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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 20 9 it is the complementary color RGB 141 235 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 20 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 114 20 9: RGB 119 20 4, RGB 136 38 23, RGB 153 56 42, RGB 170 74 61 and RGB 187 92 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 20 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 114 20 9: RGB 114 20 9, RGB 97 2 0, RGB 80 0 0, RGB 63 0 0 and RGB 46 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 92 / 55

HEX #721409

RGB 114 20 9

HSL 6.29, 0.85%, 0.24%

LAB 23.99, 39.57, 31.81

 

Complementary color

CMYK 43 / 4 / 0 / 4

HEX #8DEBF6

RGB 141 235 246

HSL 186.29, 0.85%, 0.76%

LAB 87.84, -25.13, -14.08

 

CMYK 0 / 83 / 97 / 53

HEX #771404

RGB 119 20 4

HSL 8.35, 0.93%, 0.24%

LAB 25.05, 41.09, 35.25

 

CMYK 0 / 72 / 83 / 47

HEX #882617

RGB 136 38 23

HSL 7.96, 0.71%, 0.31%

LAB 31.07, 40.77, 33

 

CMYK 0 / 63 / 73 / 40

HEX #99382A

RGB 153 56 42

HSL 7.57, 0.57%, 0.38%

LAB 37.42, 39.75, 29.83

 

CMYK 0 / 56 / 64 / 33

HEX #AA4A3D

RGB 170 74 61

HSL 7.16, 0.47%, 0.45%

LAB 43.92, 38.48, 27.08

 

CMYK 0 / 51 / 57 / 27

HEX #BB5C50

RGB 187 92 80

HSL 6.73, 0.44%, 0.52%

LAB 50.45, 37.19, 24.76

 

CMYK 0 / 82 / 92 / 55

HEX #721409

RGB 114 20 9

HSL 6.29, 0.85%, 0.24%

LAB 23.99, 39.57, 31.81

 

CMYK 0 / 98 / 100 / 62

HEX #610200

RGB 97 2 0

HSL 1.24, 1%, 0.19%

LAB 18.3, 38.9, 28.14

 

CMYK 0 / 100 / 100 / 69

HEX #500000

RGB 80 0 0

HSL 0, 1%, 0.16%

LAB 13.86, 34.55, 21.68

 

CMYK 0 / 100 / 100 / 75

HEX #3F0000

RGB 63 0 0

HSL 0, 1%, 0.12%

LAB 9.46, 29.45, 14.93

 

CMYK 0 / 100 / 100 / 82

HEX #2E0000

RGB 46 0 0

HSL 0, 1%, 0.09%

LAB 5.25, 22.43, 8.29

 

CMYK 0 / 82 / 92 / 55

HEX #721409

RGB 114 20 9

HSL 6.29, 0.85%, 0.24%

LAB 23.99, 39.57, 31.81

 

CMYK 0 / 68 / 92 / 56

HEX #712409

RGB 113 36 9

HSL 15.58, 0.85%, 0.24%

LAB 26.13, 32.75, 33.78

 

CMYK 0 / 52 / 92 / 56

HEX #713609

RGB 113 54 9

HSL 25.96, 0.85%, 0.24%

LAB 29.83, 23.18, 36.89

 

CMYK 0 / 37 / 92 / 56

HEX #714709

RGB 113 71 9

HSL 35.77, 0.85%, 0.24%

LAB 34.06, 13.07, 40.26

 

CMYK 0 / 22 / 92 / 56

HEX #715809

RGB 113 88 9

HSL 45.58, 0.85%, 0.24%

LAB 38.74, 2.8, 43.99

 

CMYK 0 / 82 / 92 / 55

HEX #721409

RGB 114 20 9

HSL 6.29, 0.85%, 0.24%

LAB 23.99, 39.57, 31.81

 

CMYK 0 / 82 / 92 / 35

HEX #A51D0D

RGB 165 29 13

HSL 6.32, 0.85%, 0.35%

LAB 35.8, 52.95, 44.14

 

CMYK 0 / 82 / 92 / 15

HEX #D82611

RGB 216 38 17

HSL 6.33, 0.85%, 0.46%

LAB 47.01, 65.46, 55.09

 

CMYK 0 / 83 / 92 / 95

HEX #0C0201

RGB 12 2 1

HSL 5.45, 0.85%, 0.03%

LAB 1.12, 2.51, 1.31

 

CMYK 0 / 83 / 92 / 75

HEX #3F0B05

RGB 63 11 5

HSL 6.21, 0.85%, 0.13%

LAB 11.32, 24.65, 15.52

 

CMYK 0 / 82 / 92 / 55

HEX #721409

RGB 114 20 9

HSL 6.29, 0.85%, 0.24%

LAB 23.99, 39.57, 31.81

 

CMYK 27 / 0 / 92 / 56

HEX #527109

RGB 82 113 9

HSL 77.88, 0.85%, 0.24%

LAB 43.69, -25.77, 46.91

 

CMYK 92 / 65 / 0 / 56

HEX #092871

RGB 9 40 113

HSL 222.12, 0.85%, 0.24%

LAB 19.09, 20.5, -44.94

 

CMYK 0 / 82 / 92 / 55

HEX #721409

RGB 114 20 9

HSL 6.29, 0.85%, 0.24%

LAB 23.99, 39.57, 31.81

 

CMYK 92 / 0 / 83 / 56

HEX #097113

RGB 9 113 19

HSL 125.77, 0.85%, 0.24%

LAB 41.08, -45.47, 40.88

 

CMYK 83 / 92 / 0 / 56

HEX #130971

RGB 19 9 113

HSL 245.77, 0.85%, 0.24%

LAB 12.77, 39.86, -55.36

 

CMYK 0 / 82 / 92 / 55

HEX #721409

RGB 114 20 9

HSL 6.29, 0.85%, 0.24%

LAB 23.99, 39.57, 31.81

 

CMYK 27 / 0 / 92 / 56

HEX #527109

RGB 82 113 9

HSL 77.88, 0.85%, 0.24%

LAB 43.69, -25.77, 46.91

 

CMYK 92 / 10 / 0 / 56

HEX #096671

RGB 9 102 113

HSL 186.35, 0.85%, 0.24%

LAB 39.16, -20.07, -13.19

 

CMYK 65 / 92 / 0 / 56

HEX #280971

RGB 40 9 113

HSL 257.88, 0.85%, 0.24%

LAB 14.62, 41.27, -52.24

 

CMYK 0 / 82 / 92 / 55

HEX #721409

RGB 114 20 9

HSL 6.29, 0.85%, 0.24%

LAB 23.99, 39.57, 31.81

 

CMYK 56 / 0 / 92 / 56

HEX #327109

RGB 50 113 9

HSL 96.35, 0.85%, 0.24%

LAB 42.01, -37.81, 44.82

 

CMYK 92 / 10 / 0 / 56

HEX #096671

RGB 9 102 113

HSL 186.35, 0.85%, 0.24%

LAB 39.16, -20.07, -13.19

 

CMYK 37 / 92 / 0 / 56

HEX #470971

RGB 71 9 113

HSL 275.77, 0.85%, 0.24%

LAB 18.92, 44.94, -45.01

 

Description

Color code: RGB 114 20 9 | qconv.com Color code: RGB 114 20 9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 20 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 20 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 92 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 92% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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