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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 224 230 it is the complementary color RGB 139 31 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 224 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 116 224 230: RGB 121 224 225, RGB 138 242 244, RGB 155 255 255, RGB 172 255 255 and RGB 189 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 224 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 116 224 230: RGB 116 224 230, RGB 99 206 211, RGB 82 188 192, RGB 65 170 173 and RGB 48 152 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 3 / 0 / 10

HEX #74E0E6

RGB 116 224 230

HSL 183.16, 0.7%, 0.68%

LAB 83.3, -29.47, -12.53

 

Complementary color

CMYK 0 / 78 / 82 / 45

HEX #8B1F19

RGB 139 31 25

HSL 3.16, 0.7%, 0.32%

LAB 30.73, 44.51, 31.74

 

CMYK 46 / 0 / 0 / 12

HEX #79E0E1

RGB 121 224 225

HSL 180.58, 0.63%, 0.68%

LAB 83.34, -29.67, -9.8

 

CMYK 43 / 1 / 0 / 4

HEX #8AF2F4

RGB 138 242 244

HSL 181.13, 0.83%, 0.75%

LAB 89.6, -29.7, -10.42

 

CMYK 39 / 0 / 0 / 0

HEX #9BFFFF

RGB 155 255 255

HSL 180, 1%, 0.8%

LAB 94.19, -29.23, -9.23

 

CMYK 33 / 0 / 0 / 0

HEX #ACFFFF

RGB 172 255 255

HSL 180, 1%, 0.84%

LAB 94.95, -24.96, -8.01

 

CMYK 26 / 0 / 0 / 0

HEX #BDFFFF

RGB 189 255 255

HSL 180, 1%, 0.87%

LAB 95.81, -20.34, -6.65

 

CMYK 50 / 3 / 0 / 10

HEX #74E0E6

RGB 116 224 230

HSL 183.16, 0.7%, 0.68%

LAB 83.3, -29.47, -12.53

 

CMYK 53 / 2 / 0 / 17

HEX #63CED3

RGB 99 206 211

HSL 182.68, 0.56%, 0.61%

LAB 76.98, -29.31, -11.9

 

CMYK 57 / 2 / 0 / 25

HEX #52BCC0

RGB 82 188 192

HSL 182.18, 0.47%, 0.54%

LAB 70.57, -29.06, -11.23

 

CMYK 62 / 2 / 0 / 32

HEX #41AAAD

RGB 65 170 173

HSL 181.67, 0.45%, 0.47%

LAB 64.07, -28.68, -10.49

 

CMYK 69 / 1 / 0 / 40

HEX #30989A

RGB 48 152 154

HSL 181.13, 0.52%, 0.4%

LAB 57.48, -28.11, -9.68

 

CMYK 50 / 3 / 0 / 10

HEX #74E0E6

RGB 116 224 230

HSL 183.16, 0.7%, 0.68%

LAB 83.3, -29.47, -12.53

 

CMYK 50 / 11 / 0 / 10

HEX #74CDE6

RGB 116 205 230

HSL 193.16, 0.7%, 0.68%

LAB 77.93, -20.08, -20.63

 

CMYK 50 / 19 / 0 / 10

HEX #74BAE6

RGB 116 186 230

HSL 203.16, 0.7%, 0.68%

LAB 72.59, -10.17, -28.78

 

CMYK 50 / 27 / 0 / 10

HEX #74A7E6

RGB 116 167 230

HSL 213.16, 0.7%, 0.68%

LAB 67.32, 0.26, -36.92

 

CMYK 50 / 36 / 0 / 10

HEX #7494E6

RGB 116 148 230

HSL 223.16, 0.7%, 0.68%

LAB 62.17, 11.15, -44.99

 

CMYK 50 / 3 / 0 / 10

HEX #74E0E6

RGB 116 224 230

HSL 183.16, 0.7%, 0.68%

LAB 83.3, -29.47, -12.53

 

CMYK 50 / 4 / 0 / 90

HEX #0D191A

RGB 13 25 26

HSL 184.62, 0.33%, 0.08%

LAB 7.73, -4.63, -2.4

 

CMYK 49 / 3 / 0 / 70

HEX #274B4D

RGB 39 75 77

HSL 183.16, 0.33%, 0.23%

LAB 29.41, -12.31, -5.23

 

CMYK 49 / 2 / 0 / 50

HEX #417D80

RGB 65 125 128

HSL 182.86, 0.33%, 0.38%

LAB 48.7, -18.57, -7.67

 

CMYK 50 / 3 / 0 / 30

HEX #5AAEB3

RGB 90 174 179

HSL 183.37, 0.37%, 0.53%

LAB 66.29, -24.04, -10.43

 

CMYK 50 / 3 / 0 / 10

HEX #74E0E6

RGB 116 224 230

HSL 183.16, 0.7%, 0.68%

LAB 83.3, -29.47, -12.53

 

CMYK 37 / 50 / 0 / 10

HEX #9074E6

RGB 144 116 230

HSL 254.74, 0.7%, 0.68%

LAB 56.22, 36.65, -54.31

 

CMYK 0 / 17 / 50 / 10

HEX #E6BE74

RGB 230 190 116

HSL 38.95, 0.7%, 0.68%

LAB 78.99, 5.18, 42.52

 

CMYK 50 / 3 / 0 / 10

HEX #74E0E6

RGB 116 224 230

HSL 183.16, 0.7%, 0.68%

LAB 83.3, -29.47, -12.53

 

CMYK 0 / 50 / 3 / 10

HEX #E674E0

RGB 230 116 224

HSL 303.16, 0.7%, 0.68%

LAB 65.51, 58.47, -35.67

 

CMYK 3 / 0 / 50 / 10

HEX #E0E674

RGB 224 230 116

HSL 63.16, 0.7%, 0.68%

LAB 88.78, -17.57, 54.28

 

CMYK 50 / 3 / 0 / 10

HEX #74E0E6

RGB 116 224 230

HSL 183.16, 0.7%, 0.68%

LAB 83.3, -29.47, -12.53

 

CMYK 37 / 50 / 0 / 10

HEX #9074E6

RGB 144 116 230

HSL 254.74, 0.7%, 0.68%

LAB 56.22, 36.65, -54.31

 

CMYK 0 / 47 / 50 / 10

HEX #E67974

RGB 230 121 116

HSL 2.63, 0.7%, 0.68%

LAB 63.14, 41.58, 22

 

CMYK 13 / 0 / 50 / 10

HEX #C9E674

RGB 201 230 116

HSL 75.26, 0.7%, 0.68%

LAB 87.13, -26.52, 51.91

 

CMYK 50 / 3 / 0 / 10

HEX #74E0E6

RGB 116 224 230

HSL 183.16, 0.7%, 0.68%

LAB 83.3, -29.47, -12.53

 

CMYK 22 / 50 / 0 / 10

HEX #B374E6

RGB 179 116 230

HSL 273.16, 0.7%, 0.68%

LAB 59.7, 45.64, -48.57

 

CMYK 0 / 47 / 50 / 10

HEX #E67974

RGB 230 121 116

HSL 2.63, 0.7%, 0.68%

LAB 63.14, 41.58, 22

 

CMYK 27 / 0 / 50 / 10

HEX #A7E674

RGB 167 230 116

HSL 93.16, 0.7%, 0.68%

LAB 85.03, -39.02, 48.89

 

Description

Color code: RGB 116 224 230 | qconv.com Color code: RGB 116 224 230 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 224 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 224 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 3 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 3% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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