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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 164 178 it is the complementary color RGB 140 91 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 164 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 115 164 178: RGB 120 164 173, RGB 137 182 192, RGB 154 200 211, RGB 171 218 230 and RGB 188 236 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 164 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 115 164 178: RGB 115 164 178, RGB 98 146 159, RGB 81 128 140, RGB 64 110 121 and RGB 47 92 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 8 / 0 / 30

HEX #73A4B2

RGB 115 164 178

HSL 193.33, 0.29%, 0.57%

LAB 64.49, -12.75, -12.45

 

Complementary color

CMYK 0 / 35 / 45 / 45

HEX #8C5B4D

RGB 140 91 77

HSL 13.33, 0.29%, 0.43%

LAB 43.64, 18.39, 16.34

 

CMYK 31 / 5 / 0 / 32

HEX #78A4AD

RGB 120 164 173

HSL 190.19, 0.24%, 0.57%

LAB 64.61, -12.56, -9.44

 

CMYK 29 / 5 / 0 / 25

HEX #89B6C0

RGB 137 182 192

HSL 190.91, 0.3%, 0.65%

LAB 71.27, -12.53, -9.93

 

CMYK 27 / 5 / 0 / 17

HEX #9AC8D3

RGB 154 200 211

HSL 191.58, 0.39%, 0.72%

LAB 77.81, -12.51, -10.41

 

CMYK 26 / 5 / 0 / 10

HEX #ABDAE6

RGB 171 218 230

HSL 192.2, 0.54%, 0.79%

LAB 84.23, -12.5, -10.87

 

CMYK 24 / 5 / 0 / 2

HEX #BCECF9

RGB 188 236 249

HSL 192.79, 0.84%, 0.86%

LAB 90.56, -12.49, -11.33

 

CMYK 35 / 8 / 0 / 30

HEX #73A4B2

RGB 115 164 178

HSL 193.33, 0.29%, 0.57%

LAB 64.49, -12.75, -12.45

 

CMYK 38 / 8 / 0 / 38

HEX #62929F

RGB 98 146 159

HSL 192.79, 0.24%, 0.5%

LAB 57.71, -12.72, -11.99

 

CMYK 42 / 9 / 0 / 45

HEX #51808C

RGB 81 128 140

HSL 192.2, 0.27%, 0.43%

LAB 50.78, -12.66, -11.52

 

CMYK 47 / 9 / 0 / 53

HEX #406E79

RGB 64 110 121

HSL 191.58, 0.31%, 0.36%

LAB 43.69, -12.57, -11.03

 

CMYK 54 / 10 / 0 / 60

HEX #2F5C66

RGB 47 92 102

HSL 190.91, 0.37%, 0.29%

LAB 36.4, -12.38, -10.5

 

CMYK 35 / 8 / 0 / 30

HEX #73A4B2

RGB 115 164 178

HSL 193.33, 0.29%, 0.57%

LAB 64.49, -12.75, -12.45

 

CMYK 36 / 14 / 0 / 31

HEX #7198B1

RGB 113 152 177

HSL 203.44, 0.29%, 0.57%

LAB 60.91, -7.03, -17.31

 

CMYK 36 / 20 / 0 / 31

HEX #718EB1

RGB 113 142 177

HSL 212.81, 0.29%, 0.57%

LAB 58.07, -1.39, -21.64

 

CMYK 36 / 26 / 0 / 31

HEX #7183B1

RGB 113 131 177

HSL 223.13, 0.29%, 0.57%

LAB 54.99, 4.97, -26.38

 

CMYK 36 / 32 / 0 / 31

HEX #7178B1

RGB 113 120 177

HSL 233.44, 0.29%, 0.57%

LAB 51.97, 11.5, -31.06

 

CMYK 35 / 8 / 0 / 30

HEX #73A4B2

RGB 115 164 178

HSL 193.33, 0.29%, 0.57%

LAB 64.49, -12.75, -12.45

 

CMYK 35 / 8 / 0 / 10

HEX #94D3E5

RGB 148 211 229

HSL 193.33, 0.61%, 0.74%

LAB 81.04, -15.59, -15.25

 

CMYK 36 / 8 / 0 / 90

HEX #101719

RGB 16 23 25

HSL 193.33, 0.22%, 0.08%

LAB 7.16, -2.39, -2.44

 

CMYK 36 / 8 / 0 / 70

HEX #31464C

RGB 49 70 76

HSL 193.33, 0.22%, 0.25%

LAB 28.26, -6.46, -6.25

 

CMYK 35 / 8 / 0 / 50

HEX #52757F

RGB 82 117 127

HSL 193.33, 0.22%, 0.41%

LAB 47.04, -9.74, -9.48

 

CMYK 35 / 8 / 0 / 30

HEX #73A4B2

RGB 115 164 178

HSL 193.33, 0.29%, 0.57%

LAB 64.49, -12.75, -12.45

 

CMYK 21 / 36 / 0 / 31

HEX #8C71B1

RGB 140 113 177

HSL 265.31, 0.29%, 0.57%

LAB 52.46, 23.78, -30.12

 

CMYK 0 / 7 / 36 / 31

HEX #B1A571

RGB 177 165 113

HSL 48.75, 0.29%, 0.57%

LAB 67.61, -3.5, 28.55

 

CMYK 35 / 8 / 0 / 30

HEX #73A4B2

RGB 115 164 178

HSL 193.33, 0.29%, 0.57%

LAB 64.49, -12.75, -12.45

 

CMYK 0 / 36 / 8 / 31

HEX #B171A3

RGB 177 113 163

HSL 313.13, 0.29%, 0.57%

LAB 55.89, 33, -16.41

 

CMYK 8 / 0 / 36 / 31

HEX #A3B171

RGB 163 177 113

HSL 73.13, 0.29%, 0.57%

LAB 69.77, -15.43, 31.16

 

CMYK 35 / 8 / 0 / 30

HEX #73A4B2

RGB 115 164 178

HSL 193.33, 0.29%, 0.57%

LAB 64.49, -12.75, -12.45

 

CMYK 21 / 36 / 0 / 31

HEX #8C71B1

RGB 140 113 177

HSL 265.31, 0.29%, 0.57%

LAB 52.46, 23.78, -30.12

 

CMYK 0 / 28 / 36 / 31

HEX #B17F71

RGB 177 127 113

HSL 13.13, 0.29%, 0.57%

LAB 57.77, 17.48, 15.28

 

CMYK 15 / 0 / 36 / 31

HEX #96B171

RGB 150 177 113

HSL 85.31, 0.29%, 0.57%

LAB 68.84, -20.47, 29.76

 

CMYK 35 / 8 / 0 / 30

HEX #73A4B2

RGB 115 164 178

HSL 193.33, 0.29%, 0.57%

LAB 64.49, -12.75, -12.45

 

CMYK 10 / 36 / 0 / 31

HEX #9F71B1

RGB 159 113 177

HSL 283.13, 0.29%, 0.57%

LAB 54.4, 29.78, -26.96

 

CMYK 0 / 28 / 36 / 31

HEX #B17F71

RGB 177 127 113

HSL 13.13, 0.29%, 0.57%

LAB 57.77, 17.48, 15.28

 

CMYK 26 / 0 / 36 / 31

HEX #83B171

RGB 131 177 113

HSL 103.13, 0.29%, 0.57%

LAB 67.62, -27.5, 27.94

 

Description

Color code: RGB 115 164 178 | qconv.com Color code: RGB 115 164 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 164 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 164 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 8 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 8% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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