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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 249 56 it is the complementary color RGB 141 6 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 249 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 114 249 56: RGB 119 249 51, RGB 136 255 70, RGB 153 255 89, RGB 170 255 108 and RGB 187 255 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 249 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 114 249 56: RGB 114 249 56, RGB 97 231 37, RGB 80 213 18, RGB 63 195 0 and RGB 46 177 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 78 / 2

HEX #72F938

RGB 114 249 56

HSL 101.97, 0.94%, 0.6%

LAB 87.78, -67.93, 74.79

 

Complementary color

CMYK 29 / 97 / 0 / 22

HEX #8D06C7

RGB 141 6 199

HSL 281.97, 0.94%, 0.4%

LAB 37.69, 72.55, -66.54

 

CMYK 52 / 0 / 80 / 2

HEX #77F933

RGB 119 249 51

HSL 99.39, 0.94%, 0.59%

LAB 87.93, -66.88, 76.36

 

CMYK 47 / 0 / 73 / 0

HEX #88FF46

RGB 136 255 70

HSL 98.59, 1%, 0.64%

LAB 90.41, -63.23, 73.26

 

CMYK 40 / 0 / 65 / 0

HEX #99FF59

RGB 153 255 89

HSL 96.87, 1%, 0.67%

LAB 91.24, -56.74, 67.48

 

CMYK 33 / 0 / 58 / 0

HEX #AAFF6C

RGB 170 255 108

HSL 94.69, 1%, 0.71%

LAB 92.2, -49.6, 60.98

 

CMYK 27 / 0 / 50 / 0

HEX #BBFF7F

RGB 187 255 127

HSL 91.88, 1%, 0.75%

LAB 93.28, -41.93, 54.01

 

CMYK 54 / 0 / 78 / 2

HEX #72F938

RGB 114 249 56

HSL 101.97, 0.94%, 0.6%

LAB 87.78, -67.93, 74.79

 

CMYK 58 / 0 / 84 / 9

HEX #61E725

RGB 97 231 37

HSL 101.44, 0.8%, 0.53%

LAB 81.74, -66.93, 73.95

 

CMYK 62 / 0 / 92 / 16

HEX #50D512

RGB 80 213 18

HSL 100.92, 0.84%, 0.45%

LAB 75.66, -65.55, 72.02

 

CMYK 68 / 0 / 100 / 24

HEX #3FC300

RGB 63 195 0

HSL 100.62, 1%, 0.38%

LAB 69.53, -63.71, 68.9

 

CMYK 74 / 0 / 100 / 31

HEX #2EB100

RGB 46 177 0

HSL 104.41, 1%, 0.35%

LAB 63.36, -61.21, 63.84

 

CMYK 54 / 0 / 78 / 2

HEX #72F938

RGB 114 249 56

HSL 101.97, 0.94%, 0.6%

LAB 87.78, -67.93, 74.79

 

CMYK 66 / 0 / 77 / 3

HEX #55F839

RGB 85 248 57

HSL 111.2, 0.93%, 0.6%

LAB 86.68, -74.09, 73.17

 

CMYK 77 / 0 / 76 / 3

HEX #39F83C

RGB 57 248 60

HSL 120.94, 0.93%, 0.6%

LAB 86.17, -78.4, 71.59

 

CMYK 77 / 0 / 63 / 3

HEX #39F85C

RGB 57 248 92

HSL 130.99, 0.93%, 0.6%

LAB 86.39, -75.66, 60.18

 

CMYK 77 / 0 / 50 / 3

HEX #39F87C

RGB 57 248 124

HSL 141.05, 0.93%, 0.6%

LAB 86.73, -71.6, 46.37

 

CMYK 54 / 0 / 78 / 2

HEX #72F938

RGB 114 249 56

HSL 101.97, 0.94%, 0.6%

LAB 87.78, -67.93, 74.79

 

CMYK 53 / 0 / 78 / 82

HEX #152D0A

RGB 21 45 10

HSL 101.14, 0.64%, 0.11%

LAB 15.79, -17.37, 18.42

 

CMYK 54 / 0 / 77 / 62

HEX #2C6016

RGB 44 96 22

HSL 102.16, 0.63%, 0.23%

LAB 35.91, -31.91, 34.97

 

CMYK 54 / 0 / 78 / 42

HEX #439321

RGB 67 147 33

HSL 102.11, 0.63%, 0.35%

LAB 54.21, -44.85, 49.28

 

CMYK 54 / 0 / 77 / 22

HEX #5BC62D

RGB 91 198 45

HSL 101.96, 0.63%, 0.48%

LAB 71.42, -56.53, 62.25

 

CMYK 54 / 0 / 78 / 2

HEX #72F938

RGB 114 249 56

HSL 101.97, 0.94%, 0.6%

LAB 87.78, -67.93, 74.79

 

CMYK 77 / 0 / 9 / 3

HEX #39F8E2

RGB 57 248 226

HSL 173.09, 0.93%, 0.6%

LAB 88.68, -50.35, -2.62

 

CMYK 0 / 77 / 22 / 3

HEX #F839C2

RGB 248 57 194

HSL 316.96, 0.93%, 0.6%

LAB 58.77, 81.11, -28.98

 

CMYK 54 / 0 / 78 / 2

HEX #72F938

RGB 114 249 56

HSL 101.97, 0.94%, 0.6%

LAB 87.78, -67.93, 74.79

 

CMYK 77 / 53 / 0 / 3

HEX #3975F8

RGB 57 117 248

HSL 221.15, 0.93%, 0.6%

LAB 52.25, 26.13, -71

 

CMYK 0 / 77 / 53 / 3

HEX #F83975

RGB 248 57 117

HSL 341.15, 0.93%, 0.6%

LAB 56.25, 73.54, 12.41

 

CMYK 54 / 0 / 78 / 2

HEX #72F938

RGB 114 249 56

HSL 101.97, 0.94%, 0.6%

LAB 87.78, -67.93, 74.79

 

CMYK 77 / 0 / 9 / 3

HEX #39F8E2

RGB 57 248 226

HSL 173.09, 0.93%, 0.6%

LAB 88.68, -50.35, -2.62

 

CMYK 24 / 77 / 0 / 3

HEX #BC39F8

RGB 188 57 248

HSL 281.15, 0.93%, 0.6%

LAB 52.28, 77.69, -70.44

 

CMYK 0 / 77 / 68 / 3

HEX #F8394F

RGB 248 57 79

HSL 353.09, 0.93%, 0.6%

LAB 55.53, 71.26, 33.91

 

CMYK 54 / 0 / 78 / 2

HEX #72F938

RGB 114 249 56

HSL 101.97, 0.94%, 0.6%

LAB 87.78, -67.93, 74.79

 

CMYK 77 / 14 / 0 / 3

HEX #39D5F8

RGB 57 213 248

HSL 190.99, 0.93%, 0.6%

LAB 79.18, -28.13, -28.5

 

CMYK 24 / 77 / 0 / 3

HEX #BC39F8

RGB 188 57 248

HSL 281.15, 0.93%, 0.6%

LAB 52.28, 77.69, -70.44

 

CMYK 0 / 63 / 77 / 3

HEX #F85C39

RGB 248 92 57

HSL 10.99, 0.93%, 0.6%

LAB 59.8, 57.92, 50.67

 

Description

Color code: RGB 114 249 56 | qconv.com Color code: RGB 114 249 56 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 249 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 249 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 78 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 78% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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