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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 184 138 it is the complementary color RGB 141 71 117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 184 138. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 114 184 138: RGB 119 184 133, RGB 136 202 152, RGB 153 220 171, RGB 170 238 190 and RGB 187 255 209

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 184 138. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 114 184 138: RGB 114 184 138, RGB 97 166 119, RGB 80 148 100, RGB 63 130 81 and RGB 46 112 62

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 25 / 28

HEX #72B88A

RGB 114 184 138

HSL 140.57, 0.33%, 0.58%

LAB 69.25, -32.14, 16.56

 

Complementary color

CMYK 0 / 50 / 17 / 45

HEX #8D4775

RGB 141 71 117

HSL 320.57, 0.33%, 0.42%

LAB 40.33, 35.81, -12.99

 

CMYK 35 / 0 / 28 / 28

HEX #77B885

RGB 119 184 133

HSL 132.92, 0.31%, 0.59%

LAB 69.4, -31.55, 19.5

 

CMYK 33 / 0 / 25 / 21

HEX #88CA98

RGB 136 202 152

HSL 134.55, 0.38%, 0.66%

LAB 75.91, -31.28, 18.45

 

CMYK 30 / 0 / 22 / 14

HEX #99DCAB

RGB 153 220 171

HSL 136.12, 0.49%, 0.73%

LAB 82.32, -31.02, 17.46

 

CMYK 29 / 0 / 20 / 7

HEX #AAEEBE

RGB 170 238 190

HSL 137.65, 0.67%, 0.8%

LAB 88.64, -30.78, 16.53

 

CMYK 27 / 0 / 18 / 0

HEX #BBFFD1

RGB 187 255 209

HSL 139.41, 1%, 0.87%

LAB 94.61, -30.08, 15.27

 

CMYK 38 / 0 / 25 / 28

HEX #72B88A

RGB 114 184 138

HSL 140.57, 0.33%, 0.58%

LAB 69.25, -32.14, 16.56

 

CMYK 42 / 0 / 28 / 35

HEX #61A677

RGB 97 166 119

HSL 139.13, 0.28%, 0.52%

LAB 62.63, -32.41, 17.66

 

CMYK 46 / 0 / 32 / 42

HEX #509464

RGB 80 148 100

HSL 137.65, 0.3%, 0.45%

LAB 55.89, -32.67, 18.86

 

CMYK 52 / 0 / 38 / 49

HEX #3F8251

RGB 63 130 81

HSL 136.12, 0.35%, 0.38%

LAB 49.03, -32.86, 20.17

 

CMYK 59 / 0 / 45 / 56

HEX #2E703E

RGB 46 112 62

HSL 134.55, 0.42%, 0.31%

LAB 42.03, -32.92, 21.63

 

CMYK 38 / 0 / 25 / 28

HEX #72B88A

RGB 114 184 138

HSL 140.57, 0.33%, 0.58%

LAB 69.25, -32.14, 16.56

 

CMYK 39 / 0 / 20 / 28

HEX #70B793

RGB 112 183 147

HSL 149.58, 0.33%, 0.58%

LAB 69.05, -30.46, 11.37

 

CMYK 39 / 0 / 13 / 28

HEX #70B79F

RGB 112 183 159

HSL 159.72, 0.33%, 0.58%

LAB 69.34, -27.88, 5.21

 

CMYK 39 / 0 / 7 / 28

HEX #70B7AB

RGB 112 183 171

HSL 169.86, 0.33%, 0.58%

LAB 69.65, -25.13, -0.94

 

CMYK 39 / 0 / 0 / 28

HEX #70B7B7

RGB 112 183 183

HSL 180, 0.33%, 0.58%

LAB 69.99, -22.21, -7.03

 

CMYK 38 / 0 / 25 / 28

HEX #72B88A

RGB 114 184 138

HSL 140.57, 0.33%, 0.58%

LAB 69.25, -32.14, 16.56

 

CMYK 38 / 0 / 25 / 8

HEX #92EBB0

RGB 146 235 176

HSL 140.22, 0.69%, 0.75%

LAB 86.34, -39.1, 20.39

 

CMYK 39 / 0 / 26 / 88

HEX #131F17

RGB 19 31 23

HSL 140, 0.24%, 0.1%

LAB 10.41, -7.55, 3.79

 

CMYK 38 / 0 / 24 / 68

HEX #33523E

RGB 51 82 62

HSL 141.29, 0.23%, 0.26%

LAB 32, -16.46, 8.17

 

CMYK 38 / 0 / 25 / 48

HEX #528564

RGB 82 133 100

HSL 141.18, 0.24%, 0.42%

LAB 51.25, -24.78, 12.5

 

CMYK 38 / 0 / 25 / 28

HEX #72B88A

RGB 114 184 138

HSL 140.57, 0.33%, 0.58%

LAB 69.25, -32.14, 16.56

 

CMYK 39 / 21 / 0 / 28

HEX #7091B7

RGB 112 145 183

HSL 212.11, 0.33%, 0.58%

LAB 59.08, -1.75, -23.5

 

CMYK 0 / 39 / 36 / 28

HEX #B77075

RGB 183 112 117

HSL 355.77, 0.33%, 0.58%

LAB 55.01, 28.71, 9.21

 

CMYK 38 / 0 / 25 / 28

HEX #72B88A

RGB 114 184 138

HSL 140.57, 0.33%, 0.58%

LAB 69.25, -32.14, 16.56

 

CMYK 26 / 39 / 0 / 28

HEX #8870B7

RGB 136 112 183

HSL 260.28, 0.33%, 0.58%

LAB 52.11, 24.61, -34.17

 

CMYK 0 / 26 / 39 / 28

HEX #B78870

RGB 183 136 112

HSL 20.28, 0.33%, 0.58%

LAB 60.64, 14.76, 19.9

 

CMYK 38 / 0 / 25 / 28

HEX #72B88A

RGB 114 184 138

HSL 140.57, 0.33%, 0.58%

LAB 69.25, -32.14, 16.56

 

CMYK 39 / 21 / 0 / 28

HEX #7091B7

RGB 112 145 183

HSL 212.11, 0.33%, 0.58%

LAB 59.08, -1.75, -23.5

 

CMYK 0 / 39 / 13 / 28

HEX #B7709F

RGB 183 112 159

HSL 320.28, 0.33%, 0.58%

LAB 56.25, 34.9, -13.48

 

CMYK 0 / 18 / 39 / 28

HEX #B79670

RGB 183 150 112

HSL 32.11, 0.33%, 0.58%

LAB 64.2, 7, 24.68

 

CMYK 38 / 0 / 25 / 28

HEX #72B88A

RGB 114 184 138

HSL 140.57, 0.33%, 0.58%

LAB 69.25, -32.14, 16.56

 

CMYK 39 / 32 / 0 / 28

HEX #707CB7

RGB 112 124 183

HSL 229.86, 0.33%, 0.58%

LAB 53.25, 10.51, -32.52

 

CMYK 0 / 39 / 13 / 28

HEX #B7709F

RGB 183 112 159

HSL 320.28, 0.33%, 0.58%

LAB 56.25, 34.9, -13.48

 

CMYK 0 / 7 / 39 / 28

HEX #B7AB70

RGB 183 171 112

HSL 49.86, 0.33%, 0.58%

LAB 69.73, -4.38, 31.94

 

Description

Color code: RGB 114 184 138 | qconv.com Color code: RGB 114 184 138 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 184 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 184 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 25 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 25% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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