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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 186 26 it is the complementary color RGB 141 69 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 186 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 114 186 26: RGB 119 186 21, RGB 136 204 40, RGB 153 222 59, RGB 170 240 78 and RGB 187 255 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 186 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 114 186 26: RGB 114 186 26, RGB 97 168 7, RGB 80 150 0, RGB 63 132 0 and RGB 46 114 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 86 / 27

HEX #72BA1A

RGB 114 186 26

HSL 87, 0.75%, 0.42%

LAB 68.58, -45.58, 65.11

 

Complementary color

CMYK 38 / 70 / 0 / 10

HEX #8D45E5

RGB 141 69 229

HSL 267, 0.75%, 0.58%

LAB 46.41, 60.69, -69.57

 

CMYK 36 / 0 / 89 / 27

HEX #77BA15

RGB 119 186 21

HSL 84.36, 0.8%, 0.41%

LAB 68.82, -43.96, 66.42

 

CMYK 33 / 0 / 80 / 20

HEX #88CC28

RGB 136 204 40

HSL 84.88, 0.67%, 0.48%

LAB 75.19, -44.74, 67.92

 

CMYK 31 / 0 / 73 / 13

HEX #99DE3B

RGB 153 222 59

HSL 85.4, 0.71%, 0.55%

LAB 81.47, -45.3, 68.38

 

CMYK 29 / 0 / 68 / 6

HEX #AAF04E

RGB 170 240 78

HSL 85.93, 0.84%, 0.62%

LAB 87.69, -45.7, 68.19

 

CMYK 27 / 0 / 62 / 0

HEX #BBFF61

RGB 187 255 97

HSL 85.82, 1%, 0.69%

LAB 92.99, -44.69, 66.7

 

CMYK 39 / 0 / 86 / 27

HEX #72BA1A

RGB 114 186 26

HSL 87, 0.75%, 0.42%

LAB 68.58, -45.58, 65.11

 

CMYK 42 / 0 / 96 / 34

HEX #61A807

RGB 97 168 7

HSL 86.46, 0.92%, 0.34%

LAB 62.14, -44.59, 62.62

 

CMYK 47 / 0 / 100 / 41

HEX #509600

RGB 80 150 0

HSL 88, 1%, 0.29%

LAB 55.6, -43.23, 58.15

 

CMYK 52 / 0 / 100 / 48

HEX #3F8400

RGB 63 132 0

HSL 91.36, 1%, 0.26%

LAB 48.96, -41.6, 52.64

 

CMYK 60 / 0 / 100 / 55

HEX #2E7200

RGB 46 114 0

HSL 95.79, 1%, 0.22%

LAB 42.18, -39.76, 47.03

 

CMYK 39 / 0 / 86 / 27

HEX #72BA1A

RGB 114 186 26

HSL 87, 0.75%, 0.42%

LAB 68.58, -45.58, 65.11

 

CMYK 53 / 0 / 86 / 27

HEX #58BB1A

RGB 88 187 26

HSL 96.89, 0.76%, 0.42%

LAB 67.79, -54.26, 63.99

 

CMYK 67 / 0 / 86 / 27

HEX #3DBB1A

RGB 61 187 26

HSL 106.96, 0.76%, 0.42%

LAB 66.98, -60.87, 62.97

 

CMYK 82 / 0 / 86 / 27

HEX #22BB1A

RGB 34 187 26

HSL 117.02, 0.76%, 0.42%

LAB 66.49, -65.17, 62.34

 

CMYK 86 / 0 / 76 / 27

HEX #1ABB2D

RGB 26 187 45

HSL 127.08, 0.76%, 0.42%

LAB 66.48, -64.87, 56.94

 

CMYK 39 / 0 / 86 / 27

HEX #72BA1A

RGB 114 186 26

HSL 87, 0.75%, 0.42%

LAB 68.58, -45.58, 65.11

 

CMYK 39 / 0 / 86 / 7

HEX #91ED21

RGB 145 237 33

HSL 87.06, 0.85%, 0.53%

LAB 85.35, -55.31, 78.62

 

CMYK 39 / 0 / 85 / 87

HEX #142105

RGB 20 33 5

HSL 87.86, 0.74%, 0.07%

LAB 10.9, -11.78, 13.95

 

CMYK 39 / 0 / 86 / 67

HEX #33540C

RGB 51 84 12

HSL 87.5, 0.75%, 0.19%

LAB 31.97, -24.52, 35.08

 

CMYK 39 / 0 / 86 / 47

HEX #538713

RGB 83 135 19

HSL 86.9, 0.75%, 0.3%

LAB 50.94, -35.28, 50.78

 

CMYK 39 / 0 / 86 / 27

HEX #72BA1A

RGB 114 186 26

HSL 87, 0.75%, 0.42%

LAB 68.58, -45.58, 65.11

 

CMYK 86 / 0 / 30 / 27

HEX #1ABB83

RGB 26 187 131

HSL 159.13, 0.76%, 0.42%

LAB 67.58, -51.89, 17.65

 

CMYK 0 / 86 / 4 / 27

HEX #BB1AB3

RGB 187 26 179

HSL 302.98, 0.76%, 0.42%

LAB 45.02, 73.57, -42.57

 

CMYK 39 / 0 / 86 / 27

HEX #72BA1A

RGB 114 186 26

HSL 87, 0.75%, 0.42%

LAB 68.58, -45.58, 65.11

 

CMYK 86 / 39 / 0 / 27

HEX #1A73BB

RGB 26 115 187

HSL 206.83, 0.76%, 0.42%

LAB 47.06, 1.49, -44.84

 

CMYK 0 / 86 / 39 / 27

HEX #BB1A73

RGB 187 26 115

HSL 326.83, 0.76%, 0.42%

LAB 42.06, 65.57, -8.38

 

CMYK 39 / 0 / 86 / 27

HEX #72BA1A

RGB 114 186 26

HSL 87, 0.75%, 0.42%

LAB 68.58, -45.58, 65.11

 

CMYK 86 / 0 / 30 / 27

HEX #1ABB83

RGB 26 187 131

HSL 159.13, 0.76%, 0.42%

LAB 67.58, -51.89, 17.65

 

CMYK 47 / 86 / 0 / 27

HEX #631ABB

RGB 99 26 187

HSL 267.2, 0.76%, 0.42%

LAB 31.76, 61.21, -69.44

 

CMYK 0 / 86 / 56 / 27

HEX #BB1A53

RGB 187 26 83

HSL 338.76, 0.76%, 0.42%

LAB 41.1, 62.83, 10.36

 

CMYK 39 / 0 / 86 / 27

HEX #72BA1A

RGB 114 186 26

HSL 87, 0.75%, 0.42%

LAB 68.58, -45.58, 65.11

 

CMYK 86 / 0 / 4 / 27

HEX #1ABBB3

RGB 26 187 179

HSL 177.02, 0.76%, 0.42%

LAB 68.76, -39.4, -6.9

 

CMYK 47 / 86 / 0 / 27

HEX #631ABB

RGB 99 26 187

HSL 267.2, 0.76%, 0.42%

LAB 31.76, 61.21, -69.44

 

CMYK 0 / 86 / 82 / 27

HEX #BB1A22

RGB 187 26 34

HSL 357.02, 0.76%, 0.42%

LAB 40.28, 60.42, 39.42

 

Description

Color code: RGB 114 186 26 | qconv.com Color code: RGB 114 186 26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 186 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 186 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 86 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 86% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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