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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 213 182 it is the complementary color RGB 139 42 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 213 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 116 213 182: RGB 121 213 177, RGB 138 231 196, RGB 155 249 215, RGB 172 255 234 and RGB 189 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 213 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 116 213 182: RGB 116 213 182, RGB 99 195 163, RGB 82 177 144, RGB 65 159 125 and RGB 48 141 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 15 / 16

HEX #74D5B6

RGB 116 213 182

HSL 160.82, 0.54%, 0.65%

LAB 78.86, -35.92, 6.48

 

Complementary color

CMYK 0 / 70 / 47 / 45

HEX #8B2A49

RGB 139 42 73

HSL 340.82, 0.54%, 0.35%

LAB 33.19, 43.44, 4.29

 

CMYK 43 / 0 / 17 / 16

HEX #79D5B1

RGB 121 213 177

HSL 156.52, 0.52%, 0.65%

LAB 78.94, -35.74, 9.3

 

CMYK 40 / 0 / 15 / 9

HEX #8AE7C4

RGB 138 231 196

HSL 157.42, 0.66%, 0.72%

LAB 85.27, -35.54, 8.4

 

CMYK 38 / 0 / 14 / 2

HEX #9BF9D7

RGB 155 249 215

HSL 158.3, 0.89%, 0.79%

LAB 91.52, -35.33, 7.56

 

CMYK 33 / 0 / 8 / 0

HEX #ACFFEA

RGB 172 255 234

HSL 164.82, 1%, 0.84%

LAB 94.41, -29.54, 2.03

 

CMYK 26 / 0 / 1 / 0

HEX #BDFFFD

RGB 189 255 253

HSL 178.18, 1%, 0.87%

LAB 95.76, -20.77, -5.69

 

CMYK 46 / 0 / 15 / 16

HEX #74D5B6

RGB 116 213 182

HSL 160.82, 0.54%, 0.65%

LAB 78.86, -35.92, 6.48

 

CMYK 49 / 0 / 16 / 24

HEX #63C3A3

RGB 99 195 163

HSL 160, 0.44%, 0.58%

LAB 72.45, -36.06, 7.42

 

CMYK 54 / 0 / 19 / 31

HEX #52B190

RGB 82 177 144

HSL 159.16, 0.38%, 0.51%

LAB 65.94, -36.15, 8.43

 

CMYK 59 / 0 / 21 / 38

HEX #419F7D

RGB 65 159 125

HSL 158.3, 0.42%, 0.44%

LAB 59.34, -36.14, 9.55

 

CMYK 66 / 0 / 25 / 45

HEX #308D6A

RGB 48 141 106

HSL 157.42, 0.49%, 0.37%

LAB 52.64, -35.99, 10.8

 

CMYK 46 / 0 / 15 / 16

HEX #74D5B6

RGB 116 213 182

HSL 160.82, 0.54%, 0.65%

LAB 78.86, -35.92, 6.48

 

CMYK 45 / 0 / 8 / 16

HEX #75D5C5

RGB 117 213 197

HSL 170, 0.53%, 0.65%

LAB 79.27, -32.23, -0.92

 

CMYK 45 / 0 / 0 / 16

HEX #75D5D5

RGB 117 213 213

HSL 180, 0.53%, 0.65%

LAB 79.71, -28.3, -8.83

 

CMYK 45 / 8 / 0 / 16

HEX #75C5D5

RGB 117 197 213

HSL 190, 0.53%, 0.65%

LAB 75.15, -20.36, -15.66

 

CMYK 45 / 15 / 0 / 16

HEX #75B5D5

RGB 117 181 213

HSL 200, 0.53%, 0.65%

LAB 70.62, -12.02, -22.53

 

CMYK 46 / 0 / 15 / 16

HEX #74D5B6

RGB 116 213 182

HSL 160.82, 0.54%, 0.65%

LAB 78.86, -35.92, 6.48

 

CMYK 44 / 0 / 11 / 96

HEX #050908

RGB 5 9 8

HSL 165, 0.29%, 0.03%

LAB 2.21, -1.18, 0.01

 

CMYK 45 / 0 / 15 / 76

HEX #213C33

RGB 33 60 51

HSL 160, 0.29%, 0.18%

LAB 22.98, -12.85, 2.34

 

CMYK 46 / 0 / 14 / 56

HEX #3C6F5F

RGB 60 111 95

HSL 161.18, 0.3%, 0.34%

LAB 43, -21.34, 3.59

 

CMYK 46 / 0 / 15 / 36

HEX #58A28A

RGB 88 162 138

HSL 160.54, 0.3%, 0.49%

LAB 61.44, -28.98, 5.35

 

CMYK 46 / 0 / 15 / 16

HEX #74D5B6

RGB 116 213 182

HSL 160.82, 0.54%, 0.65%

LAB 78.86, -35.92, 6.48

 

CMYK 45 / 39 / 0 / 16

HEX #7582D5

RGB 117 130 213

HSL 231.88, 0.53%, 0.65%

LAB 56.64, 16.93, -44.24

 

CMYK 0 / 33 / 45 / 16

HEX #D58F75

RGB 213 143 117

HSL 16.25, 0.53%, 0.65%

LAB 65.81, 23.55, 24.64

 

CMYK 46 / 0 / 15 / 16

HEX #74D5B6

RGB 116 213 182

HSL 160.82, 0.54%, 0.65%

LAB 78.86, -35.92, 6.48

 

CMYK 15 / 45 / 0 / 16

HEX #B575D5

RGB 181 117 213

HSL 280, 0.53%, 0.65%

LAB 59.3, 41.93, -39.66

 

CMYK 0 / 15 / 45 / 16

HEX #D5B575

RGB 213 181 117

HSL 40, 0.53%, 0.65%

LAB 75.13, 3.1, 36.8

 

CMYK 46 / 0 / 15 / 16

HEX #74D5B6

RGB 116 213 182

HSL 160.82, 0.54%, 0.65%

LAB 78.86, -35.92, 6.48

 

CMYK 45 / 39 / 0 / 16

HEX #7582D5

RGB 117 130 213

HSL 231.88, 0.53%, 0.65%

LAB 56.64, 16.93, -44.24

 

CMYK 0 / 45 / 30 / 16

HEX #D57595

RGB 213 117 149

HSL 340, 0.53%, 0.65%

LAB 60.82, 41.16, -0.49

 

CMYK 0 / 6 / 45 / 16

HEX #D5C975

RGB 213 201 117

HSL 52.5, 0.53%, 0.65%

LAB 80.29, -7.34, 43.3

 

CMYK 46 / 0 / 15 / 16

HEX #74D5B6

RGB 116 213 182

HSL 160.82, 0.54%, 0.65%

LAB 78.86, -35.92, 6.48

 

CMYK 38 / 45 / 0 / 16

HEX #8575D5

RGB 133 117 213

HSL 250, 0.53%, 0.65%

LAB 54.57, 28.7, -47.44

 

CMYK 0 / 45 / 30 / 16

HEX #D57595

RGB 213 117 149

HSL 340, 0.53%, 0.65%

LAB 60.82, 41.16, -0.49

 

CMYK 8 / 0 / 45 / 16

HEX #C5D575

RGB 197 213 117

HSL 70, 0.53%, 0.65%

LAB 82.24, -19.74, 45.43

 

Description

Color code: RGB 116 213 182 | qconv.com Color code: RGB 116 213 182 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 213 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 213 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 15 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 15% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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