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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 46 198 it is the complementary color RGB 141 209 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 46 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 114 46 198: RGB 119 46 193, RGB 136 64 212, RGB 153 82 231, RGB 170 100 250 and RGB 187 118 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 46 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 114 46 198: RGB 114 46 198, RGB 97 28 179, RGB 80 10 160, RGB 63 0 141 and RGB 46 0 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 77 / 0 / 22

HEX #722EC6

RGB 114 46 198

HSL 266.84, 0.62%, 0.48%

LAB 37.13, 58.7, -67.02

 

Complementary color

CMYK 33 / 0 / 73 / 18

HEX #8DD139

RGB 141 209 57

HSL 86.84, 0.62%, 0.52%

LAB 77.02, -44.18, 64.48

 

CMYK 38 / 76 / 0 / 24

HEX #772EC1

RGB 119 46 193

HSL 269.8, 0.62%, 0.47%

LAB 37.35, 58.3, -63.72

 

CMYK 36 / 70 / 0 / 17

HEX #8840D4

RGB 136 64 212

HSL 269.19, 0.63%, 0.54%

LAB 43.73, 57.99, -64.25

 

CMYK 34 / 65 / 0 / 9

HEX #9952E7

RGB 153 82 231

HSL 268.59, 0.76%, 0.61%

LAB 50.19, 57.31, -64.51

 

CMYK 32 / 60 / 0 / 2

HEX #AA64FA

RGB 170 100 250

HSL 268, 0.94%, 0.69%

LAB 56.65, 56.47, -64.62

 

CMYK 27 / 54 / 0 / 0

HEX #BB76FF

RGB 187 118 255

HSL 270.22, 1%, 0.73%

LAB 62.29, 52.31, -58.23

 

CMYK 42 / 77 / 0 / 22

HEX #722EC6

RGB 114 46 198

HSL 266.84, 0.62%, 0.48%

LAB 37.13, 58.7, -67.02

 

CMYK 46 / 84 / 0 / 30

HEX #611CB3

RGB 97 28 179

HSL 267.42, 0.73%, 0.41%

LAB 30.94, 58.43, -66.05

 

CMYK 50 / 94 / 0 / 37

HEX #500AA0

RGB 80 10 160

HSL 268, 0.88%, 0.33%

LAB 25.14, 56.83, -64.23

 

CMYK 55 / 100 / 0 / 45

HEX #3F008D

RGB 63 0 141

HSL 266.81, 1%, 0.28%

LAB 19.96, 53.14, -61.13

 

CMYK 62 / 100 / 0 / 52

HEX #2E007A

RGB 46 0 122

HSL 262.62, 1%, 0.24%

LAB 15.41, 47.33, -56.71

 

CMYK 42 / 77 / 0 / 22

HEX #722EC6

RGB 114 46 198

HSL 266.84, 0.62%, 0.48%

LAB 37.13, 58.7, -67.02

 

CMYK 31 / 77 / 0 / 22

HEX #892EC6

RGB 137 46 198

HSL 275.92, 0.62%, 0.48%

LAB 40.16, 62.51, -61.95

 

CMYK 18 / 77 / 0 / 22

HEX #A22EC6

RGB 162 46 198

HSL 285.79, 0.62%, 0.48%

LAB 43.82, 67.03, -55.86

 

CMYK 5 / 77 / 0 / 22

HEX #BC2EC6

RGB 188 46 198

HSL 296.05, 0.62%, 0.48%

LAB 47.91, 72.04, -49.07

 

CMYK 0 / 77 / 8 / 22

HEX #C62EB7

RGB 198 46 183

HSL 305.92, 0.62%, 0.48%

LAB 48.73, 71.73, -38.92

 

CMYK 42 / 77 / 0 / 22

HEX #722EC6

RGB 114 46 198

HSL 266.84, 0.62%, 0.48%

LAB 37.13, 58.7, -67.02

 

CMYK 43 / 77 / 0 / 2

HEX #8F3AF9

RGB 143 58 249

HSL 266.7, 0.94%, 0.6%

LAB 46.59, 70.44, -80.54

 

CMYK 42 / 78 / 0 / 82

HEX #1A0A2D

RGB 26 10 45

HSL 267.43, 0.64%, 0.11%

LAB 5.66, 16.51, -19.89

 

CMYK 43 / 77 / 0 / 62

HEX #371660

RGB 55 22 96

HSL 266.76, 0.63%, 0.23%

LAB 16.65, 32.79, -37.65

 

CMYK 42 / 77 / 0 / 42

HEX #552293

RGB 85 34 147

HSL 267.08, 0.62%, 0.35%

LAB 27.25, 46.32, -52.77

 

CMYK 42 / 77 / 0 / 22

HEX #722EC6

RGB 114 46 198

HSL 266.84, 0.62%, 0.48%

LAB 37.13, 58.7, -67.02

 

CMYK 0 / 77 / 48 / 22

HEX #C62E66

RGB 198 46 102

HSL 337.89, 0.62%, 0.48%

LAB 45.52, 62.13, 5.02

 

CMYK 77 / 0 / 74 / 22

HEX #2EC633

RGB 46 198 51

HSL 121.97, 0.62%, 0.48%

LAB 70.32, -65.46, 58.8

 

CMYK 42 / 77 / 0 / 22

HEX #722EC6

RGB 114 46 198

HSL 266.84, 0.62%, 0.48%

LAB 37.13, 58.7, -67.02

 

CMYK 0 / 43 / 77 / 22

HEX #C6702E

RGB 198 112 46

HSL 26.05, 0.62%, 0.48%

LAB 55.88, 29, 49.47

 

CMYK 77 / 0 / 43 / 22

HEX #2EC670

RGB 46 198 112

HSL 146.05, 0.62%, 0.48%

LAB 70.97, -57.75, 32.26

 

CMYK 42 / 77 / 0 / 22

HEX #722EC6

RGB 114 46 198

HSL 266.84, 0.62%, 0.48%

LAB 37.13, 58.7, -67.02

 

CMYK 0 / 77 / 48 / 22

HEX #C62E66

RGB 198 46 102

HSL 337.89, 0.62%, 0.48%

LAB 45.52, 62.13, 5.02

 

CMYK 33 / 0 / 77 / 22

HEX #84C62E

RGB 132 198 46

HSL 86.05, 0.62%, 0.48%

LAB 73.21, -43.34, 64.27

 

CMYK 77 / 0 / 28 / 22

HEX #2EC68E

RGB 46 198 142

HSL 157.89, 0.62%, 0.48%

LAB 71.5, -51.75, 17.21

 

CMYK 42 / 77 / 0 / 22

HEX #722EC6

RGB 114 46 198

HSL 266.84, 0.62%, 0.48%

LAB 37.13, 58.7, -67.02

 

CMYK 0 / 77 / 72 / 22

HEX #C62E38

RGB 198 46 56

HSL 356.05, 0.62%, 0.48%

LAB 44.58, 59.14, 32.01

 

CMYK 33 / 0 / 77 / 22

HEX #84C62E

RGB 132 198 46

HSL 86.05, 0.62%, 0.48%

LAB 73.21, -43.34, 64.27

 

CMYK 77 / 0 / 5 / 22

HEX #2EC6BC

RGB 46 198 188

HSL 176.05, 0.62%, 0.48%

LAB 72.63, -40.08, -6.07

 

Description

Color code: RGB 114 46 198 | qconv.com Color code: RGB 114 46 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 46 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 46 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 77 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 77% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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