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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 68 187 it is the complementary color RGB 139 187 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 68 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 116 68 187: RGB 121 68 182, RGB 138 86 201, RGB 155 104 220, RGB 172 122 239 and RGB 189 140 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 68 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 116 68 187: RGB 116 68 187, RGB 99 50 168, RGB 82 32 149, RGB 65 14 130 and RGB 48 0 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 64 / 0 / 27

HEX #7444BB

RGB 116 68 187

HSL 264.2, 0.47%, 0.5%

LAB 40.3, 45.71, -55.41

 

Complementary color

CMYK 26 / 0 / 64 / 27

HEX #8BBB44

RGB 139 187 68

HSL 84.2, 0.47%, 0.5%

LAB 70.49, -34.41, 53.45

 

CMYK 34 / 63 / 0 / 29

HEX #7944B6

RGB 121 68 182

HSL 267.89, 0.46%, 0.49%

LAB 40.54, 45.54, -52.07

 

CMYK 31 / 57 / 0 / 21

HEX #8A56C9

RGB 138 86 201

HSL 267.13, 0.52%, 0.56%

LAB 47.33, 44.57, -52.1

 

CMYK 30 / 53 / 0 / 14

HEX #9B68DC

RGB 155 104 220

HSL 266.38, 0.62%, 0.64%

LAB 54.07, 43.59, -52.06

 

CMYK 28 / 49 / 0 / 6

HEX #AC7AEF

RGB 172 122 239

HSL 265.64, 0.79%, 0.71%

LAB 60.71, 42.64, -52.01

 

CMYK 26 / 45 / 0 / 0

HEX #BD8CFF

RGB 189 140 255

HSL 265.57, 1%, 0.77%

LAB 67.12, 41.03, -50.54

 

CMYK 38 / 64 / 0 / 27

HEX #7444BB

RGB 116 68 187

HSL 264.2, 0.47%, 0.5%

LAB 40.3, 45.71, -55.41

 

CMYK 41 / 70 / 0 / 34

HEX #6332A8

RGB 99 50 168

HSL 264.92, 0.54%, 0.43%

LAB 33.48, 46.66, -55.3

 

CMYK 45 / 79 / 0 / 42

HEX #522095

RGB 82 32 149

HSL 265.64, 0.65%, 0.35%

LAB 26.73, 47.23, -54.87

 

CMYK 50 / 89 / 0 / 49

HEX #410E82

RGB 65 14 130

HSL 266.38, 0.81%, 0.28%

LAB 20.24, 46.84, -53.75

 

CMYK 57 / 100 / 0 / 56

HEX #30006F

RGB 48 0 111

HSL 265.95, 1%, 0.22%

LAB 14.27, 44.73, -51.49

 

CMYK 38 / 64 / 0 / 27

HEX #7444BB

RGB 116 68 187

HSL 264.2, 0.47%, 0.5%

LAB 40.3, 45.71, -55.41

 

CMYK 28 / 64 / 0 / 27

HEX #8743BB

RGB 135 67 187

HSL 274, 0.47%, 0.5%

LAB 42.39, 50.44, -51.93

 

CMYK 17 / 64 / 0 / 27

HEX #9B43BB

RGB 155 67 187

HSL 284, 0.47%, 0.5%

LAB 45.04, 55.08, -47.54

 

CMYK 6 / 64 / 0 / 27

HEX #AF43BB

RGB 175 67 187

HSL 294, 0.47%, 0.5%

LAB 47.9, 59.84, -42.81

 

CMYK 0 / 64 / 4 / 27

HEX #BB43B3

RGB 187 67 179

HSL 304, 0.47%, 0.5%

LAB 49.29, 61.39, -35.82

 

CMYK 38 / 64 / 0 / 27

HEX #7444BB

RGB 116 68 187

HSL 264.2, 0.47%, 0.5%

LAB 40.3, 45.71, -55.41

 

CMYK 38 / 63 / 0 / 7

HEX #9457EE

RGB 148 87 238

HSL 264.24, 0.82%, 0.64%

LAB 51.02, 55.5, -67.13

 

CMYK 38 / 65 / 0 / 87

HEX #150C22

RGB 21 12 34

HSL 264.55, 0.48%, 0.09%

LAB 4.86, 8.94, -12.81

 

CMYK 38 / 64 / 0 / 67

HEX #351F55

RGB 53 31 85

HSL 264.44, 0.47%, 0.23%

LAB 17.43, 23.8, -29.06

 

CMYK 38 / 64 / 0 / 47

HEX #543188

RGB 84 49 136

HSL 264.14, 0.47%, 0.36%

LAB 29.05, 35.36, -43.03

 

CMYK 38 / 64 / 0 / 27

HEX #7444BB

RGB 116 68 187

HSL 264.2, 0.47%, 0.5%

LAB 40.3, 45.71, -55.41

 

CMYK 0 / 64 / 39 / 27

HEX #BB4373

RGB 187 67 115

HSL 336, 0.47%, 0.5%

LAB 46.73, 52.48, -1.45

 

CMYK 64 / 0 / 64 / 27

HEX #43BB43

RGB 67 187 67

HSL 120, 0.47%, 0.5%

LAB 67.38, -56.66, 49.59

 

CMYK 38 / 64 / 0 / 27

HEX #7444BB

RGB 116 68 187

HSL 264.2, 0.47%, 0.5%

LAB 40.3, 45.71, -55.41

 

CMYK 0 / 39 / 64 / 27

HEX #BB7343

RGB 187 115 67

HSL 24, 0.47%, 0.5%

LAB 55.31, 23.88, 38.02

 

CMYK 64 / 0 / 39 / 27

HEX #43BB73

RGB 67 187 115

HSL 144, 0.47%, 0.5%

LAB 68, -49.68, 26.89

 

CMYK 38 / 64 / 0 / 27

HEX #7444BB

RGB 116 68 187

HSL 264.2, 0.47%, 0.5%

LAB 40.3, 45.71, -55.41

 

CMYK 0 / 64 / 39 / 27

HEX #BB4373

RGB 187 67 115

HSL 336, 0.47%, 0.5%

LAB 46.73, 52.48, -1.45

 

CMYK 26 / 0 / 64 / 27

HEX #8BBB43

RGB 139 187 67

HSL 84, 0.47%, 0.5%

LAB 70.48, -34.49, 53.87

 

CMYK 64 / 0 / 26 / 27

HEX #43BB8B

RGB 67 187 139

HSL 156, 0.47%, 0.5%

LAB 68.46, -44.78, 14.66

 

CMYK 38 / 64 / 0 / 27

HEX #7444BB

RGB 116 68 187

HSL 264.2, 0.47%, 0.5%

LAB 40.3, 45.71, -55.41

 

CMYK 0 / 64 / 58 / 27

HEX #BB434F

RGB 187 67 79

HSL 354, 0.47%, 0.5%

LAB 45.83, 49.13, 19.29

 

CMYK 26 / 0 / 64 / 27

HEX #8BBB43

RGB 139 187 67

HSL 84, 0.47%, 0.5%

LAB 70.48, -34.49, 53.87

 

CMYK 64 / 0 / 6 / 27

HEX #43BBAF

RGB 67 187 175

HSL 174, 0.47%, 0.5%

LAB 69.35, -35.89, -3.76

 

Description

Color code: RGB 116 68 187 | qconv.com Color code: RGB 116 68 187 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 68 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 68 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 64 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 64% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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