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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 141 151 it is the complementary color RGB 140 114 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 141 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 115 141 151: RGB 120 141 146, RGB 137 159 165, RGB 154 177 184, RGB 171 195 203 and RGB 188 213 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 141 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 115 141 151: RGB 115 141 151, RGB 98 123 132, RGB 81 105 113, RGB 64 87 94 and RGB 47 69 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 7 / 0 / 41

HEX #738D97

RGB 115 141 151

HSL 196.67, 0.15%, 0.52%

LAB 57.01, -6.85, -8.36

 

Complementary color

CMYK 0 / 19 / 26 / 45

HEX #8C7268

RGB 140 114 104

HSL 16.67, 0.15%, 0.48%

LAB 50.23, 8.58, 9.38

 

CMYK 18 / 3 / 0 / 43

HEX #788D92

RGB 120 141 146

HSL 191.54, 0.11%, 0.52%

LAB 57.19, -6.36, -5.18

 

CMYK 17 / 4 / 0 / 35

HEX #899FA5

RGB 137 159 165

HSL 192.86, 0.13%, 0.59%

LAB 64.02, -6.38, -5.72

 

CMYK 16 / 4 / 0 / 28

HEX #9AB1B8

RGB 154 177 184

HSL 194, 0.17%, 0.66%

LAB 70.72, -6.4, -6.24

 

CMYK 16 / 4 / 0 / 20

HEX #ABC3CB

RGB 171 195 203

HSL 195, 0.24%, 0.73%

LAB 77.28, -6.43, -6.75

 

CMYK 15 / 4 / 0 / 13

HEX #BCD5DE

RGB 188 213 222

HSL 195.88, 0.34%, 0.8%

LAB 83.73, -6.47, -7.25

 

CMYK 24 / 7 / 0 / 41

HEX #738D97

RGB 115 141 151

HSL 196.67, 0.15%, 0.52%

LAB 57.01, -6.85, -8.36

 

CMYK 26 / 7 / 0 / 48

HEX #627B84

RGB 98 123 132

HSL 195.88, 0.15%, 0.45%

LAB 50.01, -6.83, -7.88

 

CMYK 28 / 7 / 0 / 56

HEX #516971

RGB 81 105 113

HSL 195, 0.16%, 0.38%

LAB 42.83, -6.82, -7.39

 

CMYK 32 / 7 / 0 / 63

HEX #40575E

RGB 64 87 94

HSL 194, 0.19%, 0.31%

LAB 35.43, -6.81, -6.88

 

CMYK 37 / 8 / 0 / 71

HEX #2F454B

RGB 47 69 75

HSL 192.86, 0.23%, 0.24%

LAB 27.76, -6.8, -6.36

 

CMYK 24 / 7 / 0 / 41

HEX #738D97

RGB 115 141 151

HSL 196.67, 0.15%, 0.52%

LAB 57.01, -6.85, -8.36

 

CMYK 24 / 10 / 0 / 41

HEX #728796

RGB 114 135 150

HSL 205, 0.15%, 0.52%

LAB 55.18, -4.03, -10.52

 

CMYK 24 / 15 / 0 / 41

HEX #728096

RGB 114 128 150

HSL 216.67, 0.15%, 0.52%

LAB 53.19, -0.02, -13.53

 

CMYK 24 / 19 / 0 / 41

HEX #727A96

RGB 114 122 150

HSL 226.67, 0.15%, 0.52%

LAB 51.49, 3.49, -16.09

 

CMYK 24 / 23 / 0 / 41

HEX #727496

RGB 114 116 150

HSL 236.67, 0.15%, 0.52%

LAB 49.82, 7.04, -18.64

 

CMYK 24 / 7 / 0 / 41

HEX #738D97

RGB 115 141 151

HSL 196.67, 0.15%, 0.52%

LAB 57.01, -6.85, -8.36

 

CMYK 24 / 6 / 0 / 21

HEX #9ABDCA

RGB 154 189 202

HSL 196.25, 0.31%, 0.7%

LAB 74.53, -8.81, -10.42

 

CMYK 24 / 7 / 0 / 1

HEX #C1ECFD

RGB 193 236 253

HSL 197, 0.94%, 0.87%

LAB 90.97, -10.16, -12.78

 

CMYK 24 / 6 / 0 / 81

HEX #252E31

RGB 37 46 49

HSL 195, 0.14%, 0.17%

LAB 18.23, -3.03, -3.22

 

CMYK 24 / 7 / 0 / 61

HEX #4C5D64

RGB 76 93 100

HSL 197.5, 0.14%, 0.35%

LAB 38.35, -4.73, -6.16

 

CMYK 24 / 7 / 0 / 41

HEX #738D97

RGB 115 141 151

HSL 196.67, 0.15%, 0.52%

LAB 57.01, -6.85, -8.36

 

CMYK 13 / 24 / 0 / 41

HEX #837296

RGB 131 114 150

HSL 268.33, 0.15%, 0.52%

LAB 50.76, 13.95, -17.08

 

CMYK 0 / 3 / 24 / 41

HEX #969272

RGB 150 146 114

HSL 53.33, 0.15%, 0.52%

LAB 60.12, -3.97, 17.53

 

CMYK 24 / 7 / 0 / 41

HEX #738D97

RGB 115 141 151

HSL 196.67, 0.15%, 0.52%

LAB 57.01, -6.85, -8.36

 

CMYK 0 / 24 / 6 / 41

HEX #96728D

RGB 150 114 141

HSL 315, 0.15%, 0.52%

LAB 52.33, 18.85, -9.23

 

CMYK 6 / 0 / 24 / 41

HEX #8D9672

RGB 141 150 114

HSL 75, 0.15%, 0.52%

LAB 60.51, -9.72, 17.95

 

CMYK 24 / 7 / 0 / 41

HEX #738D97

RGB 115 141 151

HSL 196.67, 0.15%, 0.52%

LAB 57.01, -6.85, -8.36

 

CMYK 13 / 24 / 0 / 41

HEX #837296

RGB 131 114 150

HSL 268.33, 0.15%, 0.52%

LAB 50.76, 13.95, -17.08

 

CMYK 0 / 17 / 24 / 41

HEX #967C72

RGB 150 124 114

HSL 16.67, 0.15%, 0.52%

LAB 54.15, 8.41, 9.21

 

CMYK 11 / 0 / 24 / 41

HEX #859672

RGB 133 150 114

HSL 88.33, 0.15%, 0.52%

LAB 59.9, -12.82, 17.02

 

CMYK 24 / 7 / 0 / 41

HEX #738D97

RGB 115 141 151

HSL 196.67, 0.15%, 0.52%

LAB 57.01, -6.85, -8.36

 

CMYK 5 / 24 / 0 / 41

HEX #8E7296

RGB 142 114 150

HSL 286.67, 0.15%, 0.52%

LAB 51.82, 17.77, -15.36

 

CMYK 0 / 17 / 24 / 41

HEX #967C72

RGB 150 124 114

HSL 16.67, 0.15%, 0.52%

LAB 54.15, 8.41, 9.21

 

CMYK 19 / 0 / 24 / 41

HEX #7A9672

RGB 122 150 114

HSL 106.67, 0.15%, 0.52%

LAB 59.13, -16.97, 15.83

 

Description

Color code: RGB 115 141 151 | qconv.com Color code: RGB 115 141 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 141 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 141 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 7 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 7% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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