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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 92 190 it is the complementary color RGB 139 163 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 92 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 116 92 190: RGB 121 92 185, RGB 138 110 204, RGB 155 128 223, RGB 172 146 242 and RGB 189 164 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 92 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 116 92 190: RGB 116 92 190, RGB 99 74 171, RGB 82 56 152, RGB 65 38 133 and RGB 48 20 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 52 / 0 / 25

HEX #745CBE

RGB 116 92 190

HSL 254.69, 0.43%, 0.55%

LAB 45.75, 32.83, -48.4

 

Complementary color

CMYK 15 / 0 / 60 / 36

HEX #8BA341

RGB 139 163 65

HSL 74.69, 0.43%, 0.45%

LAB 63.4, -23.16, 46.99

 

CMYK 35 / 50 / 0 / 27

HEX #795CB9

RGB 121 92 185

HSL 258.71, 0.4%, 0.54%

LAB 45.94, 32.73, -45.17

 

CMYK 32 / 46 / 0 / 20

HEX #8A6ECC

RGB 138 110 204

HSL 257.87, 0.48%, 0.62%

LAB 52.86, 31.71, -45.02

 

CMYK 30 / 43 / 0 / 13

HEX #9B80DF

RGB 155 128 223

HSL 257.05, 0.6%, 0.69%

LAB 59.65, 30.79, -44.89

 

CMYK 29 / 40 / 0 / 5

HEX #AC92F2

RGB 172 146 242

HSL 256.25, 0.79%, 0.76%

LAB 66.32, 29.96, -44.8

 

CMYK 26 / 36 / 0 / 0

HEX #BDA4FF

RGB 189 164 255

HSL 256.48, 1%, 0.82%

LAB 72.62, 27.77, -41.91

 

CMYK 39 / 52 / 0 / 25

HEX #745CBE

RGB 116 92 190

HSL 254.69, 0.43%, 0.55%

LAB 45.75, 32.83, -48.4

 

CMYK 42 / 57 / 0 / 33

HEX #634AAB

RGB 99 74 171

HSL 255.46, 0.4%, 0.48%

LAB 38.71, 34.06, -48.63

 

CMYK 46 / 63 / 0 / 40

HEX #523898

RGB 82 56 152

HSL 256.25, 0.46%, 0.41%

LAB 31.55, 35.41, -48.84

 

CMYK 51 / 71 / 0 / 48

HEX #412685

RGB 65 38 133

HSL 257.05, 0.56%, 0.34%

LAB 24.33, 36.79, -48.92

 

CMYK 58 / 82 / 0 / 55

HEX #301472

RGB 48 20 114

HSL 257.87, 0.7%, 0.26%

LAB 17.2, 37.88, -48.6

 

CMYK 39 / 52 / 0 / 25

HEX #745CBE

RGB 116 92 190

HSL 254.69, 0.43%, 0.55%

LAB 45.75, 32.83, -48.4

 

CMYK 31 / 52 / 0 / 26

HEX #825ABD

RGB 130 90 189

HSL 264.24, 0.43%, 0.55%

LAB 46.62, 37.3, -46.35

 

CMYK 23 / 52 / 0 / 26

HEX #925ABD

RGB 146 90 189

HSL 273.94, 0.43%, 0.55%

LAB 48.38, 41.54, -43.44

 

CMYK 14 / 52 / 0 / 26

HEX #A35ABD

RGB 163 90 189

HSL 284.24, 0.43%, 0.55%

LAB 50.42, 46.18, -40.08

 

CMYK 5 / 52 / 0 / 26

HEX #B35ABD

RGB 179 90 189

HSL 293.94, 0.43%, 0.55%

LAB 52.48, 50.61, -36.71

 

CMYK 39 / 52 / 0 / 25

HEX #745CBE

RGB 116 92 190

HSL 254.69, 0.43%, 0.55%

LAB 45.75, 32.83, -48.4

 

CMYK 39 / 51 / 0 / 5

HEX #9375F1

RGB 147 117 241

HSL 254.52, 0.82%, 0.7%

LAB 57.34, 39.74, -58.63

 

CMYK 38 / 51 / 0 / 85

HEX #171225

RGB 23 18 37

HSL 255.79, 0.35%, 0.11%

LAB 6.76, 7.82, -12.15

 

CMYK 39 / 51 / 0 / 65

HEX #362B58

RGB 54 43 88

HSL 254.67, 0.34%, 0.26%

LAB 20.89, 17, -25.52

 

CMYK 39 / 52 / 0 / 45

HEX #55438B

RGB 85 67 139

HSL 255, 0.35%, 0.4%

LAB 33.58, 25.53, -37.6

 

CMYK 39 / 52 / 0 / 25

HEX #745CBE

RGB 116 92 190

HSL 254.69, 0.43%, 0.55%

LAB 45.75, 32.83, -48.4

 

CMYK 0 / 52 / 23 / 26

HEX #BD5A92

RGB 189 90 146

HSL 326.06, 0.43%, 0.55%

LAB 52.07, 46.39, -12.09

 

CMYK 43 / 0 / 52 / 26

HEX #6BBD5A

RGB 107 189 90

HSL 109.7, 0.43%, 0.55%

LAB 69.65, -44.18, 41.99

 

CMYK 39 / 52 / 0 / 25

HEX #745CBE

RGB 116 92 190

HSL 254.69, 0.43%, 0.55%

LAB 45.75, 32.83, -48.4

 

CMYK 0 / 40 / 52 / 26

HEX #BD715A

RGB 189 113 90

HSL 13.94, 0.43%, 0.55%

LAB 55.45, 27.62, 25.55

 

CMYK 52 / 0 / 40 / 26

HEX #5ABD71

RGB 90 189 113

HSL 133.94, 0.43%, 0.55%

LAB 69.3, -45.63, 29.78

 

CMYK 39 / 52 / 0 / 25

HEX #745CBE

RGB 116 92 190

HSL 254.69, 0.43%, 0.55%

LAB 45.75, 32.83, -48.4

 

CMYK 0 / 52 / 23 / 26

HEX #BD5A92

RGB 189 90 146

HSL 326.06, 0.43%, 0.55%

LAB 52.07, 46.39, -12.09

 

CMYK 12 / 0 / 52 / 26

HEX #A6BD5A

RGB 166 189 90

HSL 73.94, 0.43%, 0.55%

LAB 73.05, -22.85, 46.86

 

CMYK 52 / 0 / 30 / 26

HEX #5ABD85

RGB 90 189 133

HSL 146.06, 0.43%, 0.55%

LAB 69.66, -41.96, 19.66

 

CMYK 39 / 52 / 0 / 25

HEX #745CBE

RGB 116 92 190

HSL 254.69, 0.43%, 0.55%

LAB 45.75, 32.83, -48.4

 

CMYK 0 / 52 / 38 / 26

HEX #BD5A75

RGB 189 90 117

HSL 343.64, 0.43%, 0.55%

LAB 51.17, 42.59, 3.83

 

CMYK 12 / 0 / 52 / 26

HEX #A6BD5A

RGB 166 189 90

HSL 73.94, 0.43%, 0.55%

LAB 73.05, -22.85, 46.86

 

CMYK 52 / 0 / 14 / 26

HEX #5ABDA3

RGB 90 189 163

HSL 164.24, 0.43%, 0.55%

LAB 70.33, -35.39, 4.32

 

Description

Color code: RGB 116 92 190 | qconv.com Color code: RGB 116 92 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 92 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 92 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 52 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 52% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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