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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 102 231 it is the complementary color RGB 139 153 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 102 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 116 102 231: RGB 121 102 226, RGB 138 120 245, RGB 155 138 255, RGB 172 156 255 and RGB 189 174 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 102 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 116 102 231: RGB 116 102 231, RGB 99 84 212, RGB 82 66 193, RGB 65 48 174 and RGB 48 30 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 56 / 0 / 9

HEX #7466E7

RGB 116 102 231

HSL 246.51, 0.73%, 0.65%

LAB 50.67, 38.77, -63.91

 

Complementary color

CMYK 9 / 0 / 84 / 40

HEX #8B9918

RGB 139 153 24

HSL 66.51, 0.73%, 0.35%

LAB 60.19, -20.48, 58.97

 

CMYK 46 / 55 / 0 / 11

HEX #7966E2

RGB 121 102 226

HSL 249.19, 0.68%, 0.64%

LAB 50.76, 38.34, -60.94

 

CMYK 44 / 51 / 0 / 4

HEX #8A78F5

RGB 138 120 245

HSL 248.64, 0.86%, 0.72%

LAB 57.49, 37.05, -60.65

 

CMYK 39 / 46 / 0 / 0

HEX #9B8AFF

RGB 155 138 255

HSL 248.72, 1%, 0.77%

LAB 63.64, 33.44, -56.25

 

CMYK 33 / 39 / 0 / 0

HEX #AC9CFF

RGB 172 156 255

HSL 249.7, 1%, 0.81%

LAB 69.3, 27.56, -47.21

 

CMYK 26 / 32 / 0 / 0

HEX #BDAEFF

RGB 189 174 255

HSL 251.11, 1%, 0.84%

LAB 75.02, 22.23, -38.17

 

CMYK 50 / 56 / 0 / 9

HEX #7466E7

RGB 116 102 231

HSL 246.51, 0.73%, 0.65%

LAB 50.67, 38.77, -63.91

 

CMYK 53 / 60 / 0 / 17

HEX #6354D4

RGB 99 84 212

HSL 247.03, 0.6%, 0.58%

LAB 43.87, 40.33, -64.21

 

CMYK 58 / 66 / 0 / 24

HEX #5242C1

RGB 82 66 193

HSL 247.56, 0.51%, 0.51%

LAB 37, 42.05, -64.44

 

CMYK 63 / 72 / 0 / 32

HEX #4130AE

RGB 65 48 174

HSL 248.1, 0.57%, 0.44%

LAB 30.14, 43.86, -64.5

 

CMYK 69 / 81 / 0 / 39

HEX #301E9B

RGB 48 30 155

HSL 248.64, 0.68%, 0.36%

LAB 23.42, 45.5, -64.13

 

CMYK 50 / 56 / 0 / 9

HEX #7466E7

RGB 116 102 231

HSL 246.51, 0.73%, 0.65%

LAB 50.67, 38.77, -63.91

 

CMYK 41 / 57 / 0 / 10

HEX #8764E6

RGB 135 100 230

HSL 256.15, 0.72%, 0.65%

LAB 51.81, 43.66, -61.42

 

CMYK 32 / 57 / 0 / 10

HEX #9D64E6

RGB 157 100 230

HSL 266.31, 0.72%, 0.65%

LAB 54.02, 48.69, -57.75

 

CMYK 23 / 57 / 0 / 10

HEX #B264E6

RGB 178 100 230

HSL 276, 0.72%, 0.65%

LAB 56.38, 53.76, -53.85

 

CMYK 13 / 57 / 0 / 10

HEX #C864E6

RGB 200 100 230

HSL 286.15, 0.72%, 0.65%

LAB 59.07, 59.23, -49.4

 

CMYK 50 / 56 / 0 / 9

HEX #7466E7

RGB 116 102 231

HSL 246.51, 0.73%, 0.65%

LAB 50.67, 38.77, -63.91

 

CMYK 48 / 56 / 0 / 89

HEX #0E0C1B

RGB 14 12 27

HSL 248, 0.38%, 0.08%

LAB 3.93, 3.95, -8.79

 

CMYK 50 / 56 / 0 / 69

HEX #27224E

RGB 39 34 78

HSL 246.82, 0.39%, 0.22%

LAB 16.13, 15.62, -26.48

 

CMYK 50 / 56 / 0 / 49

HEX #413981

RGB 65 57 129

HSL 246.67, 0.39%, 0.36%

LAB 28.47, 23.77, -39.71

 

CMYK 50 / 56 / 0 / 29

HEX #5A4FB4

RGB 90 79 180

HSL 246.53, 0.4%, 0.51%

LAB 39.68, 31.69, -52.43

 

CMYK 50 / 56 / 0 / 9

HEX #7466E7

RGB 116 102 231

HSL 246.51, 0.73%, 0.65%

LAB 50.67, 38.77, -63.91

 

CMYK 0 / 57 / 17 / 10

HEX #E664BF

RGB 230 100 191

HSL 318, 0.72%, 0.65%

LAB 61.39, 60.65, -23.46

 

CMYK 40 / 0 / 57 / 10

HEX #8BE664

RGB 139 230 100

HSL 102, 0.72%, 0.65%

LAB 83.44, -50.1, 54.02

 

CMYK 50 / 56 / 0 / 9

HEX #7466E7

RGB 116 102 231

HSL 246.51, 0.73%, 0.65%

LAB 50.67, 38.77, -63.91

 

CMYK 0 / 51 / 57 / 10

HEX #E67164

RGB 230 113 100

HSL 6, 0.72%, 0.65%

LAB 61.27, 44.25, 28.55

 

CMYK 57 / 0 / 51 / 10

HEX #64E671

RGB 100 230 113

HSL 126, 0.72%, 0.65%

LAB 82.11, -59.33, 46.07

 

CMYK 50 / 56 / 0 / 9

HEX #7466E7

RGB 116 102 231

HSL 246.51, 0.73%, 0.65%

LAB 50.67, 38.77, -63.91

 

CMYK 0 / 57 / 17 / 10

HEX #E664BF

RGB 230 100 191

HSL 318, 0.72%, 0.65%

LAB 61.39, 60.65, -23.46

 

CMYK 6 / 0 / 57 / 10

HEX #D9E664

RGB 217 230 100

HSL 66, 0.72%, 0.65%

LAB 88.1, -21.66, 60.56

 

CMYK 57 / 0 / 40 / 10

HEX #64E68B

RGB 100 230 139

HSL 138, 0.72%, 0.65%

LAB 82.47, -55.41, 33.8

 

CMYK 50 / 56 / 0 / 9

HEX #7466E7

RGB 116 102 231

HSL 246.51, 0.73%, 0.65%

LAB 50.67, 38.77, -63.91

 

CMYK 0 / 57 / 34 / 10

HEX #E66498

RGB 230 100 152

HSL 336, 0.72%, 0.65%

LAB 60.07, 55.51, -3.03

 

CMYK 6 / 0 / 57 / 10

HEX #D9E664

RGB 217 230 100

HSL 66, 0.72%, 0.65%

LAB 88.1, -21.66, 60.56

 

CMYK 57 / 0 / 23 / 10

HEX #64E6B2

RGB 100 230 178

HSL 156, 0.72%, 0.65%

LAB 83.19, -47.94, 14.69

 

Description

Color code: RGB 116 102 231 | qconv.com Color code: RGB 116 102 231 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 102 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 102 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 56 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 56% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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