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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 52 77 it is the complementary color RGB 139 203 178. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 52 77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 116 52 77: RGB 121 52 72, RGB 138 70 91, RGB 155 88 110, RGB 172 106 129 and RGB 189 124 148

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 52 77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 116 52 77: RGB 116 52 77, RGB 99 34 58, RGB 82 16 39, RGB 65 0 20 and RGB 48 0 1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 34 / 55

HEX #74344D

RGB 116 52 77

HSL 336.56, 0.38%, 0.33%

LAB 31.13, 31.09, -1.81

 

Complementary color

CMYK 32 / 0 / 12 / 20

HEX #8BCBB2

RGB 139 203 178

HSL 156.56, 0.38%, 0.67%

LAB 76.93, -25.74, 5.99

 

CMYK 0 / 57 / 40 / 53

HEX #793448

RGB 121 52 72

HSL 342.61, 0.4%, 0.34%

LAB 31.78, 32.29, 2.5

 

CMYK 0 / 49 / 34 / 46

HEX #8A465B

RGB 138 70 91

HSL 341.47, 0.33%, 0.41%

LAB 38.79, 31.36, 0.86

 

CMYK 0 / 43 / 29 / 39

HEX #9B586E

RGB 155 88 110

HSL 340.3, 0.28%, 0.48%

LAB 45.74, 30.41, -0.44

 

CMYK 0 / 38 / 25 / 33

HEX #AC6A81

RGB 172 106 129

HSL 339.09, 0.28%, 0.55%

LAB 52.58, 29.51, -1.52

 

CMYK 0 / 34 / 22 / 26

HEX #BD7C94

RGB 189 124 148

HSL 337.85, 0.33%, 0.61%

LAB 59.32, 28.68, -2.46

 

CMYK 0 / 55 / 34 / 55

HEX #74344D

RGB 116 52 77

HSL 336.56, 0.38%, 0.33%

LAB 31.13, 31.09, -1.81

 

CMYK 0 / 66 / 41 / 61

HEX #63223A

RGB 99 34 58

HSL 337.85, 0.49%, 0.26%

LAB 24.01, 31.83, 0.07

 

CMYK 0 / 80 / 52 / 68

HEX #521027

RGB 82 16 39

HSL 339.09, 0.67%, 0.19%

LAB 17.04, 31.95, 2.88

 

CMYK 0 / 100 / 69 / 75

HEX #410014

RGB 65 0 20

HSL 341.54, 1%, 0.13%

LAB 10.37, 31.1, 6.9

 

CMYK 0 / 100 / 98 / 81

HEX #300001

RGB 48 0 1

HSL 358.75, 1%, 0.09%

LAB 5.7, 23.69, 8.59

 

CMYK 0 / 55 / 34 / 55

HEX #74344D

RGB 116 52 77

HSL 336.56, 0.38%, 0.33%

LAB 31.13, 31.09, -1.81

 

CMYK 0 / 55 / 42 / 55

HEX #743443

RGB 116 52 67

HSL 345.94, 0.38%, 0.33%

LAB 30.82, 29.78, 4.27

 

CMYK 0 / 55 / 52 / 55

HEX #743438

RGB 116 52 56

HSL 356.25, 0.38%, 0.33%

LAB 30.53, 28.54, 11.05

 

CMYK 0 / 50 / 55 / 55

HEX #743A34

RGB 116 58 52

HSL 5.63, 0.38%, 0.33%

LAB 31.78, 24.76, 15.31

 

CMYK 0 / 41 / 55 / 55

HEX #744534

RGB 116 69 52

HSL 15.94, 0.38%, 0.33%

LAB 34.43, 18.28, 18.79

 

CMYK 0 / 55 / 34 / 55

HEX #74344D

RGB 116 52 77

HSL 336.56, 0.38%, 0.33%

LAB 31.13, 31.09, -1.81

 

CMYK 0 / 55 / 34 / 35

HEX #A74B6F

RGB 167 75 111

HSL 336.52, 0.38%, 0.47%

LAB 44.79, 41.76, -2.23

 

CMYK 0 / 55 / 33 / 15

HEX #DA6291

RGB 218 98 145

HSL 336.5, 0.62%, 0.62%

LAB 57.74, 51.77, -2.61

 

CMYK 0 / 57 / 36 / 95

HEX #0E0609

RGB 14 6 9

HSL 337.5, 0.4%, 0.04%

LAB 2.2, 2.63, -0.36

 

CMYK 0 / 55 / 34 / 75

HEX #411D2B

RGB 65 29 43

HSL 336.67, 0.38%, 0.18%

LAB 16.39, 19.37, -1.34

 

CMYK 0 / 55 / 34 / 55

HEX #74344D

RGB 116 52 77

HSL 336.56, 0.38%, 0.33%

LAB 31.13, 31.09, -1.81

 

CMYK 0 / 11 / 55 / 55

HEX #746734

RGB 116 103 52

HSL 47.81, 0.38%, 0.33%

LAB 43.74, -2.08, 30.36

 

CMYK 55 / 11 / 0 / 55

HEX #346774

RGB 52 103 116

HSL 192.19, 0.38%, 0.33%

LAB 40.72, -13.11, -12.54

 

CMYK 0 / 55 / 34 / 55

HEX #74344D

RGB 116 52 77

HSL 336.56, 0.38%, 0.33%

LAB 31.13, 31.09, -1.81

 

CMYK 34 / 0 / 55 / 55

HEX #4D7434

RGB 77 116 52

HSL 96.56, 0.38%, 0.33%

LAB 44.68, -26.11, 30.74

 

CMYK 55 / 34 / 0 / 55

HEX #344D74

RGB 52 77 116

HSL 216.56, 0.38%, 0.33%

LAB 32.48, 2.82, -25.26

 

CMYK 0 / 55 / 34 / 55

HEX #74344D

RGB 116 52 77

HSL 336.56, 0.38%, 0.33%

LAB 31.13, 31.09, -1.81

 

CMYK 0 / 11 / 55 / 55

HEX #746734

RGB 116 103 52

HSL 47.81, 0.38%, 0.33%

LAB 43.74, -2.08, 30.36

 

CMYK 55 / 0 / 22 / 55

HEX #34745A

RGB 52 116 90

HSL 155.63, 0.38%, 0.33%

LAB 44.17, -27.27, 8.22

 

CMYK 55 / 45 / 0 / 55

HEX #344074

RGB 52 64 116

HSL 228.75, 0.38%, 0.33%

LAB 28.53, 11.49, -31.5

 

CMYK 0 / 55 / 34 / 55

HEX #74344D

RGB 116 52 77

HSL 336.56, 0.38%, 0.33%

LAB 31.13, 31.09, -1.81

 

CMYK 6 / 0 / 55 / 55

HEX #6D7434

RGB 109 116 52

HSL 66.56, 0.38%, 0.33%

LAB 46.96, -12.64, 34

 

CMYK 55 / 0 / 22 / 55

HEX #34745A

RGB 52 116 90

HSL 155.63, 0.38%, 0.33%

LAB 44.17, -27.27, 8.22

 

CMYK 50 / 55 / 0 / 55

HEX #3A3474

RGB 58 52 116

HSL 245.63, 0.38%, 0.33%

LAB 25.61, 21.1, -36.14

 

Description

Color code: RGB 116 52 77 | qconv.com Color code: RGB 116 52 77 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 52 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 52 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 34 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 34% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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