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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 115 128 it is the complementary color RGB 138 140 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 115 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 117 115 128: RGB 122 115 123, RGB 139 133 142, RGB 156 151 161, RGB 173 169 180 and RGB 190 187 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 115 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 117 115 128: RGB 117 115 128, RGB 100 97 109, RGB 83 79 90, RGB 66 61 71 and RGB 49 43 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 10 / 0 / 50

HEX #757380

RGB 117 115 128

HSL 249.23, 0.05%, 0.48%

LAB 49.01, 3.49, -6.86

 

Complementary color

CMYK 1 / 0 / 9 / 45

HEX #8A8C7F

RGB 138 140 127

HSL 69.23, 0.05%, 0.52%

LAB 57.74, -3.2, 6.69

 

CMYK 1 / 7 / 0 / 52

HEX #7A737B

RGB 122 115 123

HSL 292.5, 0.03%, 0.47%

LAB 49.29, 4.28, -3.44

 

CMYK 2 / 6 / 0 / 44

HEX #8B858E

RGB 139 133 142

HSL 280, 0.04%, 0.54%

LAB 56.3, 4.01, -4.02

 

CMYK 3 / 6 / 0 / 37

HEX #9C97A1

RGB 156 151 161

HSL 270, 0.05%, 0.61%

LAB 63.16, 3.76, -4.59

 

CMYK 4 / 6 / 0 / 29

HEX #ADA9B4

RGB 173 169 180

HSL 261.82, 0.07%, 0.68%

LAB 69.86, 3.53, -5.14

 

CMYK 5 / 6 / 0 / 22

HEX #BEBBC7

RGB 190 187 199

HSL 255, 0.1%, 0.76%

LAB 76.44, 3.31, -5.67

 

CMYK 9 / 10 / 0 / 50

HEX #757380

RGB 117 115 128

HSL 249.23, 0.05%, 0.48%

LAB 49.01, 3.49, -6.86

 

CMYK 8 / 11 / 0 / 57

HEX #64616D

RGB 100 97 109

HSL 255, 0.06%, 0.4%

LAB 41.79, 3.76, -6.36

 

CMYK 8 / 12 / 0 / 65

HEX #534F5A

RGB 83 79 90

HSL 261.82, 0.07%, 0.33%

LAB 34.33, 4.06, -5.85

 

CMYK 7 / 14 / 0 / 72

HEX #423D47

RGB 66 61 71

HSL 270, 0.08%, 0.26%

LAB 26.59, 4.41, -5.33

 

CMYK 6 / 17 / 0 / 80

HEX #312B34

RGB 49 43 52

HSL 280, 0.09%, 0.19%

LAB 18.49, 4.84, -4.79

 

CMYK 9 / 10 / 0 / 50

HEX #757380

RGB 117 115 128

HSL 249.23, 0.05%, 0.48%

LAB 49.01, 3.49, -6.86

 

CMYK 6 / 9 / 0 / 50

HEX #787480

RGB 120 116 128

HSL 260, 0.05%, 0.48%

LAB 49.55, 4, -6.03

 

CMYK 5 / 9 / 0 / 50

HEX #7A7480

RGB 122 116 128

HSL 270, 0.05%, 0.48%

LAB 49.72, 4.74, -5.75

 

CMYK 3 / 9 / 0 / 50

HEX #7C7480

RGB 124 116 128

HSL 280, 0.05%, 0.48%

LAB 49.9, 5.48, -5.47

 

CMYK 2 / 9 / 0 / 50

HEX #7E7480

RGB 126 116 128

HSL 290, 0.05%, 0.48%

LAB 50.08, 6.22, -5.19

 

CMYK 9 / 10 / 0 / 50

HEX #757380

RGB 117 115 128

HSL 249.23, 0.05%, 0.48%

LAB 49.01, 3.49, -6.86

 

CMYK 8 / 10 / 0 / 30

HEX #A4A1B3

RGB 164 161 179

HSL 250, 0.11%, 0.67%

LAB 67, 4.63, -8.91

 

CMYK 9 / 10 / 0 / 10

HEX #D2CFE6

RGB 210 207 230

HSL 247.83, 0.32%, 0.86%

LAB 83.99, 5.37, -10.96

 

CMYK 8 / 12 / 0 / 90

HEX #18171A

RGB 24 23 26

HSL 260, 0.06%, 0.1%

LAB 7.96, 1.28, -1.94

 

CMYK 9 / 10 / 0 / 70

HEX #46454D

RGB 70 69 77

HSL 247.5, 0.05%, 0.29%

LAB 29.65, 2.25, -4.65

 

CMYK 9 / 10 / 0 / 50

HEX #757380

RGB 117 115 128

HSL 249.23, 0.05%, 0.48%

LAB 49.01, 3.49, -6.86

 

CMYK 0 / 9 / 3 / 50

HEX #80747C

RGB 128 116 124

HSL 320, 0.05%, 0.48%

LAB 50.14, 6.17, -2.71

 

CMYK 7 / 0 / 9 / 50

HEX #778074

RGB 119 128 116

HSL 105, 0.05%, 0.48%

LAB 52.53, -5.74, 5.37

 

CMYK 9 / 10 / 0 / 50

HEX #757380

RGB 117 115 128

HSL 249.23, 0.05%, 0.48%

LAB 49.01, 3.49, -6.86

 

CMYK 0 / 8 / 9 / 50

HEX #807674

RGB 128 118 116

HSL 10, 0.05%, 0.48%

LAB 50.46, 3.47, 2.48

 

CMYK 9 / 0 / 8 / 50

HEX #748076

RGB 116 128 118

HSL 130, 0.05%, 0.48%

LAB 52.35, -6.48, 3.91

 

CMYK 9 / 10 / 0 / 50

HEX #757380

RGB 117 115 128

HSL 249.23, 0.05%, 0.48%

LAB 49.01, 3.49, -6.86

 

CMYK 0 / 9 / 3 / 50

HEX #80747C

RGB 128 116 124

HSL 320, 0.05%, 0.48%

LAB 50.14, 6.17, -2.71

 

CMYK 2 / 0 / 9 / 50

HEX #7E8074

RGB 126 128 116

HSL 70, 0.05%, 0.48%

LAB 53.1, -3.06, 6.25

 

CMYK 9 / 0 / 6 / 50

HEX #748078

RGB 116 128 120

HSL 140, 0.05%, 0.48%

LAB 52.41, -6.07, 2.83

 

CMYK 9 / 10 / 0 / 50

HEX #757380

RGB 117 115 128

HSL 249.23, 0.05%, 0.48%

LAB 49.01, 3.49, -6.86

 

CMYK 0 / 9 / 6 / 50

HEX #807478

RGB 128 116 120

HSL 340, 0.05%, 0.48%

LAB 50.02, 5.39, -0.52

 

CMYK 2 / 0 / 9 / 50

HEX #7E8074

RGB 126 128 116

HSL 70, 0.05%, 0.48%

LAB 53.1, -3.06, 6.25

 

CMYK 9 / 0 / 3 / 50

HEX #74807C

RGB 116 128 124

HSL 160, 0.05%, 0.48%

LAB 52.52, -5.25, 0.65

 

Description

Color code: RGB 117 115 128 | qconv.com Color code: RGB 117 115 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 115 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 115 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 10 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 10% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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