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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 237 193 it is the complementary color RGB 139 18 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 237 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 116 237 193: RGB 121 237 188, RGB 138 255 207, RGB 155 255 226, RGB 172 255 245 and RGB 189 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 237 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 116 237 193: RGB 116 237 193, RGB 99 219 174, RGB 82 201 155, RGB 65 183 136 and RGB 48 165 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 19 / 7

HEX #74EDC1

RGB 116 237 193

HSL 158.18, 0.77%, 0.69%

LAB 86.07, -44.26, 11

 

Complementary color

CMYK 0 / 87 / 55 / 45

HEX #8B123E

RGB 139 18 62

HSL 338.18, 0.77%, 0.31%

LAB 30.08, 50.33, 7.13

 

CMYK 49 / 0 / 21 / 7

HEX #79EDBC

RGB 121 237 188

HSL 154.66, 0.76%, 0.7%

LAB 86.14, -44.17, 13.73

 

CMYK 46 / 0 / 19 / 0

HEX #8AFFCF

RGB 138 255 207

HSL 155.38, 1%, 0.77%

LAB 92.32, -44.02, 12.75

 

CMYK 39 / 0 / 11 / 0

HEX #9BFFE2

RGB 155 255 226

HSL 162.6, 1%, 0.8%

LAB 93.44, -35.77, 4.65

 

CMYK 33 / 0 / 4 / 0

HEX #ACFFF5

RGB 172 255 245

HSL 172.77, 1%, 0.84%

LAB 94.69, -27.18, -3.24

 

CMYK 26 / 0 / 0 / 0

HEX #BDFFFF

RGB 189 255 255

HSL 180, 1%, 0.87%

LAB 95.81, -20.34, -6.65

 

CMYK 51 / 0 / 19 / 7

HEX #74EDC1

RGB 116 237 193

HSL 158.18, 0.77%, 0.69%

LAB 86.07, -44.26, 11

 

CMYK 55 / 0 / 21 / 14

HEX #63DBAE

RGB 99 219 174

HSL 157.5, 0.63%, 0.62%

LAB 79.82, -44.32, 12.04

 

CMYK 59 / 0 / 23 / 21

HEX #52C99B

RGB 82 201 155

HSL 156.81, 0.52%, 0.55%

LAB 73.5, -44.29, 13.16

 

CMYK 64 / 0 / 26 / 28

HEX #41B788

RGB 65 183 136

HSL 156.1, 0.48%, 0.49%

LAB 67.1, -44.13, 14.38

 

CMYK 71 / 0 / 29 / 35

HEX #30A575

RGB 48 165 117

HSL 155.38, 0.55%, 0.42%

LAB 60.63, -43.76, 15.74

 

CMYK 51 / 0 / 19 / 7

HEX #74EDC1

RGB 116 237 193

HSL 158.18, 0.77%, 0.69%

LAB 86.07, -44.26, 11

 

CMYK 51 / 0 / 10 / 7

HEX #73ECD4

RGB 115 236 212

HSL 168.1, 0.76%, 0.69%

LAB 86.2, -39.74, 1.24

 

CMYK 51 / 0 / 2 / 7

HEX #73ECE8

RGB 115 236 232

HSL 178.02, 0.76%, 0.69%

LAB 86.73, -34.84, -8.48

 

CMYK 51 / 7 / 0 / 7

HEX #73DCEC

RGB 115 220 236

HSL 187.93, 0.76%, 0.69%

LAB 82.32, -26.16, -17.2

 

CMYK 51 / 15 / 0 / 7

HEX #73C8EC

RGB 115 200 236

HSL 197.85, 0.76%, 0.69%

LAB 76.68, -16.07, -25.75

 

CMYK 51 / 0 / 19 / 7

HEX #74EDC1

RGB 116 237 193

HSL 158.18, 0.77%, 0.69%

LAB 86.07, -44.26, 11

 

CMYK 52 / 0 / 18 / 87

HEX #10211B

RGB 16 33 27

HSL 158.82, 0.35%, 0.1%

LAB 11.11, -8.96, 1.84

 

CMYK 51 / 0 / 19 / 67

HEX #295444

RGB 41 84 68

HSL 157.67, 0.34%, 0.25%

LAB 32.32, -19.36, 4.78

 

CMYK 51 / 0 / 19 / 47

HEX #42876E

RGB 66 135 110

HSL 158.26, 0.34%, 0.39%

LAB 51.4, -28.18, 6.81

 

CMYK 51 / 0 / 19 / 27

HEX #5BBA97

RGB 91 186 151

HSL 157.89, 0.41%, 0.54%

LAB 69.17, -36.56, 9.22

 

CMYK 51 / 0 / 19 / 7

HEX #74EDC1

RGB 116 237 193

HSL 158.18, 0.77%, 0.69%

LAB 86.07, -44.26, 11

 

CMYK 51 / 43 / 0 / 7

HEX #7387EC

RGB 115 135 236

HSL 230.08, 0.76%, 0.69%

LAB 59, 20.43, -53.35

 

CMYK 0 / 39 / 51 / 7

HEX #EC8F73

RGB 236 143 115

HSL 13.88, 0.76%, 0.69%

LAB 68.54, 32.39, 29.87

 

CMYK 51 / 0 / 19 / 7

HEX #74EDC1

RGB 116 237 193

HSL 158.18, 0.77%, 0.69%

LAB 86.07, -44.26, 11

 

CMYK 19 / 51 / 0 / 7

HEX #C073EC

RGB 192 115 236

HSL 278.18, 0.76%, 0.69%

LAB 61.24, 50.93, -49.37

 

CMYK 0 / 19 / 51 / 7

HEX #ECC073

RGB 236 192 115

HSL 38.18, 0.76%, 0.69%

LAB 80.05, 6.49, 44.46

 

CMYK 51 / 0 / 19 / 7

HEX #74EDC1

RGB 116 237 193

HSL 158.18, 0.77%, 0.69%

LAB 86.07, -44.26, 11

 

CMYK 51 / 43 / 0 / 7

HEX #7387EC

RGB 115 135 236

HSL 230.08, 0.76%, 0.69%

LAB 59, 20.43, -53.35

 

CMYK 0 / 51 / 33 / 7

HEX #EC739F

RGB 236 115 159

HSL 338.18, 0.76%, 0.69%

LAB 63.83, 51.22, -1.44

 

CMYK 0 / 8 / 51 / 7

HEX #ECD873

RGB 236 216 115

HSL 50.08, 0.76%, 0.69%

LAB 86.1, -5.88, 51.79

 

CMYK 51 / 0 / 19 / 7

HEX #74EDC1

RGB 116 237 193

HSL 158.18, 0.77%, 0.69%

LAB 86.07, -44.26, 11

 

CMYK 44 / 51 / 0 / 7

HEX #8373EC

RGB 131 115 236

HSL 247.93, 0.76%, 0.69%

LAB 55.22, 35.82, -59.33

 

CMYK 0 / 51 / 33 / 7

HEX #EC739F

RGB 236 115 159

HSL 338.18, 0.76%, 0.69%

LAB 63.83, 51.22, -1.44

 

CMYK 7 / 0 / 51 / 7

HEX #DCEC73

RGB 220 236 115

HSL 67.93, 0.76%, 0.69%

LAB 90.07, -22.14, 56.18

 

Description

Color code: RGB 116 237 193 | qconv.com Color code: RGB 116 237 193 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 237 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 237 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 19 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 19% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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