

LAB 65.77, -1.24, 24.99

 

CMYK 32 / 0 / 34 / 32

HEX #77AE73

RGB 119 174 115

HSL 115.93, 0.27%, 0.57%

LAB 66.08, -29.91, 24.71

 

CMYK 33 / 25 / 0 / 31

HEX #7584AF

RGB 117 132 175

HSL 224.48, 0.27%, 0.57%

LAB 55.46, 5.02, -24.48

 

CMYK 0 / 34 / 7 / 32

HEX #AE73A1

RGB 174 115 161

HSL 313.22, 0.27%, 0.57%

LAB 55.92, 30.5, -15.23

 

CMYK 0 / 9 / 34 / 32

HEX #AE9F73

RGB 174 159 115

HSL 44.75, 0.27%, 0.57%

LAB 65.77, -1.24, 24.99

 

CMYK 34 / 0 / 26 / 32

HEX #73AE81

RGB 115 174 129

HSL 134.24, 0.27%, 0.57%

LAB 66.14, -28.77, 17.15

 

Description

Color code: RGB 117 132 175 | qconv.com Color code: RGB 117 132 175 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 132 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 132 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 25 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 25% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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