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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 151 88 it is the complementary color RGB 139 104 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 151 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 116 151 88: RGB 121 151 83, RGB 138 169 102, RGB 155 187 121, RGB 172 205 140 and RGB 189 223 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 151 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 116 151 88: RGB 116 151 88, RGB 99 133 69, RGB 82 115 50, RGB 65 97 31 and RGB 48 79 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 42 / 41

HEX #749758

RGB 116 151 88

HSL 93.33, 0.26%, 0.47%

LAB 58.56, -23.82, 29.31

 

Complementary color

CMYK 17 / 38 / 0 / 35

HEX #8B68A7

RGB 139 104 167

HSL 273.33, 0.26%, 0.53%

LAB 49.71, 26.39, -28.59

 

CMYK 20 / 0 / 45 / 41

HEX #799753

RGB 121 151 83

HSL 86.47, 0.29%, 0.46%

LAB 58.81, -22.54, 32.35

 

CMYK 18 / 0 / 40 / 34

HEX #8AA966

RGB 138 169 102

HSL 87.76, 0.28%, 0.53%

LAB 65.54, -22.53, 31.14

 

CMYK 17 / 0 / 35 / 27

HEX #9BBB79

RGB 155 187 121

HSL 89.09, 0.33%, 0.6%

LAB 72.15, -22.49, 29.97

 

CMYK 16 / 0 / 32 / 20

HEX #ACCD8C

RGB 172 205 140

HSL 90.46, 0.39%, 0.68%

LAB 78.65, -22.43, 28.85

 

CMYK 15 / 0 / 29 / 13

HEX #BDDF9F

RGB 189 223 159

HSL 91.88, 0.5%, 0.75%

LAB 85.05, -22.37, 27.79

 

CMYK 23 / 0 / 42 / 41

HEX #749758

RGB 116 151 88

HSL 93.33, 0.26%, 0.47%

LAB 58.56, -23.82, 29.31

 

CMYK 26 / 0 / 48 / 48

HEX #638545

RGB 99 133 69

HSL 91.88, 0.32%, 0.4%

LAB 51.68, -23.88, 30.56

 

CMYK 29 / 0 / 57 / 55

HEX #527332

RGB 82 115 50

HSL 90.46, 0.39%, 0.32%

LAB 44.64, -23.88, 31.81

 

CMYK 33 / 0 / 68 / 62

HEX #41611F

RGB 65 97 31

HSL 89.09, 0.52%, 0.25%

LAB 37.43, -23.74, 32.88

 

CMYK 39 / 0 / 85 / 69

HEX #304F0C

RGB 48 79 12

HSL 87.76, 0.74%, 0.18%

LAB 30.03, -23.3, 33.2

 

CMYK 23 / 0 / 42 / 41

HEX #749758

RGB 116 151 88

HSL 93.33, 0.26%, 0.47%

LAB 58.56, -23.82, 29.31

 

CMYK 30 / 0 / 42 / 41

HEX #6A9758

RGB 106 151 88

HSL 102.86, 0.26%, 0.47%

LAB 57.94, -27.54, 28.4

 

CMYK 37 / 0 / 42 / 41

HEX #5F9758

RGB 95 151 88

HSL 113.33, 0.26%, 0.47%

LAB 57.34, -31.41, 27.5

 

CMYK 42 / 0 / 40 / 41

HEX #58975B

RGB 88 151 91

HSL 122.86, 0.26%, 0.47%

LAB 57.04, -33.23, 25.42

 

CMYK 42 / 0 / 32 / 41

HEX #589766

RGB 88 151 102

HSL 133.33, 0.26%, 0.47%

LAB 57.24, -31.29, 19.63

 

CMYK 23 / 0 / 42 / 41

HEX #749758

RGB 116 151 88

HSL 93.33, 0.26%, 0.47%

LAB 58.56, -23.82, 29.31

 

CMYK 23 / 0 / 42 / 21

HEX #9BCA76

RGB 155 202 118

HSL 93.57, 0.44%, 0.63%

LAB 76.39, -30.17, 36.99

 

CMYK 23 / 0 / 42 / 1

HEX #C2FD93

RGB 194 253 147

HSL 93.4, 0.96%, 0.78%

LAB 93.38, -36.33, 44.76

 

CMYK 22 / 0 / 41 / 81

HEX #26311D

RGB 38 49 29

HSL 93, 0.26%, 0.15%

LAB 18.79, -9.22, 11.29

 

CMYK 23 / 0 / 42 / 61

HEX #4D643A

RGB 77 100 58

HSL 92.86, 0.27%, 0.31%

LAB 39.58, -17, 21.07

 

CMYK 23 / 0 / 42 / 41

HEX #749758

RGB 116 151 88

HSL 93.33, 0.26%, 0.47%

LAB 58.56, -23.82, 29.31

 

CMYK 42 / 0 / 11 / 41

HEX #589787

RGB 88 151 135

HSL 164.76, 0.26%, 0.47%

LAB 58, -24.23, 2.08

 

CMYK 0 / 42 / 7 / 41

HEX #97588D

RGB 151 88 141

HSL 309.52, 0.26%, 0.47%

LAB 46.29, 34.08, -18.38

 

CMYK 23 / 0 / 42 / 41

HEX #749758

RGB 116 151 88

HSL 93.33, 0.26%, 0.47%

LAB 58.56, -23.82, 29.31

 

CMYK 42 / 23 / 0 / 41

HEX #587497

RGB 88 116 151

HSL 213.33, 0.26%, 0.47%

LAB 48.01, -0.65, -22.18

 

CMYK 0 / 42 / 23 / 41

HEX #975874

RGB 151 88 116

HSL 333.33, 0.26%, 0.47%

LAB 45.39, 29.82, -4.66

 

CMYK 23 / 0 / 42 / 41

HEX #749758

RGB 116 151 88

HSL 93.33, 0.26%, 0.47%

LAB 58.56, -23.82, 29.31

 

CMYK 42 / 0 / 11 / 41

HEX #589787

RGB 88 151 135

HSL 164.76, 0.26%, 0.47%

LAB 58, -24.23, 2.08

 

CMYK 19 / 42 / 0 / 41

HEX #7A5897

RGB 122 88 151

HSL 272.38, 0.26%, 0.47%

LAB 43.29, 26.72, -29.29

 

CMYK 0 / 42 / 31 / 41

HEX #975868

RGB 151 88 104

HSL 344.76, 0.26%, 0.47%

LAB 45.02, 28.04, 2.11

 

CMYK 23 / 0 / 42 / 41

HEX #749758

RGB 116 151 88

HSL 93.33, 0.26%, 0.47%

LAB 58.56, -23.82, 29.31

 

CMYK 42 / 3 / 0 / 41

HEX #589397

RGB 88 147 151

HSL 183.81, 0.26%, 0.47%

LAB 57.25, -18.11, -8.17

 

CMYK 19 / 42 / 0 / 41

HEX #7A5897

RGB 122 88 151

HSL 272.38, 0.26%, 0.47%

LAB 43.29, 26.72, -29.29

 

CMYK 0 / 40 / 42 / 41

HEX #975B58

RGB 151 91 88

HSL 2.86, 0.26%, 0.47%

LAB 45.31, 24.26, 12.22

 

Description

Color code: RGB 116 151 88 | qconv.com Color code: RGB 116 151 88 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 151 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 151 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 42 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 42% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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