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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 39 209 it is the complementary color RGB 142 216 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 39 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 113 39 209: RGB 118 39 204, RGB 135 57 223, RGB 152 75 242, RGB 169 93 255 and RGB 186 111 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 39 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 113 39 209: RGB 113 39 209, RGB 96 21 190, RGB 79 3 171, RGB 62 0 152 and RGB 45 0 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 81 / 0 / 18

HEX #7127D1

RGB 113 39 209

HSL 266.12, 0.69%, 0.49%

LAB 37.05, 63.91, -73.56

 

Complementary color

CMYK 34 / 0 / 79 / 15

HEX #8ED82E

RGB 142 216 46

HSL 86.12, 0.69%, 0.51%

LAB 79.08, -47.36, 69.92

 

CMYK 42 / 81 / 0 / 20

HEX #7627CC

RGB 118 39 204

HSL 268.73, 0.68%, 0.48%

LAB 37.23, 63.41, -70.34

 

CMYK 39 / 74 / 0 / 13

HEX #8739DF

RGB 135 57 223

HSL 268.19, 0.72%, 0.55%

LAB 43.37, 63.5, -71.15

 

CMYK 37 / 69 / 0 / 5

HEX #984BF2

RGB 152 75 242

HSL 267.66, 0.87%, 0.62%

LAB 49.64, 63.06, -71.59

 

CMYK 34 / 64 / 0 / 0

HEX #A95DFF

RGB 169 93 255

HSL 268.15, 1%, 0.68%

LAB 55.57, 60.92, -69.13

 

CMYK 27 / 56 / 0 / 0

HEX #BA6FFF

RGB 186 111 255

HSL 271.25, 1%, 0.72%

LAB 60.81, 55.68, -60.61

 

CMYK 46 / 81 / 0 / 18

HEX #7127D1

RGB 113 39 209

HSL 266.12, 0.69%, 0.49%

LAB 37.05, 63.91, -73.56

 

CMYK 49 / 89 / 0 / 25

HEX #6015BE

RGB 96 21 190

HSL 266.63, 0.8%, 0.41%

LAB 31.21, 62.98, -72.14

 

CMYK 54 / 98 / 0 / 33

HEX #4F03AB

RGB 79 3 171

HSL 267.14, 0.97%, 0.34%

LAB 25.77, 60.7, -69.87

 

CMYK 59 / 100 / 0 / 40

HEX #3E0098

RGB 62 0 152

HSL 264.47, 1%, 0.3%

LAB 21.17, 55.68, -65.96

 

CMYK 66 / 100 / 0 / 48

HEX #2D0085

RGB 45 0 133

HSL 260.3, 1%, 0.26%

LAB 16.75, 50.03, -61.5

 

CMYK 46 / 81 / 0 / 18

HEX #7127D1

RGB 113 39 209

HSL 266.12, 0.69%, 0.49%

LAB 37.05, 63.91, -73.56

 

CMYK 33 / 82 / 0 / 17

HEX #8E26D3

RGB 142 38 211

HSL 276.07, 0.69%, 0.49%

LAB 40.96, 68.77, -68.16

 

CMYK 19 / 82 / 0 / 17

HEX #AA26D3

RGB 170 38 211

HSL 285.78, 0.69%, 0.49%

LAB 45.13, 73.22, -61.19

 

CMYK 6 / 82 / 0 / 17

HEX #C726D3

RGB 199 38 211

HSL 295.84, 0.69%, 0.49%

LAB 49.78, 78.26, -53.47

 

CMYK 0 / 82 / 9 / 17

HEX #D326C1

RGB 211 38 193

HSL 306.24, 0.69%, 0.49%

LAB 50.79, 77.81, -41.36

 

CMYK 46 / 81 / 0 / 18

HEX #7127D1

RGB 113 39 209

HSL 266.12, 0.69%, 0.49%

LAB 37.05, 63.91, -73.56

 

CMYK 40 / 80 / 0 / 98

HEX #030105

RGB 3 1 5

HSL 270, 0.67%, 0.01%

LAB 0.47, 1.08, -1.33

 

CMYK 46 / 82 / 0 / 78

HEX #1E0A38

RGB 30 10 56

HSL 266.09, 0.7%, 0.13%

LAB 7.03, 22.04, -25.76

 

CMYK 46 / 81 / 0 / 58

HEX #3A146B

RGB 58 20 107

HSL 266.21, 0.69%, 0.25%

LAB 17.74, 37.41, -43.1

 

CMYK 46 / 82 / 0 / 38

HEX #551D9E

RGB 85 29 158

HSL 266.05, 0.69%, 0.37%

LAB 27.51, 51.26, -59.07

 

CMYK 46 / 81 / 0 / 18

HEX #7127D1

RGB 113 39 209

HSL 266.12, 0.69%, 0.49%

LAB 37.05, 63.91, -73.56

 

CMYK 0 / 82 / 52 / 17

HEX #D32665

RGB 211 38 101

HSL 338.15, 0.69%, 0.49%

LAB 47.2, 67.65, 8.37

 

CMYK 82 / 0 / 79 / 17

HEX #26D32C

RGB 38 211 44

HSL 122.08, 0.69%, 0.49%

LAB 74.31, -70.83, 64.88

 

CMYK 46 / 81 / 0 / 18

HEX #7127D1

RGB 113 39 209

HSL 266.12, 0.69%, 0.49%

LAB 37.05, 63.91, -73.56

 

CMYK 0 / 46 / 82 / 17

HEX #D37126

RGB 211 113 38

HSL 26.01, 0.69%, 0.49%

LAB 57.85, 33.54, 55.38

 

CMYK 82 / 0 / 46 / 17

HEX #26D371

RGB 38 211 113

HSL 146.01, 0.69%, 0.49%

LAB 74.95, -63.03, 36.84

 

CMYK 46 / 81 / 0 / 18

HEX #7127D1

RGB 113 39 209

HSL 266.12, 0.69%, 0.49%

LAB 37.05, 63.91, -73.56

 

CMYK 0 / 82 / 52 / 17

HEX #D32665

RGB 211 38 101

HSL 338.15, 0.69%, 0.49%

LAB 47.2, 67.65, 8.37

 

CMYK 36 / 0 / 82 / 17

HEX #88D326

RGB 136 211 38

HSL 86.01, 0.69%, 0.49%

LAB 77.26, -47.75, 70.31

 

CMYK 82 / 0 / 30 / 17

HEX #26D393

RGB 38 211 147

HSL 157.8, 0.69%, 0.49%

LAB 75.52, -56.48, 20.09

 

CMYK 46 / 81 / 0 / 18

HEX #7127D1

RGB 113 39 209

HSL 266.12, 0.69%, 0.49%

LAB 37.05, 63.91, -73.56

 

CMYK 0 / 82 / 76 / 17

HEX #D32632

RGB 211 38 50

HSL 355.84, 0.69%, 0.49%

LAB 46.27, 64.83, 38.1

 

CMYK 36 / 0 / 82 / 17

HEX #88D326

RGB 136 211 38

HSL 86.01, 0.69%, 0.49%

LAB 77.26, -47.75, 70.31

 

CMYK 82 / 0 / 6 / 17

HEX #26D3C7

RGB 38 211 199

HSL 175.84, 0.69%, 0.49%

LAB 76.75, -43.47, -5.93

 

Description

Color code: RGB 113 39 209 | qconv.com Color code: RGB 113 39 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 39 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 39 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 81 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 81% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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