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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 132 129 it is the complementary color RGB 138 123 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 132 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 117 132 129: RGB 122 132 124, RGB 139 150 143, RGB 156 168 162, RGB 173 186 181 and RGB 190 204 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 132 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 117 132 129: RGB 117 132 129, RGB 100 114 110, RGB 83 96 91, RGB 66 78 72 and RGB 49 60 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 2 / 48

HEX #758481

RGB 117 132 129

HSL 168, 0.06%, 0.49%

LAB 53.89, -6.1, -0.25

 

Complementary color

CMYK 0 / 11 / 9 / 46

HEX #8A7B7E

RGB 138 123 126

HSL 348, 0.06%, 0.51%

LAB 53.03, 6.29, 0.46

 

CMYK 8 / 0 / 6 / 48

HEX #7A847C

RGB 122 132 124

HSL 132, 0.04%, 0.5%

LAB 54.13, -5.3, 3.05

 

CMYK 7 / 0 / 5 / 41

HEX #8B968F

RGB 139 150 143

HSL 141.82, 0.05%, 0.57%

LAB 61.03, -5.34, 2.32

 

CMYK 7 / 0 / 4 / 34

HEX #9CA8A2

RGB 156 168 162

HSL 150, 0.06%, 0.64%

LAB 67.79, -5.39, 1.64

 

CMYK 7 / 0 / 3 / 27

HEX #ADBAB5

RGB 173 186 181

HSL 156.92, 0.09%, 0.7%

LAB 74.41, -5.45, 0.98

 

CMYK 7 / 0 / 2 / 20

HEX #BECCC8

RGB 190 204 200

HSL 162.86, 0.12%, 0.77%

LAB 80.91, -5.5, 0.34

 

CMYK 11 / 0 / 2 / 48

HEX #758481

RGB 117 132 129

HSL 168, 0.06%, 0.49%

LAB 53.89, -6.1, -0.25

 

CMYK 12 / 0 / 4 / 55

HEX #64726E

RGB 100 114 110

HSL 162.86, 0.07%, 0.42%

LAB 46.8, -6.1, 0.43

 

CMYK 14 / 0 / 5 / 62

HEX #53605B

RGB 83 96 91

HSL 156.92, 0.07%, 0.35%

LAB 39.51, -6.12, 1.16

 

CMYK 15 / 0 / 8 / 69

HEX #424E48

RGB 66 78 72

HSL 150, 0.08%, 0.28%

LAB 31.98, -6.16, 1.94

 

CMYK 18 / 0 / 12 / 76

HEX #313C35

RGB 49 60 53

HSL 141.82, 0.1%, 0.21%

LAB 24.13, -6.25, 2.81

 

CMYK 11 / 0 / 2 / 48

HEX #758481

RGB 117 132 129

HSL 168, 0.06%, 0.49%

LAB 53.89, -6.1, -0.25

 

CMYK 11 / 0 / 1 / 48

HEX #758483

RGB 117 132 131

HSL 176, 0.06%, 0.49%

LAB 53.95, -5.67, -1.33

 

CMYK 11 / 2 / 0 / 48

HEX #758284

RGB 117 130 132

HSL 188, 0.06%, 0.49%

LAB 53.4, -4.32, -2.71

 

CMYK 11 / 4 / 0 / 48

HEX #757F84

RGB 117 127 132

HSL 200, 0.06%, 0.49%

LAB 52.54, -2.61, -3.98

 

CMYK 11 / 5 / 0 / 48

HEX #757D84

RGB 117 125 132

HSL 208, 0.06%, 0.49%

LAB 51.97, -1.46, -4.82

 

CMYK 11 / 0 / 2 / 48

HEX #758481

RGB 117 132 129

HSL 168, 0.06%, 0.49%

LAB 53.89, -6.1, -0.25

 

CMYK 11 / 0 / 2 / 28

HEX #A2B7B3

RGB 162 183 179

HSL 168.57, 0.13%, 0.68%

LAB 72.76, -7.99, -0.42

 

CMYK 12 / 0 / 2 / 8

HEX #CFEAE5

RGB 207 234 229

HSL 168.89, 0.39%, 0.86%

LAB 90.67, -9.78, -0.59

 

CMYK 10 / 0 / 3 / 88

HEX #1B1E1D

RGB 27 30 29

HSL 160, 0.05%, 0.11%

LAB 10.92, -1.66, 0.2

 

CMYK 11 / 0 / 2 / 68

HEX #48514F

RGB 72 81 79

HSL 166.67, 0.06%, 0.3%

LAB 33.62, -4.04, -0.05

 

CMYK 11 / 0 / 2 / 48

HEX #758481

RGB 117 132 129

HSL 168, 0.06%, 0.49%

LAB 53.89, -6.1, -0.25

 

CMYK 11 / 11 / 0 / 48

HEX #757584

RGB 117 117 132

HSL 240, 0.06%, 0.49%

LAB 49.7, 3.2, -8.19

 

CMYK 0 / 7 / 11 / 48

HEX #847B75

RGB 132 123 117

HSL 24, 0.06%, 0.49%

LAB 52.24, 2.32, 4.5

 

CMYK 11 / 0 / 2 / 48

HEX #758481

RGB 117 132 129

HSL 168, 0.06%, 0.49%

LAB 53.89, -6.1, -0.25

 

CMYK 2 / 11 / 0 / 48

HEX #817584

RGB 129 117 132

HSL 288, 0.06%, 0.49%

LAB 50.75, 7.57, -6.52

 

CMYK 0 / 2 / 11 / 48

HEX #848175

RGB 132 129 117

HSL 48, 0.06%, 0.49%

LAB 53.91, -1.11, 6.9

 

CMYK 11 / 0 / 2 / 48

HEX #758481

RGB 117 132 129

HSL 168, 0.06%, 0.49%

LAB 53.89, -6.1, -0.25

 

CMYK 11 / 11 / 0 / 48

HEX #757584

RGB 117 117 132

HSL 240, 0.06%, 0.49%

LAB 49.7, 3.2, -8.19

 

CMYK 0 / 11 / 9 / 48

HEX #847578

RGB 132 117 120

HSL 348, 0.06%, 0.49%

LAB 50.67, 6.35, 0.47

 

CMYK 0 / 0 / 11 / 48

HEX #848475

RGB 132 132 117

HSL 60, 0.06%, 0.49%

LAB 54.75, -2.81, 8.1

 

CMYK 11 / 0 / 2 / 48

HEX #758481

RGB 117 132 129

HSL 168, 0.06%, 0.49%

LAB 53.89, -6.1, -0.25

 

CMYK 8 / 11 / 0 / 48

HEX #797584

RGB 121 117 132

HSL 256, 0.06%, 0.49%

LAB 50.04, 4.64, -7.65

 

CMYK 0 / 11 / 9 / 48

HEX #847578

RGB 132 117 120

HSL 348, 0.06%, 0.49%

LAB 50.67, 6.35, 0.47

 

CMYK 4 / 0 / 11 / 48

HEX #7F8475

RGB 127 132 117

HSL 80, 0.06%, 0.49%

LAB 54.34, -4.75, 7.46

 

Description

Color code: RGB 117 132 129 | qconv.com Color code: RGB 117 132 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 132 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 132 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 2 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 2% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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