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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 147 141 it is the complementary color RGB 139 108 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 147 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 116 147 141: RGB 121 147 136, RGB 138 165 155, RGB 155 183 174, RGB 172 201 193 and RGB 189 219 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 147 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 116 147 141: RGB 116 147 141, RGB 99 129 122, RGB 82 111 103, RGB 65 93 84 and RGB 48 75 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 4 / 42

HEX #74938D

RGB 116 147 141

HSL 168.39, 0.13%, 0.52%

LAB 58.51, -12.13, -0.41

 

Complementary color

CMYK 0 / 22 / 18 / 45

HEX #8B6C72

RGB 139 108 114

HSL 348.39, 0.13%, 0.48%

LAB 48.8, 13.3, 1.39

 

CMYK 18 / 0 / 7 / 42

HEX #799388

RGB 121 147 136

HSL 154.62, 0.11%, 0.53%

LAB 58.7, -11.5, 2.77

 

CMYK 16 / 0 / 6 / 35

HEX #8AA59B

RGB 138 165 155

HSL 157.78, 0.13%, 0.59%

LAB 65.5, -11.41, 2.05

 

CMYK 15 / 0 / 5 / 28

HEX #9BB7AE

RGB 155 183 174

HSL 160.71, 0.16%, 0.66%

LAB 72.16, -11.35, 1.37

 

CMYK 14 / 0 / 4 / 21

HEX #ACC9C1

RGB 172 201 193

HSL 163.45, 0.21%, 0.73%

LAB 78.69, -11.3, 0.72

 

CMYK 14 / 0 / 3 / 14

HEX #BDDBD4

RGB 189 219 212

HSL 166, 0.29%, 0.8%

LAB 85.12, -11.26, 0.09

 

CMYK 21 / 0 / 4 / 42

HEX #74938D

RGB 116 147 141

HSL 168.39, 0.13%, 0.52%

LAB 58.51, -12.13, -0.41

 

CMYK 23 / 0 / 5 / 49

HEX #63817A

RGB 99 129 122

HSL 166, 0.13%, 0.45%

LAB 51.56, -12.25, 0.28

 

CMYK 26 / 0 / 7 / 56

HEX #526F67

RGB 82 111 103

HSL 163.45, 0.15%, 0.38%

LAB 44.44, -12.4, 1.02

 

CMYK 30 / 0 / 10 / 64

HEX #415D54

RGB 65 93 84

HSL 160.71, 0.18%, 0.31%

LAB 37.1, -12.59, 1.82

 

CMYK 36 / 0 / 13 / 71

HEX #304B41

RGB 48 75 65

HSL 157.78, 0.22%, 0.24%

LAB 29.52, -12.82, 2.71

 

CMYK 21 / 0 / 4 / 42

HEX #74938D

RGB 116 147 141

HSL 168.39, 0.13%, 0.52%

LAB 58.51, -12.13, -0.41

 

CMYK 22 / 0 / 1 / 42

HEX #749493

RGB 116 148 147

HSL 178.13, 0.13%, 0.52%

LAB 58.97, -11.32, -3.15

 

CMYK 22 / 3 / 0 / 42

HEX #749094

RGB 116 144 148

HSL 187.5, 0.13%, 0.52%

LAB 57.84, -8.9, -5.39

 

CMYK 22 / 7 / 0 / 42

HEX #748A94

RGB 116 138 148

HSL 198.75, 0.13%, 0.52%

LAB 56.12, -5.55, -7.96

 

CMYK 22 / 10 / 0 / 42

HEX #748594

RGB 116 133 148

HSL 208.13, 0.13%, 0.52%

LAB 54.69, -2.72, -10.1

 

CMYK 21 / 0 / 4 / 42

HEX #74938D

RGB 116 147 141

HSL 168.39, 0.13%, 0.52%

LAB 58.51, -12.13, -0.41

 

CMYK 21 / 0 / 4 / 22

HEX #9CC6BE

RGB 156 198 190

HSL 168.57, 0.27%, 0.69%

LAB 76.78, -15.5, -0.57

 

CMYK 21 / 0 / 4 / 2

HEX #C4F9EF

RGB 196 249 239

HSL 168.68, 0.82%, 0.87%

LAB 94.19, -18.71, -0.72

 

CMYK 20 / 0 / 4 / 82

HEX #242D2B

RGB 36 45 43

HSL 166.67, 0.11%, 0.16%

LAB 17.58, -4.4, -0.01

 

CMYK 21 / 0 / 4 / 62

HEX #4C605C

RGB 76 96 92

HSL 168, 0.12%, 0.34%

LAB 39.03, -8.49, -0.23

 

CMYK 21 / 0 / 4 / 42

HEX #74938D

RGB 116 147 141

HSL 168.39, 0.13%, 0.52%

LAB 58.51, -12.13, -0.41

 

CMYK 22 / 22 / 0 / 42

HEX #747494

RGB 116 116 148

HSL 240, 0.13%, 0.52%

LAB 49.91, 7.2, -17.32

 

CMYK 0 / 13 / 22 / 42

HEX #948174

RGB 148 129 116

HSL 24.38, 0.13%, 0.52%

LAB 55.34, 5.06, 9.71

 

CMYK 21 / 0 / 4 / 42

HEX #74938D

RGB 116 147 141

HSL 168.39, 0.13%, 0.52%

LAB 58.51, -12.13, -0.41

 

CMYK 4 / 22 / 0 / 42

HEX #8E7494

RGB 142 116 148

HSL 288.75, 0.13%, 0.52%

LAB 52.26, 16.19, -13.52

 

CMYK 0 / 4 / 22 / 42

HEX #948E74

RGB 148 142 116

HSL 48.75, 0.13%, 0.52%

LAB 58.88, -2.26, 14.68

 

CMYK 21 / 0 / 4 / 42

HEX #74938D

RGB 116 147 141

HSL 168.39, 0.13%, 0.52%

LAB 58.51, -12.13, -0.41

 

CMYK 22 / 22 / 0 / 42

HEX #747494

RGB 116 116 148

HSL 240, 0.13%, 0.52%

LAB 49.91, 7.2, -17.32

 

CMYK 0 / 22 / 17 / 42

HEX #94747B

RGB 148 116 123

HSL 346.88, 0.13%, 0.52%

LAB 52.08, 13.7, 0.95

 

CMYK 0 / 0 / 22 / 42

HEX #949474

RGB 148 148 116

HSL 60, 0.13%, 0.52%

LAB 60.55, -5.56, 16.98

 

CMYK 21 / 0 / 4 / 42

HEX #74938D

RGB 116 147 141

HSL 168.39, 0.13%, 0.52%

LAB 58.51, -12.13, -0.41

 

CMYK 15 / 22 / 0 / 42

HEX #7E7494

RGB 126 116 148

HSL 258.75, 0.13%, 0.52%

LAB 50.76, 10.59, -15.94

 

CMYK 0 / 22 / 17 / 42

HEX #94747B

RGB 148 116 123

HSL 346.88, 0.13%, 0.52%

LAB 52.08, 13.7, 0.95

 

CMYK 7 / 0 / 22 / 42

HEX #8A9474

RGB 138 148 116

HSL 78.75, 0.13%, 0.52%

LAB 59.75, -9.49, 15.75

 

Description

Color code: RGB 116 147 141 | qconv.com Color code: RGB 116 147 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 147 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 147 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 4 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 4% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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